The Disposable Paper Dresses of The 1960s

 

There's an essence of a woman who buys her dresses with her buckets of KFC (nudge-wink).

Perhaps one of the most questionable products of the 1960s was the disposable paper dress.

And it still looks like instant disaster; Just add rain. Hoses and sprinklers. Sweat. Pets. Perverts. Wind. A wayward snag, tree branch or sticker bush. Hot cigarette/joint ashes. Sparks. And of course, plain old fire. To mention a few. 

...and that's before Becky looks at it and turns up her nose... Image: Wikipedia

But the 1960s were of course, a very libertine time in fashion. But even so, somebody had to prove that a disposable evening dress could be both fashionably hip and safe. (Or at least in some mediocre way.) Enter the Scott Paper Company in 1966 with their promo ads in teen magazines.

Right there, you're probably thinking "Uh-oh", as tissue paper is not known for it's durability, no matter what the TV ads say. And assuming the worst, you're probably wondering where the hell Ralph Nader was on this, to say nothing of every parent of a teenage girl.

But these dresses weren't that flimsy. In fact, these dresses could be worn more than once. But still, there were risks involved. Washing them (which you could do on some paper dresses only once) will remove the fire retardant coating. Other paper dresses would disintegrate being washed. 

But after a while, sweat stains, odors, wear, small tears and strap failure begin to take their toll.  

Hallmark Cards really got into the act and made several styles of paper dresses.

But they were primarily a commercial avenue. Whether it's the Yellow Pages, Johnston's pies or The Chicago Sun-Times.

Image:Vintage Everyday 

Image:Vintage Everyday 

Even geeky girls got their own paper dresses....Image:Vintage Everyday 

The most popular paper dress was of Bob Dylan.

Asheville, NC was a hub of paper dress making,

The paper dress fad reached it's peak around 1966-68. 

1969

But by the turn of the 1970s, the focus was on recycling. And disposable paper dresses became unfashionable.

  

  

Special Request: "The Ballad of A Gentle Laxative (The Doxidan Cowboy Commercial)" (1987)

 From the mailbag....

Hmmm...Not really knowledgeable about diamel, Rd. But when you mentioned the Doxidan Cowboy, you hit solid gold.

Everybody sing!:

When I’m irregular
Here’s what I do
I take Doxidan because it works
When I expect it to
Doxidan, gentle Doxidan, I get no surprises
I feel better in the morning
Sure as the sun rises
Doxidan, Doxidan
When nature needs a helpin’ hand
Get overnight relief with Doxidan
As sure as the sun rises.

The Doxidan Cowboy was a 30 second TV spot, circa 1987. And from the YouTube comments on this commercial, I'm starting to think if Doxidan's parent company had released this as a promo 45/cassette single with each package of Doxidan, it might have been played at weddings.

He's not quite George Strait. More like Don Williams in a porn 'stache. As smooth as, well, the effect of this product. But really, this should've won the CMA award that year.

Tragically, the Doxidan Cowboy remains anonymous. So it's unknown if he made any recordings of this jingle. Or has any albums. But here at History's Dumpster, he'll always be our Roy Rogers.

Dumpster Diving in The Internet Archive

If you love random free, old, fun and useful stuff. But can't find anything useful on the curb outside and you're tired of the disappointing and questionable crap on Craigslist.

Or you're simply happy just where you are, curled up with your laptop, I, your Rip Van Winkle-like blogger, would like to introduce (or reintroduce) you to a valuable and ever expanding web resource. The Internet Archive.

The Internet Archive is where our public domain, copyright-lapsed, obsolete and often oddball media goes not to die. But to wait to be rediscovered.

You'll find:   

CD-ROM Computer Games, Operating Systems and Software

Image: Internet Archive

Image: Internet Archive

In recent years, The Internet Archive has become a motherlode for miners of classic video games. 1980s and 1990s computer games Gen-X and older Millennials grew up with such as Beavis & Butt-Head Virtual Stupidity, SimCity 3000 and others are now free and legally downloadable ISO files you can burn to CD or run with an image writer.

This includes obsolete operating systems* too. What this means for you, the person with a few old computer towers/laptops collecting dust and you lost or misplaced the rescue CDs, new hope. They make excellent retro gaming computers or home MP3 server jukeboxes.

