Go 'n Joy Stores

Outside of Vancouver, WA Go 'n Joy store, circa 1981. Image: WSU Libraries Digital Collection

From the outside of it, Go 'n Joy convenience stores looked like your typical early 1980s convenience store chain.
 

As well as the inside of it. They made fresh deli sandwiches, had a full selection of potato chips, beer, candy and soda. As well as various other quick must-buys like milk, bread and eggs. They had a cold soda/Icee fountain. There were a couple of arcade video games in the front of the store. Pretty average stuff for a convenience store chain in 1981.

Nothing really seemed out of the ordinary. Except that this chain literally went from idea to 17 locations that sprang up within a period of a few months in western Washington State in early 1981 (something even your most ambitious retail chain doesn't do.) They had further plans of expansion of up to 30 stores at this time.

What are these places?, people began to ask. And how did they get so big, so fast? It seemed pretty strange. But nothing to be concerned over really, just odd.

The Washington State Liquor Control Board wanted to know too, as they were licensing each store for beer and wine sales (Hard liquor was still sold in state-run liquor stores at that time.) Their concern was knowing who actually owned the chain.

But after wandering through a maze of various shell companies and people who seemed to change positions within the company on a dime, the investigations revealed one common link; the various operatives of Go 'n Joy, from distributors to several franchise operators revealed ties to Rev. Sun Myung Moon and his Unification Church.

The Unification Church is a religion with a large worldwide membership (known as "Moonies"), but is still considered a cult by many. But this was a cult with a difference. While most cults were considered dirty Commie free-love hippies who are against capitalism by most people in post 1960s America, the Unification Church not only embraced capitalism, but made it front and center in it's various operations. They hated Communism. Members were clean and upstanding people.

One of my neighbours was a Moonie. He drove a nice car and owned a restaurant. At no time during my first two months of knowing him had I ever suspected he was a Moonie. But one day, religion snuck into our conversation and he casually mentioned he was a member of the Unification church. I wasn't upset or nervous about it. He didn't try to convert me. It was his thing, not mine.

But alternative religions were not looked upon kindly in 1981. We were a nation still in shock over the 1978 People's Temple mass suicide and anti-cult groups sprang up for families to "deprogram" other family members who were inducted into them.

The revelation of this chain being owned by the Moonies led to assorted accusations of the true intent of Go 'n Joy stores. Some parents believed the Unification Church was actively using the store chain as a front to lure young people into the religion.

While many young people (including myself at that time) occasionally stopped at a Go 'n Joy for a burrito and a soda, maybe played a video game, no one there ever gave me any leaflets. Nor do I remember seeing any. No one there ever asked me if I heard of Reverend Moon, that kind of thing. They wouldn't have lasted ten minutes if they did in that more religiously partisan time.

Unable to control the negative publicity, the Go 'n Joy chain was quietly sold. Some locations were sold to 7-Eleven, which used some locations as expansion outlets for their then recent acquired Hoagy's Corner chain of deli/convenience stores. Others to independent operators. In 1982, Rev. Moon was convicted of tax fraud and sentenced to 18 months in federal prison.

The Unification Church still owns lots of businesses. But today, the same outrage there was in 1981 doesn't exist now as people today are less concerned with the religion of a business operator and more eager for a good deal.

Rev. Sun Myung Moon passed away in 2012.

Holy Toledo!

Photo: Katie Rausch/The Toledo Blade

Meet Opal Covey.

She's running for mayor of Toledo, OH.

Well, actually it's kind of a long story. You see, according to Opal Covey, she is supposed to be mayor of Toledo. Right now. But for the past few elections, they have all been "rigged" against her, in spite of Covey never receiving more than 400 votes in the last mayoral elections she's run in.

Covey's platform is an interesting one to say the least. It consists of building an amusement park on three acres of land in downtown Toledo (surrounded by a parking garage which sits on far more space than this entire proposed amusement park.) And others on similarly sized lots of vacant property in downtown Toledo, claiming it would somehow make Toledo a hot tourist destination.

