Go 'n Joy Stores

Outside of Vancouver, WA Go 'n Joy store, circa 1981. Image: WSU Libraries Digital Collection

From the outside of it, Go 'n Joy convenience stores looked like your typical early 1980s convenience store chain.
 

As well as the inside of it. They made fresh deli sandwiches, had a full selection of potato chips, beer, candy and soda. As well as various other quick must-buys like milk, bread and eggs. They had a cold soda/Icee fountain. There were a couple of arcade video games in the front of the store. Pretty average stuff for a convenience store chain in 1981.

Nothing really seemed out of the ordinary. Except that this chain literally went from idea to 17 locations that sprang up within a period of a few months in western Washington State in early 1981 (something even your most ambitious retail chain doesn't do.) They had further plans of expansion of up to 30 stores at this time.

What are these places?, people began to ask. And how did they get so big, so fast? It seemed pretty strange. But nothing to be concerned over really, just odd.

The Washington State Liquor Control Board wanted to know too, as they were licensing each store for beer and wine sales (Hard liquor was still sold in state-run liquor stores at that time.) Their concern was knowing who actually owned the chain.

But after wandering through a maze of various shell companies and people who seemed to change positions within the company on a dime, the investigations revealed one common link; the various operatives of Go 'n Joy, from distributors to several franchise operators revealed ties to Rev. Sun Myung Moon and his Unification Church.

The Unification Church is a religion with a large worldwide membership (known as "Moonies"), but is still considered a cult by many. But this was a cult with a difference. While most cults were considered dirty Commie free-love hippies who are against capitalism by most people in post 1960s America, the Unification Church not only embraced capitalism, but made it front and center in it's various operations. They hated Communism. Members were clean and upstanding people.

One of my neighbours was a Moonie. He drove a nice car and owned a restaurant. At no time during my first two months of knowing him had I ever suspected he was a Moonie. But one day, religion snuck into our conversation and he casually mentioned he was a member of the Unification church. I wasn't upset or nervous about it. He didn't try to convert me. It was his thing, not mine.

But alternative religions were not looked upon kindly in 1981. We were a nation still in shock over the 1978 People's Temple mass suicide and anti-cult groups sprang up for families to "deprogram" other family members who were inducted into them.

The revelation of this chain being owned by the Moonies led to assorted accusations of the true intent of Go 'n Joy stores. Some parents believed the Unification Church was actively using the store chain as a front to lure young people into the religion.

While many young people (including myself at that time) occasionally stopped at a Go 'n Joy for a burrito and a soda, maybe played a video game, no one there ever gave me any leaflets. Nor do I remember seeing any. No one there ever asked me if I heard of Reverend Moon, that kind of thing. They wouldn't have lasted ten minutes if they did in that more religiously partisan time.

Unable to control the negative publicity, the Go 'n Joy chain was quietly sold. Some locations were sold to 7-Eleven, which used some locations as expansion outlets for their then recent acquired Hoagy's Corner chain of deli/convenience stores. Others to independent operators. In 1982, Rev. Moon was convicted of tax fraud and sentenced to 18 months in federal prison.

The Unification Church still owns lots of businesses. But today, the same outrage there was in 1981 doesn't exist now as people today are less concerned with the religion of a business operator and more eager for a good deal.

Rev. Sun Myung Moon passed away in 2012.

LSD: The Album

Outsider Music

Ahhh....Another peaceful Sunday morning. Time to put on some nice, relaxing easy going music. Right?

Well I'm having none of it. It's time to crank it up full blast and wake up the neighbours with some truly awesome music. The stuff you just won't hear on the radio. Anywhere. 

Outsider musicians are those folks who simply make music the only way they know how. With very little to no musical training whatsoever. The conventional requisites of stardom are simply unheard of among outsider musicians.

This is not American Idol. There is no competition. Or critiquing. Or even practicing and rehearsals. What you hear is what you get.