An old low spec 32 bit 512 MB - 1 GB RAM older Pentium computer tower, can also be revived for secure modern use with some 32 bit versions of Linux are available like Bodhi Legacy. LXLE and antiX can also run on systems that low) but the speed and performance of these systems will not be the same as with a modern PC. Simply because the hardware is too old for modern demands. But as a very basic computer, they will do fine.

*The Catch: Select carefully and download at your own risk. Some OSs/software aren't official releases or are in foreign languages. File scan everything for malware/viruses before installing. I'm not sure of the screening process (if any) at IA for software. But it doesn't hurt to make absolutely sure.
 

The Great 78 Project

For those looking for way out of the brain fog of modern pop music. Here's a fun place to explore.

It's like going through a musty mystery box of 78 RPM records, but much more accessible.

Imagine!

- No more back-breaking hauling in boxes of heavy shellac discs.
- No more fear of accidental breakage of some of these now rare records.
- No more daddy longlegs or other unsightly visitors lurking in the corners of these boxes. 
- No more needing to find an appropriate record player with 78 RPM speed.
- No more meticulous listens with different points of stylus to find just the right one. (It's already been done for you. With sample plays)
 - No more social embarrassment if you accidentally try to play the Edison Diamond Discs of the 1910s on a standard Victrola reproducer (tsktsktsk). Or having to rearrange the cartridge wires.

So why go through all that needless fuss, work and expense when at last, you can practically say "Alexa, play 'Low Bridge! Everybody Down!' Billy Murray"? Your great-grandparents wouldn't.

Among my other discoveries in the corner of the Internet Archive:

"Radar" Mr. Bear & His Bearcats (1956)

My latest full-throated shower singing masterpiece.

 "Transfusion" Nervous Norvus (1956)

"Money" Big Jim Buchanan (1954)

I wrote about this one before.

Decca Curtain Call Series Volume 2 - Side 1

Image: Discogs

Image: Internet Archive

Side 2

Image: Internet Archive

Image: Discogs

This crunchy sounding, yet free and downloadable copy of this respectable 1953 Decca 10" LP compilation album of catalog artist material from the 1930s (with informative liner notes on the back cover.) is a great starting point if you're doing research into this music. It's one of the handful of odd early 33 1/3 RPM LPs also in the Great 78 Project. The 10" LP was considered to be one of the early 33 1/3 RPM LP's selling points. A smaller size album the size of a standard 10" 78 RPM single (most 78 RPM albums of the '40s contained 4 records and 8 songs.) Eventually, 12" became standard size for LP records by the mid-1950s.

Unlocked Recordings

Unlocked Recordings are recordings that have fallen out of copyright. Or exist in a copyright limbo know as Orphaned Works.

If you're looking for albums beyond the '40s, the pickin's here resemble the typical thrift store selection.

All Time Favorites by Tops All-Star Orchestra / Tops, 1956

 

Country And Western Favorites by Chuck Hess and his Chuck Riders / Strand, 1960

Golden Favorites by Russ Morgan and his Orchestra / Decca, 1950

Crap From The Past

This 28 year running show on KFAI Minneapolis has been my mandatory Friday (10PM CT) listening for years. Specializing in lost hits, rare versions of hit singles, B-sides, demos, obscure tracks, should've-been-hits, cheesy cover versions and the really strange of pop primarily from the '70s to the '90s, Hosted by Ron "Boogiemonster" Gerber, he takes you on a graduate level course in pop music. If you miss the live broadcast on KFAI, you can hear/download it here.

A-Log on The Airwaves

If you remember and miss Dr. Demento since he left the airwaves, Anthony "A-Log" Logatto, a devoted fan of The Good Doctor, has a worthy radio fix for us (it's the only one we currently have of this type). Focusing on current releases, song parodies and a few original tracks with a generous amount of Demento classics and a weekly theme, each program is three jam packed hours of fun. It's how I was introduced to "The FuMP", a community of comedy musicians and fans. Highly recommended.


Feature Films

You won't find modern box office blockbusters (the best known public domain feature films are Birth of A Nation, Night of The Living Dead and Reefer Madness.) But if you love the kind of TV movies you saw on the Late Late Movie, get the popcorn ready. You'll also find crazy conspiracy films, Film Noir, low budget horror and sometimes, their trailers.