I can't even fit my attitude on three acres.

Yet she insists there's enough room for several full size carnival rides, arenas, ticket booths, concessions, game booths and porta-potties on these three acres. As well as the thousands of visitors she's expecting to flock to this particular amusement park (did I mention all this is supposed to be on three acres?)

O...K then. But folks, you ain't seen nothing yet.

A few weeks ago on Fred LeFebvre's morning show on Toledo news/talk station WSPD, Opal Covey was invited to discuss her plan on his show. And when Fred asked her to be specific about the physics and means of this particular amusement park in comparison to outlying amusement parks in the Toledo area, she...

Well, never mind. Just....just play it.

Video courtesy of 1370/92.1 WSPD Toledo/iHeartMedia

This wasn't the end of it. As LeFebvre was escorting Opal Covey out of the station building after the interview. Well, this happened. Perhaps the damnedest thing you'll see all year.

Adjectives will utterly fail you.

Video courtesy of 1370/92.1 WSPD Toledo/iHeartMedia

Wow. Just....Wow.

But just for the sake of sheer fun, let's pretend she was actually elected mayor of Toledo. What could we expect from an Opal Covey administration?

- Well, needless to say, Toledo's Public Access TV channel will get a HUGE ratings boost. Why watch any of these crappy new sitcoms on the broadcast/cable TV networks or Netflix when the funniest damn comedy in America is the city council meetings on Toledo Public Access TV?

- The natural laws of geometry, physics, dimension and space (and possibly gravity) are about to be overturned by the Covey administration to accommodate Mayor Covey's three acre amusement park plan. Suck it Nye and deGrasse-Tyson.

- Wiping the dust off your feet will become the latest dance craze.

- Local signs in the Toledo area will be in English and Tongues.

I think this very well may be Opal Covey's year. With all the media attention she's been getting recently, she may very well crack that 400 vote ceiling.

I'm not a fan of Republican politicians (they're all bull moose nuts as far as I'm concerned.) But if I lived in Toledo, she'd definitely have my vote. If only for the amusement value in Opal Covey alone, regardless of her amusement park plans.

We'll all just have to wait until next Tuesday to find out how she fared. I'll keep you updated on the Facebook page. Be sure to Like. There's links to current news stories in the world of pop culture and oddities as well as vintage photos and other memorabilia.

And good luck to Opal Covey....

September 23, 2015....Did You Miss It?.....

....so did the rest of us.

Apparently, there was supposed to be a meteor or an asteroid crashing into planet Earth. And God and his angels would blow their trumpets and we'll all be treated to the end of all humanity in a horrific catastrophe with a nice jazzy soundtrack. Or something to that effect.

The internet is filled with crazy videos and websites from wacky conspiracy theorists claiming that "The End Times" are coming.

Again?

You'll have to pardon me if I'm not much fun here. I've seen and heard it all. You can only see and hear so much of this nonsense before you just get bored of it (and before anyone starts firing off any comments about repentance and it's-for-real and you-just-wait, save your breath. Or keystrokes.) 




You can't set an exact date on such a thing either.  

But fear in America isn't just an emotion. It's a big industry. Politicians use fear to get votes. Radio and TV personalities use fear to get ratings and sales. And people on the internet like spreading fear for fun. Which translates into dollars for enterprising scam artists that feed off the money of the fearful, who are often the same people who tout the virtues of "freedom and liberty" (or the far-right version of it.) Which is odd because you can't have either if you're always scared.

Another crazy internet doomsday theory is Nibiru.

Nibiru is an alleged planet that every year since 2003 was supposed to crash into Earth or tilt its rotational axis, causing the usual global catastrophe. 


Much of this is spread further by radio hosts such as Art Bell, George Noory and Alex Jones, who host syndicated radio talk programs to audiences who are looking for something to justify their own delusions about "The Great Unknown" or "What The Government Won't Tell You". Who then make outlandish videos for YouTube and websites supporting the theories these hosts entertain or these individuals add their own twist to them.