They simply don't care about commercial success. Or any musical conventionality even amateur musicians adhere strictly to. They make their music on their own whims and for the sheer sake of their own personal enjoyment. Even if the only one enjoying it is themselves, they wouldn't care.

It also differs from vanity acts. Vanity acts actively look for a commercial breakthrough and exposure to the masses. Most outsider acts would never be heard at all were it not for certain friends and associates encouraging them to take a leap of faith and record their material.

Sometimes a major label finds them, but that's usually a by-product of local press buzz or through chance contacts. The labels never seek outsider musicians and outsider musicians never seek the labels. If planets align, they align. But that's very rare if they do. The major labels want something that delivers a massive return on whatever investment they make. And that's something no outsider act has ever really done. 

Outsider music isn't even a conscientious rebellion against mainstream rock and pop's status quo, which usually drives most hardcore independent lo-fi punk bands. They truly believe in what they are doing in spite of what anyone thinks. They simply let their dim lights shine.

But what may sound like tone-deaf psychiatric patients (some, but not all outsider musicians suffer from some sort of severe mental illness) to the rest of us is technically a sub-sub genre of Alternative rock. It's not even a "new" thing ("Wild Man" Fischer, whom Frank Zappa discovered in the late 1960s, is a pioneer. So is David Peel, whom John Lennon discovered and released a few albums of his on the Beatles' Apple label in the early '70s, The Shaggs and to some extent, even Charles Manson.)

Today, we're going head first into the most obscure of obscure music genres. But like most of my posts here, I don't disclose everything. I like to leave some of it out for you, the reader, to explore on your own. I just merely set up the launch pad for your own journey (it might be one-way.) So this is not a complete list. Not by far. But it's enough to give a basic insight into this strange genre. Google "Outsider music", if you're really curious.

Bingo Gazingo

Sweet dreams, ladies.....

Bingo Gazingo (Murray Wachs, 1924-2010) was an elderly New York City outsider musician and poet with perhaps more punk rock authenticity than any band that ever played at CBGB's. And I mean all of them. He was, perhaps literally, the grandfather of punk.

With song titles like "Oh Madonna, You Stole My Pants", "Up Your Jurassic Park" and "I Love You So Fucking Much, I Can't Shit", you pretty much get the idea this was no ordinary retired postal worker from Queens.

He released an album through WFMU Radio in 1996 and this song, "You're Out of The Computer" was a collaboration with techno artist My Robot Friend (Howard Rigberg) from My Robot Friend's 2004 CD Hot Action! It also appears on the Songs in The Key of Z compilation of outsider music.

Tragically, Bingo Gazingo was struck down by a cab on his way to a performance at the Bowery Poetry Club where he appeared weekly every Monday night in November of 2009. He died of his injuries on New Year's Day, 2010. He was 85.


Wesley Willis

Wesley Willis (1963-2003) could be the most famous of outsider musicians, even garnering some airplay on mainstream alternative rock radio in the 1990s.

His story began as one of ten children born in a dysfunctional family (having so many siblings can throw even the most stable family off - think the Duggars) in the housing projects of Chicago. He spent most of his life going from foster home to foster home with two older brothers as their parents had a violent relationship and split up when Wesley was a child.

In spite of this horrific background, Wesley seemed to be a bright and fairly normal young man. However on October 21, 1989 (there are people who remember this specific date), he began to hear voices in his head, which he called "demons" and was diagnosed with paranoid schizophrenia.

About this time, he also began making music. Mostly as an outlet to escape the turmoil inside his head. He also made artwork and was discovered by members of Chicago's alternative rock scene, who encouraged his musical pursuits. This led to a collaboration called The Wesley Willis Fiasco and he actually became a sensation in the Chicago alternative underground, gaining attention from major label American Recordings, which was distributed by Warner Bros.

His favourite greeting wasn't a handshake or a hug. It was a headbutt to the forehead. I am not making that up. This left a permanent bruise on his forehead. 