  
Ephemeral Films


An school A/V club member goldmine, these were the films you saw in class when you were growing up. You also get to see company training and promotion films and old stock footage

Classic Television

Brian Henderson's Bandstand, October 19, 1968: The disembodied head of Cilla Black is regular nightmare fuel.

For those who love the off-network TV shows often seen on independent UHF TV stations back in the day, here's manna: Several classic TV series, such as Gunsmoke, Bonanza, I Love Lucy and Ozzie and Harriet are available for download on Internet Archive. Plus, you get to see some foreign TV programs, such as Australia's Brian Henderson's Bandstand and several early UK TV programs we also missed here too in those days.

But all this great stuff isn't 100% free. It costs money and dedicated volunteer time to keep the selection expanding and the servers upgraded. So please consider a small donation to Internet Archive. It's a great deal for the price and keeps our pop culture history complete.

Have a great weekend!

Hospital Radio

    

Image: Sheffield Hospital Radio

It was an American idea that became a British institution that is almost completely unheard of in America. And one of the most overlooked ways radio has been used.

Most Americans don't know this. But in the UK, hospitals have their own radio stations. They are managed and staffed by volunteers, are operated around the clock and provide music and reading services to hospital patients and staff.

Image: CartoonStock

They are transmitted through AM/FM carrier current signals via the hospital wiring system, or more frequently today, direct cable (channel 1 on UK Hospedia systems) and could be heard in the surrounding area of the hospital. And many stream to the world.

Image: iTunes/Apple

And hospital radio has existed even before the dawn of modern radio broadcasting.

The idea for hospital radio was conceived at an American military hospital in Paris near the end of World War I. They found that radio would be an efficient way to deliver news and music directly to bedsides to help recovering soldiers. But the war ended before this could be set up. However, the equipment and idea was taken to Walter Reed General Hospital in Washington D.C. in 1919 where a station did operate. But it is unknown for how long, what the call sign was, all the necessary details.

Hospital radio in the UK underwent an expansion after World War II with more hospitals starting more radio stations. They're almost like mascots for their respective hospitals. And some of the best international promotion these hospitals could ever have.

UK hospital radio stations play a very wide variety of pop music, depending on each particular station, of course heavy on British content. Often spinning those awesome lost British pop oldies of the 1950s to the '80s we missed over here in the States because American record labels didn't distribute and/or radio stations overlooked or ignored them.

UK hospital radio stations even have their own organization HBA which is like the NAB for American radio stations.

But why hasn't hospital radio become a thing in America?

That's a tricky question. It's probably been suggested before, but aside from the Walter Reed General Hospital station, there are no hospital radio stations in America. I may be wrong, but I have looked everywhere. There were a few US hospital CATV system channels, mostly with health videos in the 1980s and '90s. But no radio stations.

The other thing is that American hospital stays are generally shorter than in the UK. You could have surgery one day and be at home the next whereas in the UK, you might stay a little longer, just to be safe.

But I think ultimately, there was no real need. Unlike the UK, the US had more higher powered radio stations outside the most populated areas than the UK. Second, by the 1950s, as US hospitals campuses were becoming sprawling developments, I'm sure some doctors and medical staff who have visited the UK were inspired by the idea. Music is a healer, But the funding, staffing, technical and programming parts were probably more than could be sorted out and/or what their hospital budgets allowed.

A brief listing of some UK hospital radio stations online:

Hospital Radio Plymouth

Hospital Radio Reading

York Hospital Radio

Hospital Radio Crawley

Canterbury Hospital Radio

Hospital Radio Basingstoke

Hospital Radio Colchester

Pluto TV

Imagine a digital cable/satellite type TV service with channels and shows you’ve never seen before with a great selection of movies that you can take with you and watch anywhere you have an internet connection. And (the sweet part), it’s actually free.

Welcome to Pluto TV. Available on your computer at Pluto TV and on Roku, Android and iOS apps. As well as your Playstation/XBox

Pluto TV is a cord-cutter’s dream. Hundreds of channels, some with programming you’ve never seen before, or haven’t seen in years or even decades. There’s dozens of movie channels in every genre, from documentaries to horror. Sports channels, news channels, and music channels, including digital audio-only channels in genres from Jazz (Cool Ch. 982.) Classic R&B (Pure Soul, Ch, 978) Adult Standards (Ratpack Ch. 974) Hair Metal (The Strip, Ch. 971), etc.