Religious people especially like to get people worked up over doom and gloom. And for the same reason; It makes money. Hundreds of books have been written on "The End Times", some of them New York Times bestsellers.

In 2011, evangelical broadcaster Harold Camping made an infamous prediction over his Family Radio network of stations predicting the return of Jesus Christ on May 21, 2011. This prompted many employees and listeners of Family Radio to sell or donate their worldly possessions in anticipation of "The End".

Photo: Radio Survivor

When this did not materialize, Camping pushed back the date by five months to October 21,2011. When nothing happened on this date, Camping quickly disappeared from the airwaves, replaced by reruns of his own program. Camping died on December 15, 2013. He is survived by the world. The failure of his predictions as well as falling listener donations have led to the sale of many of his radio stations.

But as any of you who have had to deal with friends or relatives who were panicky about the whole "Y2K" debacle, you begin to seriously wonder if there needs to be a law requiring a disclaimer to all these programs and websites to at least protect the mentally unstable (which will surely cause stock in tinfoil to collapse.)

Then when nothing happens, they scramble for some explanation to save their asses. Which makes them and those that believed in them the first time around look even more foolish.

Personally, the only thing that can really destroy the Earth is the greed of the human race itself. Not some bipolar "god". Or things from outer space. But as long as there are fragile minded, easily terrified people, there will be always be someone trying to exploit that fear.

And as I speak, there's someone out there making up another end of the world story. And this time, it's for real. It's the big one. You better get ready this time.

Just like all the others...

"Religion And Politics" Scott Beach (1976)

Scott Beach was a DJ for legendary San Fransisco Classical radio station KKHI when he recorded this now long out of print spoken word single, which also appeared on Dr. Demento's Dementia Royale LP, also out of print.

How many words can you say with just one breath of air?......

Christian Light Switchplates

The creep factor is off the scale with these. Available at Switchplates.com 

Charlie Hebdo

The January 14, 2015 issue of Charlie Hebdo. Headline: "All is Forgiven".

It has been nearly a week since the massacre at the Paris offices of Charlie Hebdo, a French satirical weekly newspaper. And words still fail me.

This was a direct attack not just on a little French weekly. It was an attack on all of us who cherish freedom of speech. The artists, writers, journalists, reporters and bloggers of the world, be they on paper or online. And their readers. No matter where we are in the world.

And a painful reminder that even in America, there are hateful forces right here that are willing to silence those who they do not agree with through deadly force.

The surviving staff of Charlie Hebdo in spite of enduring the most horrific tragedy imaginable, have chosen to carry on. Because you cannot give in to evil no matter what the threat may be.

The path of freedom has always been a long, painful and bloody one. But stopping is not an option.

"A Cosmic Telephone Call" Kali Bahlu (World Pacific/Liberty, 1967)

Listen here

Acid: It's not for everybody...

"Dear Mr. Jesus" Sharon Batts & PowerSource (1986)

Listen here.

Oh no, it's another one of those damn child singer records. But on a more serious subject.

PowerSource were a Texas based Christian pop group. Like many acts in this genre, they were/are largely unknown outside these circles. And "Dear Mr. Jesus" is unquestionably a Christian themed song about child abuse, sung from the perspective of a 6 year old girl writing a letter to Jesus after seeing a TV news report of "a little girl beaten black and blue". Not only that, she confesses at the the end "Please don't tell my daddy, but my mommy hits me too."

Six year old Sharon Batts, the lead vocal on this song, wasn't the designated lead singer of the group. Just on this particular song. And thankfully, she wasn't physically abused.

This song almost became a Top 40 hit in 1987. CHR, Adult Contemporary, Country and of course, Christian radio stations were playing this in December of 1987 shortly after the track was added to the playlist of New York City's influential Z-100 and the song broke. A distribution deal was quickly secured, leading to a nationwide re-release of the song.