His music was crude, rambling and often profane. One unique characteristic of Wesley Willis is no matter what song he's performing, they all sound identical to each other. They mostly are songs about things that he had personally identified with in his life. Such as his local McDonald's, bands and stars such as Pink Floyd, Foo Fighters, Kurt Cobain and whatever else figured.

Here's a sample of what that sounded like


He eventually recorded 50 albums from 1994 until his untimely death in 2003 from leukemia. He was 40.

Daniel Johnston

Daniel Johnston, like Wesley Willis, also suffers from schizophrenia and like Willis, also uses music as a way to cope with it. Johnston is also a visual artist as well. However Johnston is different in the sense that his music is more introspective and melodic than either Wesley Willis or Bingo Gazingo. He's been called a "fractured genius" and "the indie Brian Wilson". He quite possibly could have achieved mainstream stardom and in fact, he came quite close to it.

Daniel Johnston began recording music as a teenager on a boombox at home in the late '70s. By the early '80s, he was self releasing his own material. He moved to Austin and appeared on MTV in 1985, which gained him further exposure. He went on to make more recordings, including collaborations with Sonic Youth, Half Japanese and other indie acts, who became fans of his.

But his schizophrenia was also worsening. In 1990, on the way to West Virginia on a small, private two-seater plane piloted by his father Bill, Johnston had a manic psychotic episode believing he was Casper the Friendly Ghost and removed the key from the plane's ignition and threw it out of the plane. His father, a former Air Force pilot, managed to successfully crash-land the plane, even though "there was nothing down there but trees". Although the plane was destroyed, Johnston and his father emerged with only minor injuries. As a result of this episode, Johnston was involuntarily committed to a mental hospital.

In the early '90s, Kurt Cobain was often seen wearing a t-shirt with the cover image of Johnston's 1983 album Hi, How Are You? on it.

Which lead to even more interest in Daniel Johnston. Even while involuntarily committed at the mental hospital, Warner Music label Elektra Records was interested in signing him, but he refused the deal as Elektra then was also the label home of Metallica, whom Johnston thought worshipped Satan.

Eventually he signed with Warner co-owned Atlantic Records, which released his only major label LP Fun in 1995. The album flopped commercially and Atlantic ended his contract in 1996. 

In 2005, a full length documentary DVD on Daniel Johnston's life The Devil and Daniel Johnston was released.

Johnston is still active in music.


Jandek

To say Jandek is merely an outsider musician just doesn't quite cut it. In fact, he's been described as "The Rock N' Roll J.D. Salinger". Because he's perhaps the most reclusive of all the outsider musicians.

Yet he has released over 70 albums on the mail order Corwood Industries label. A label that while Jandek maintains a certain distance from professionally, has only issued Jandek material. And he has a surprisingly loyal and solid worldwide fan base. With almost no radio airplay or any promotion of any kind.

Most Jandek albums feature a young man on the covers in random photo shots and when you lay them out, you realize they are the same person - Jandek himself? Possibly.

But nothing has been directly confirmed by Jandek - he's only done a few interviews. But in rare recent pictures of Jandek, you do see a very strong, even uncanny resemblance.

Jandek's actual name has never been confirmed directly either, but he's believed to be Sterling Smith and he was born in 1945. Other than that, very little else is known about him. And that's how he likes it.

His music is a sort of psychedelic country-blues. But even that description isn't quite accurate. Jandek is a genre all to himself.

Jandek is an enigma even by outsider music standards. And that's saying something. In 2003, he released Jandek on Corwood, a documentary DVD that doesn't answer even the most basic questions of his life his fans always wanted to know. But then again, that mystique is still a part of his attraction.

He's still active, releasing an album or two a year and occasionally touring.






More:

Curly Toes

Wing Over America

Florence Foster Jenkins

"Do Ya Think I'm Sexy" Tiny Tim (1982)

Stoner Munchies

Now available in most retail pot shops in Washington State and Colorado. Coming soon eventually with legalization in YOUR state.....