But Pluto isn’t like Comcast (there are caveats.) First, Pluto doesn’t offer your local TV channels. Second, some of the news programming, such as the CNN and the NBC News Pluto channels aren’t live. This won’t do for a hardcore breaking news junkie like me. But if you’re just a casual news watcher, it should be fine. The stories and shows are usually from earlier in the day on the CNN and NBC feeds. There are live feeds of Cheddar and the suspicious RT America. The other thing is a strong high-speed internet connection is vital to the Pluto experience.

The movie channels are mostly 2nd tier films, but still entertaining. (I watched What’s Eating Gilbert Grape for the first time since 1993.) The thing here is most Pluto channel programming - including the on demand movies, have commercials.

There’s food channels, home improvement channels, some religious and a wide selection of sports channels (I’m not a huge sports fan, so I’m guessing the boxing matches at 3am aren’t live either.) Several all comedy, geek, Latinx and children’s programming channels are offered as well.

But if it’s HBO, Showtime and Cinemax you’re looking for, that’s not here. But the Pluto movie channels are acceptable, but the commercial break transitions are a tad jarring. However, the film returns to the last few seconds of the last scene prior to the break. So that helps as you’re running to the kitchen for the bag of chips.

The channels are laid out on a standard digital grid with current/upcoming programming listed. On Roku at first glance, you couldn’t distinguish this from your average cable/satellite grid.

Some of Pluto’s more unique channels:

Ch. 007 Pluto 007 - All classic James Bond films in random order.

Ch. 591 THC (The High Channel) - If you’re into the cannabis lifestyle, THC is your TV. It’s programmed for today’s modern stoner.

Ch. 597 SLOW TV - If you ever fantasized being a Norwegian train engineer, this channel is heaven. 24 hours a day, it’s the cab view of a Norwegian locomotive along the rails of Norway. And that’s it. 24/7.

It’s a nifty sub-cable system if you already have cable. And a decent alternative if you’re off the cord. But the fact you can take Pluto anywhere on your smartphone, tablet, gaming or PC computer makes it a must have in periods of boredom. Just surfing around Pluto is fun. Enjoy!

KIRO-TV's Telephonic Happening

On Saturday nights at 11:15pm in early 1971, after the 11PM evening newscast was over and the older folks were likely going to bed or watching the last late movies on other channels. KIRO TV & Radio in Seattle, Washington got psychedelic with their briefly run locally produced live music TV show series Telephonic Happening.


With then contemporary rock hits such as "Black Magic Woman/Gyspy Queen" Santana, "My Sweet Lord" George Harrison and "Honey Tonk Women" Rolling Stones and Matthews Southern Comfort's rendition of "Woodstock" (not heard on this clip) and guest appearances on this surviving episode by local acts Adam Wind and Cold Trane, Telephonic Happening was presented in experimental 4 channel Quadraphonic sound with color psychedelic visuals, filters, imagery and garden gnomes courtesy of local psychedelic light show producers, Retina Circus on the TV screen for freaky visuals.

It was a bold and overlooked first in broadcasting because unlike the pioneering Quad radio broadcasts, which began at Classical stations WGBH and WCRB in Boston in 1969, used the Stereo signals of the two FM radio stations, thus requiring two costly FM stereo receivers to hear the full program in Quad sound.

The experimental KIRO Quad system in Seattle for this program used all three of their AM/FM and TV signals. And it was awkward and uneven sounding. But it was simple, had a visual component and used equipment you already had; Your TV tuned to KIRO-TV 7 in front of you for a mono front-center channel and visual stage. An FM Stereo radio with separating speakers (tuned to KIRO-FM's then-frequency of 100.7 MHz) with the speakers placed directly at your left and right sides. And for the rear speaker, your AM tabletop or portable radio set to KIRO-AM (710 kHz) for Quad sound in an unusual diamond shaped pattern that probably would have impressed Pink Floyd if they saw it.

And at the very birth of the home theater experience, you took whatever you could get.

But psychedelia, rock music and experimental visual and audio voodoo in diamond patterns were not things KIRO was particularly known for back then. Owned then by Bonneville, the media division of the Church of Jesus Christ of Latter Day Saints, neither KIRO-AM or FM even played rock music either in 1971. Which makes this all the more interesting an artifact.

Unfortunately, the audio on this clip is in mono.