It was also timely, as the story of a little New York City girl named Lisa Steinberg made national headlines then after she died after being beaten by her adoptive father while he was under the influence of crack cocaine.

The song made #61 on the Billboard Hot 100 and remained on the charts for seven weeks.

If I Were A Woman - Ira North (Eden Records, circa late 1950s, early 1960s)

You've probably been seeing this record cover circulating around the interwebs lately amongst the world's worst album covers listings. But rarely do we get the chance to hear what one sounds like.

Well, thanks to our friends at Kill Ugly Radio, you can now hear this one.

And it's not really what you might be thinking (female viewers of this blog will be REALLY offended listening to this.) It's one big clueless (and hopelessly dated) misogynistic rant in the guise of a folksy sermon (like on just about every Southern religious sermon record, where if it wasn't white, Protestant, straight and male, it was to be subjugated.)

Ira North sure thinks he's a sweet funny preacher. And perhaps he was considered that in the Deep South of the late 1950s and early '60s before the Civil Rights Act, Women's Liberation and Stonewall. But his screed back then sounds vomit-inducing amongst the more evolved amongst us today.

Before They Were Stars: Laura Branigan

If there was one name that summed up Adult Contemporary music in the 1980s, it would be Laura Branigan. Her songs were staples on AC radio, guaranteed to pop up at any given time anywhere around the radio dial in those days.

If all you had was a radio for entertainment in your car or wherever, there was just simply no escape; You were going to hear at least a snippet of a Laura Branigan song somewhere at any time as you were tuning around the radio dial. That's how big of a radio-friendly pop star she was back then. 

From 1982 to 1985, she racked up several hit singles. In fact, many of her poppier songs, such as "Gloria" and "Self Control" were actually Americanized renditions of European pop hits with often completely rewritten English lyrics. ("Gloria" was originally recorded in 1979 by Umberto Tozzi and "Self Control" was originally recorded by Raf earlier in 1984.)

She even made a rendition of Falco's "Der Kommissar" (1982), called "Deep In The Dark" (1983). "Der Kommissar" was also most famously covered by the British act After The Fire (1983) and to a much lesser extent, Suzy Andrews (1982)

Laura Branigan's string of major hits dropped off after 1986, but she still remained active through the '90s, including occasional forays into acting until her untimely death in 2004. Those earlier hits of hers were still played on the radio ad nauseum for the rest of the 1980s and well into the '90s.

But long before this string of hits, Laura Branigan in the early '70s was an aspiring singer, still in her teens. And as an aspiring singer, you took whatever gig you could get. Especially if that gig also came with a recording contract with a fairly major label. As in the case of Meadow.

Meadow was a fairly unknown folk act in a sea of many such acts of that time who recorded a sort of religious psychedelic folk concept album called The Friend Ship.

The Friend Ship was released in 1973, as the spiritually based psychedelic rock concept album era was in full swing. Jesus Christ Superstar and Godspell were huge hits in the early 1970s. And oddly enough, even The Osmonds got into the act with their Mormon based 1973 offering The Plan.)  

The track listing on the back of the LP gave you a hint of that you were getting into.

A few singles were released, but The Friend Ship never got anywhere.

"Here I Am" Meadow

"See How They Run"

"The Lawless Lady"

"Sweet Life"

However this wouldn't be Paramount Records (which was eventually absorbed into MCA Records) only flirtation with a later mega-star act of the 1980s. They also released a 1972 album from another folk-pop act called Milkwood, which featured Ric Ocasek and Benjamin Orr of The Cars.

However unlike most early recordings of then unknown artists that are later re-released by record companies to capitalize on the artist's later success, Meadow's The Friend Ship never had a reissue and Branigan herself was known for being tight-lipped about the experience.


Probably for the better, as The Friend Ship's pseudo-religious psychedelic folk-pop was fairly dated by the time Branigan had established herself as a major pop star. It would have been extremely difficult for her fans and the general public to reconcile her then-current image with the one that was on The Friend Ship. Even though there were far worse beginnings for many major pop acts.

However in spite of the music, this LP (as Milkwood's) remains a prized collector's item for it's rarity alone.

More From The History's Dumpster Bookshelf...

Also see The History's Dumpster Bookshelf and Read Any Good Books?

 

Source: Regrettable Reads

Anti-Rock Music Hysteria

Racist religious tract, 1957

From the day rhythm & blues and country came together to form a brand new hybrid of pop music called Rock N' Roll that appealed to both young black and young white music fans, there was a problem....

Another racist anti-rock flyer, New Orleans, LA 1960

Older puritans hated ANYTHING with a backbeat. And the very thought of integrated black/white performing groups and audiences have always shocked and frightened social conservatives. Although their fear goes all the way back to the dawning of the Jazz age in the Roaring '20s, it began to really heat up especially as the Civil Rights movement was dawning and schools were required to become intergrated. Especially in the waning years of the Jim Crow era. 

Communism, Hypnotism and The Beatles by David A. Noebel, 1965

When the race card ultimately failed, they brought back other scary nemesis: Communism and the devil. Listening to The Beatles was surely a indoctrination and their records, audio Little Red Books, they alleged.

But The Beatles weren't exactly rationing their records away. And they were living pretty bourgeois lifestyles that Karl Marx probably wouldn't approve of. Besides, they were banned in The Soviet Union itself.

But religious conservatives latched onto a statement allegedly made by John Lennon. During an interview with Evening Standard reporter Maureen Cleave, Lennon remarked, "Christianity will go. It will vanish and shrink ... We're more popular than Jesus now—I don't know which will go first, rock and roll or Christianity".

The comment went virtually unnoticed in England. But caused a viral massive public outrage in the US when quoted by an American magazine five months later. The furor that followed—burning of Beatles records and Ku Klux Klan threats against Lennon—contributed to the band's decision to stop touring.

"Well, before they can burn our records, they first have to buy them" - George Harrison

Amused by their supposed link to Communism by the American right-wing and religious fundamentalists. It's been said it was one of the reasons The Beatles recorded "Back In The USSR". Which shocked American ultra-conservatives speechless as their shaming of The Beatles backfired horribly on them.

Rhythm, Riots and Revolution by David A. Noebel, 1966

Rock N' Roll: The Devil's Diversion by Bob Larson, 1968

Rock & The Church by Bob Larson, 1971

But by the early '70s, the anti-rock hysteria had become a major tool of Christian evangelists to recruit impressionable young people. New acts such as Alice Cooper, The New York Dolls, Kiss and David Bowie were incorporating makeup and visuals into their performances, giving rock a more theatric flair. But to the religious right, they looked like black masses. But depending on who they were following, everything in pop culture at the time was a tool of the devil.   

Is it just me or are David A. Noebel and Bob Larson just not exactly the kind of guys you'd want to go out dancing with?

Backward Masking Unmasked by Jacob Aranza, 1983

But in the 1980s, with the popularity of heavy metal and new wave, came a flood of dire new books. The argument this time wasn't about race or Communism, but that rock directly promoted devil worship. And this time, they had proof...

Michael Mills "Hidden Satanic Messages in Rock Music" (1981) MP3

I had a friend named Rich who was a Born Again Christian who tried to convert me by playing the allegedly satanic lyrics of "Stairway To Heaven" Led Zeppelin backwards on his stereo turntable. "Can you hear it?" he said as he spun the record backwards "He (Robert Plant) just said 'My sweet Satan'! What do you think now?" All I knew was I had a really bad headache and a perfectly good Led Zeppelin record was needlessly ruined.... 

Why Knock Rock by Dan Peters & Steve Peters, (1984) This was also made into a video series that was shown at countless super lame Christian teen parties....

But in 1985, things got super ugly as the PMRC or Parent's Music Resource Center (or as we called them in high school, Pre-Menstruating Record Critics) was formed by senators wives Tipper Gore and Susan Baker, bringing potential legislation dangerously into this debate and rock n' roll was in for the fight of it's life.