The elegant sounding announcer you hear on this clip is the late Hal Willard. For decades, he was "Mr. Announcer Man" at KIRO-TV who read the weather reports during the J.P. Patches morning show.

.
Listen at the end of the Telephonic Happening program where he recommends you send a postcard to the station telling them your requests and suggestions for future Telephonic Happening programs, but "suggest gently"....

The Scopitone and Cinebox

An American Scopitone 450 jukebox. Image: Scopitone Archive

The Scopitone and Cinebox (later renamed Colorama) were early 1960s "video jukeboxes". Introduced in America in 1964, they were popular for a few years, growing to a peak of Scopitones in 800 locations in 1966. Then they vanished by the end of the decade.

Although not the first of it's kind (there are mechanical and human assisted, silent and black and white examples of coin operated on-demand movie systems going back to the early 1900s, including the 1940s Panoram and the notorious "peep-show" private viewers), the Scopitone and Cinebox were different in that they were all electric, had sound and they were in colour.

They played 2-3 minute musical shorts on 16mm film reels. An early MTV of it's day. New titles came out at the rate of four per month.

Actress Joi Lansing made Scopitone's most famous (and cheesiest) film "The Web Of Love" in 1965.

One distinctive thing about Scopitone films were most of the musical numbers all had girls (and some guys) doing go-go dancing of some sort.

They were invented in Europe. First the Scopitone in France and it's similar rival, the Cinebox in Italy where they became wildly successful. The Cinebox came to America first in 1963 and was quickly followed by the Scopitone. However, the Scopitone instantly created a media buzz and a fad in countless cocktail lounges and public waiting areas in the mid 1960s.

One early investor in Scopitone's American division was actress Debbie Reynolds.

Restaurant and lounge owners quickly signed up after reading the salesman's brochure. It really looked like The Next Big Thing.

Scopitone promotional banner

For a quarter, you got to see some American stars (such as Bobby Vee and Neil Sedaka.) But also a lot of unknown British and European stars stateside. This would eventually become the Achilles heel of both systems. Scopitone first arrived with only French films. They scrambled to put together an American library of music. But sadly, there were no really BIG names, like The Beatles. 

(Warning: "Fiesta Hippie", although tame by today's standards may still be NSFW.)

Another is Scopitone was mentioned in a federal investigation into organized crime. Fearing a scandal that involves The Mob, many businesses canceled their Scopitone services and returned the machines.

Scopitone film was also on small reels that automatically loaded into the projector.....sometimes. They were notorious for malfunctioning and service was called. Often. A night of heavy use meant a call to the serviceman tomorrow. Many Scopitone machines were only known by patrons/customers as that weird thing in the corner with an Out of Order sign on it. 

A Scopitone can hold up to 36 reels of film

But perhaps more than anything else, it was the Scopitone's distributors who failed to tap into the rock 'n roll craze and youth culture of the '60s which could have ultimately saved it. Instead, it was coin-op entertainment for mostly middle of the road adults who really didn't need it.

Procol Harum's 1968 hit "A Whiter Shade Of Pale" was the only known rock song available on Scopitone. There was never a release for the Cinebox.

The Scopitone was largely gone by 1970 in America. However, there were still new Scopitone films made, albeit in France. The last known Scopitone film was made in 1978. The old Scopitone projectors were mostly junked, although some were converted into peep show systems for X rated adult film arcades. Only a handful were preserved and are now mostly in museums and private collections.

It's Italian rival, the Cinebox (later renamed Colorama) was actually introduced to America earlier than the Scopitone (1963). Like the Scopitone, it had a very limited American catalog, but LOTS of Italian musical acts.



It too had a short life in America and in spite of being the first video jukebox in America, arriving months before the Scopitone. It was eclipsed by Scopitone's promotional machine, rendering Cinebox as an also-ran to Scopitone. And when the ax fell at Scopitone over the alleged Mob associations, Cinebox also felt it. The public felt like these machines were just tools of the Mob in spite of Cinebox never being involved with that in any way. Besides, neither Scopitone or Cinebox were very profitable overall.

Cinebox also ended it's American distribution and folded completely in 1978.

More on The Scopitone and Cinebox:

Scopitone Archive (Has information on both the Scopitone and Cinebox as well as the Color-Sonic system.)

Scopitones

Scopitone (Wikipedia entry)

Cinebox (Wikipedia entry)

Kitschy Scopitone jukebox brought the jams before MTV