Gore and Baker formed the group after Gore was listening to her daughter's cassette of Purple Rain by Prince and hearing the lyrics to the track "Darling Nikki", which specifically mentioned masturbation. Going through their kids music collections, they were 'shocked' to find many more albums with lyrics referencing violence and sex in even the most indirect way.

This included innocuous pop songs like "In My House" The Mary Jane Girls. And it could also include 85% of all pop music ever written in history. That was the disturbing thing about the PMRC. They thought the '50s and '60s were such a pure time musically and only since the 1980s did music get overtly sexual and mention gratuitous violence.

"My Girl's Pussy" Harry Roy & His Orchestra (1931)



"Butcher Pete (Parts 1&2)" Roy Brown (1950)


While many dismissed the PMRC as a group that was powerless against a by then well established music form, that wasn't entirely true. The very fact it actually made it to a senate hearing is proof of how dangerously close we were to actually legislating the end of free artistic expression in music.

And Frank Zappa knew what was at stake.

James Dobson & Susan Baker "Rock Music Lyrics" (1986) MP3

Zappa, Dee Snider of Twisted Sister and John Denver appeared before congress and blasted the senate for the hearing and the thinly veiled attempt at censorship.

Dee Snider made an excellent remark regarding the Twisted Sister song "Under the Blade", a song Snider claimed was written about an impending surgery, that "the only sadomasochism, bondage, and rape in this song is in the mind of Ms. Gore." he stated, "Ms. Gore was looking for sadomasochism and bondage, and she found it. Someone looking for surgical references would have found it as well."

John Denver, whom the PMRC wives and the more conservative senators thought would side with them were in for a big surprise. And Denver should know something about getting censored; In the early '70s, his song "Rocky Mountain High" was banned off many radio stations due to the FCC's ban on songs that promoted drug use and some record shops refused to stock the song. He knew exactly what Snider, Zappa and the acts targeted by the PMRC were up against.     
But the most passionate speaker was Frank Zappa.


Naturally, the religious right were milking this for all they could get. In 1985, an avalanche of anti-rock books and local groups of religious and socially conservative people began appearing on daytime TV talk shows to denounce contemporary rock music.
 

More Rock, Country & Backward Masking Unmasked by Jacob Aranza (1985) Not even country music was safe. But the author hit a nerve with country artists and fans with this book, as country fans tend to be more religious and conservative. But not like this. This was going too far. And country artists and fans soon began joining the rockers when they realized their music was in the crosshairs as well.

 

Rock's Hidden Persuader: The Truth About Backmasking by Dan and Steve Peters (1985) Brothers Dan and Steve Peters were the type of Christians who would blame your bad day on a Thin Lizzy song you stumbled over on some Classic Rock station while scanning the radio dial. They argued satanic messages could be subliminally understood whether a record was played backward or forward...

The Devil's Disciples: The Truth About Rock by Jeff Godwin (1985) Unquestionably the most ludicrous of all the ludicrous books ever written on this immaterial subject. Even Christian rock and pop was a tool of the devil according to Jeff Godwin.

On December 23, 1985. James Vance and Raymond Belknap, after hours of drinking beer, smoking marijuana and allegedly listening to a cassette of Judas Priest's 1978 album Stained Glass, went to a playground in Sparks, NV with a 12-gauge shotgun to end their lives. Belknap was the first to place the shotgun under his chin. He died instantly after pulling the trigger. Vance then shot himself but survived, suffering severe facial injuries. Following numerous complications, Vance too passed away in 1988, three years after the suicide pact.

Vance and Belknap's parents sued Judas Priest, claiming the lyrics to "Better By You Better Than Me" (which was a cover of a 1969 song about a someone ending a romantic relationship through a third party from Spooky Tooth) prompted Vance and Belknap to their suicide attempts. A note written by Vance after the shooting was submitted as evidence as well as an "audio expert" who could discern evil in any record provided his example, claiming a subliminal message, saying "Do it" was repeated several times during the song.

(I personally heard that song many times before this tragedy and after, in both the Judas Priest and Spooky Tooth versions and both sober and drunk and high and not even once have I ever heard the words "Do it" in "Better By You Better Than Me". Nor have I ever felt the need to end my life over a song.)

Although the case was eventually dismissed in 1990, it further put rock music under the public microscope.

And the fear continued. In 1986, Wal-Mart stores (even then, a powerful and expanding empire) stopped carrying albums with explicit lyrics stickers and banned all rock magazines, including Rolling Stone from it's shelves. All albums for sale at Wal-Mart to this very day MUST be censored, clean versions.

And 1985/86 were rough years for Frank Zappa. He appeared on CNN's Crossfire program and staunchly defended artistic freedom....


.....And lampooned the PMRC controversy on his 1985 album Frank Zappa Meets The Mothers of Prevention. 

 

Warning sticker from Frank Zappa Meets The Mothers of Prevention.

Eventually, the Recording Industry Association of America (RIAA) caved in November of 1985 and allowed for labels and retailers to voluntarily sticker their albums with a uniform Parental Advisory warning sticker to parents.

Donny Osmond (of all people) was vehemently opposed to Parental Advisory stickering. He predicted that teenagers would find a way to get an uncensored copy of the album regardless and that would negatively impact artists album sales as well with unsold and unmarketable "clean" copies of albums that would have sold without the Parental Advisory stickers. Osmond also argued that artists that did not make explicit music would be forced to do so to remain marketable. His predictions were proven correct in the early '90s as "clean" versions of popular gangsta rap albums were vastly outsold by the uncensored versions and mainstream pop/rock acts of the time such as Madonna and Kiss made their most explicit records then.   

Frank Zappa also released his album Jazz From Hell in 1986. And the album immediately was given an Parental Advisory sticker by the Pacific Northwest Fred Meyer department store chain. One of the very first to receive one.

Jazz From Hell was an entirely instrumental jazz album.

 

The Parental Advisory stickers did exactly the opposite of what was intended. They designated the "cool" albums - especially in the emerging hip-hop scene and it's sub-genre, gangsta rap. NWA, Ice-T, Snoop Dogg and others proudly and prominently displayed their Parental Advisory warnings not as stickers, but as an actual part of their album covers..

As hip-hop rose to prominence in the late 1980s, a Miami rap group called 2 Live Crew released their debut album The 2 Live Crew Is What We Are in 1986. Featuring shocking and sexually explicit lyrics, including the singles "We Want Some Pussy" and "Throw The Dick". In 1987, a Florida store clerk was acquitted of felony charges for selling the album to a 14 year old girl.

The game had been upped. Now record store owners and employees were facing prosecution for selling controversial albums to minors. Particularly 2 Live Crew's albums. Realizing what they were facing without retail sales, the group offered clean versions of their later albums. The move actually helped them because they became more accessible to radio and Miami radio station WPOW "Power 96" began playing 2 Live Crew's toned down offerings. But the group always made explicit records and a record store owner in Alexander City, Alabama, was cited for selling an explicit copy of their next album Move Somethin' to an undercover police officer in 1988. 

It was the first time in the United States that a record store owner was held liable for obscenity over music. The charges were dropped after a jury found the record store not guilty. But a chill was placed on American independent retail record shops. Especially in the Bible Belt and the Deep South.

 

However when 2 Live Crew's 1989 LP As Nasty As They Wanna Be was released, the shit hit the fan. Lawyers for the religious conservative group American Family Association met with Florida's governor at the time to see if the album met the state's definition of 'obscene'.

(To this day, outside of child pornography, very few things, if anything else, ever met mutually in any definition of obscene on a federal level. One person's obscenity is another's art. Even the Supreme Court allowed plenty of ambiguity in obscenity cases and left them up to the states in which these suits were being contested.)

The Broward County sheriff warned area record store owners that selling the album could be prosecutable after a county circuit court judge ruled there may be probable cause for obscenity violations. 2 Live Crew sued the sheriff and in June of 1989, a US district court judge ruled the album was obscene and two days later, a local record store clerk was arrested two days later, after selling a copy to an undercover police officer.

A few days later, members of 2 Live Crew was arrested for performing songs from the album at a nightclub in Hollywood, FL. The arrests and obscenity trials became international news and the group also received support from several rock and heavy metal artists. The memories of their earlier hassles with the PMRC were still painfully fresh.

Eventually, their convictions on obscenity were overruled.  

And somehow, the same old prudes that got their pantaloons in a twist over 2 Live Crew's albums completely ignored this classic from 1980.

In 1988, Poison released Open Up and Say... Ahh! While there was nothing controversial about the music itself, some people who overthink too much saw the cover model's Gene Simmons-like tongue and immediately wanted it banned.  

The "clean" cover of Open Up and Say... Ahh!

The obscenity threats also extended to rock album covers. And it had been for a very long time. But I'll save that for a future post.

In the mid '90s, gangsta rap reached saturation and began to fade. In it's place was a new musical threat to conservative and religious ideals. A hard rock group from Florida named Marilyn Manson emerged and at first glance, it was hard to see what they were upset about. It was a band that put a lot of theatrics in their shows, not unlike anything Alice Cooper and Kiss did 20 years before. But the rumour that Marilyn Manson was allegedly a priest in the Church of Satan (as well as the title of his 1996 LP was Antichrist Superstar) led to even more gruesome - and totally ludicrous stories, such as onstage human sacrifices, rapes and torture.

Marilyn Manson

But what made the allegations different was they were being spread by the internet, which was new and had virtually no rules in it's beginnings. But malicious lies and slander could be spread across the nation in virtually seconds and totally anonymously back then. And spread even farther and to others that much more quickly. By word of mouth alone, it took months to years at the fastest that they could be spread. 

And the band's leader/namesake Marilyn Manson had to fight back a daily barrage of unfounded and increasingly outrageous statements against him. And he did and took legal action against the sources of these statements. And they quickly ceased. Manson's music was also criticized after the 1999 massacre at Columbine High School in Littleton, CO as the shooters, Dylan Klebold and Eric Harris, were fans of Marilyn Manson. And suddenly, Manson found himself in the same ugly national spotlight as Judas Priest and 2 Live Crew had a decade earlier. While no legal action was taken against Marilyn Manson, having to go through that experience alone is pretty traumatic.  

In the 2000s, a Detroit based hip-hop duo called Insane Clown Posse made hot lyrics a part of their act since their mid 1980s beginnings and after years of music industry rejection and the obsessiveness of their fans (known as 'Juggalos') of their beloved duo had came to a cult-like hero status outside of the mainstream had recently earned them another status - federally recognized criminal gang. 

Insane Clown Posse

In 2011, the FBI put the Juggalos alongside such notorious criminal gangs such as the Bloods, Crips, Surenos, Latin Kings and MS-13. They cited certain examples of assaults and vandalism allegedly involving Juggalos, which Insane Clown Posse vehemently condemned and questioned. The band recently filed a lawsuit against the FBI and lost. But Insane Clown Posse plan to continue the legal fight against the classification. 

While most rock/pop stars realize a certain amount of urban legends are actually helpful to their careers. When the myths begin to overtake the facts, it's time to draw a line. Books like the ones illustrated above would never be allowed to be published unchallenged by the artists the books are making reference to today.

Maybe what some people forget is it's pop/rock and hip-hop music's role to challenge the status quo. If rock had never evolved beyond the '50s, it would never have survived. And each generation brings changes. Some of them marvelous, others not so much.

Maybe sometimes the most outrageous acts that come along are just a generational gimmick to attract disenfranchised youth. Sometimes, they work. And sometimes, they don't. 

Or maybe no matter what you call it, it's only rock n' roll. But we like it.