Anti-Rock Music Hysteria

Racist religious tract, 1957

From the day rhythm & blues and country came together to form a brand new hybrid of pop music called Rock N' Roll that appealed to both young black and young white music fans, there was a problem....

Another racist anti-rock flyer, New Orleans, LA 1960

Older puritans hated ANYTHING with a backbeat. And the very thought of integrated black/white performing groups and audiences have always shocked and frightened social conservatives. Although their fear goes all the way back to the dawning of the Jazz age in the Roaring '20s, it began to really heat up especially as the Civil Rights movement was dawning and schools were required to become intergrated. Especially in the waning years of the Jim Crow era. 

Communism, Hypnotism and The Beatles by David A. Noebel, 1965

When the race card ultimately failed, they brought back other scary nemesis: Communism and the devil. Listening to The Beatles was surely a indoctrination and their records, audio Little Red Books, they alleged.

But The Beatles weren't exactly rationing their records away. And they were living pretty bourgeois lifestyles that Karl Marx probably wouldn't approve of. Besides, they were banned in The Soviet Union itself.

But religious conservatives latched onto a statement allegedly made by John Lennon. During an interview with Evening Standard reporter Maureen Cleave, Lennon remarked, "Christianity will go. It will vanish and shrink ... We're more popular than Jesus now—I don't know which will go first, rock and roll or Christianity".

The comment went virtually unnoticed in England. But caused a viral massive public outrage in the US when quoted by an American magazine five months later. The furor that followed—burning of Beatles records and Ku Klux Klan threats against Lennon—contributed to the band's decision to stop touring.

"Well, before they can burn our records, they first have to buy them" - George Harrison

Amused by their supposed link to Communism by the American right-wing and religious fundamentalists. It's been said it was one of the reasons The Beatles recorded "Back In The USSR". Which shocked American ultra-conservatives speechless as their shaming of The Beatles backfired horribly on them.

Rhythm, Riots and Revolution by David A. Noebel, 1966

Rock N' Roll: The Devil's Diversion by Bob Larson, 1968

Rock & The Church by Bob Larson, 1971

But by the early '70s, the anti-rock hysteria had become a major tool of Christian evangelists to recruit impressionable young people. New acts such as Alice Cooper, The New York Dolls, Kiss and David Bowie were incorporating makeup and visuals into their performances, giving rock a more theatric flair. But to the religious right, they looked like black masses. But depending on who they were following, everything in pop culture at the time was a tool of the devil.   

Is it just me or are David A. Noebel and Bob Larson just not exactly the kind of guys you'd want to go out dancing with?

Backward Masking Unmasked by Jacob Aranza, 1983

But in the 1980s, with the popularity of heavy metal and new wave, came a flood of dire new books. The argument this time wasn't about race or Communism, but that rock directly promoted devil worship. And this time, they had proof...

Michael Mills "Hidden Satanic Messages in Rock Music" (1981) MP3

I had a friend named Rich who was a Born Again Christian who tried to convert me by playing the allegedly satanic lyrics of "Stairway To Heaven" Led Zeppelin backwards on his stereo turntable. "Can you hear it?" he said as he spun the record backwards "He (Robert Plant) just said 'My sweet Satan'! What do you think now?" All I knew was I had a really bad headache and a perfectly good Led Zeppelin record was needlessly ruined.... 

Why Knock Rock by Dan Peters & Steve Peters, (1984) This was also made into a video series that was shown at countless super lame Christian teen parties....

But in 1985, things got super ugly as the PMRC or Parent's Music Resource Center (or as we called them in high school, Pre-Menstruating Record Critics) was formed by senators wives Tipper Gore and Susan Baker, bringing potential legislation dangerously into this debate and rock n' roll was in for the fight of it's life.

Gore and Baker formed the group after Gore was listening to her daughter's cassette of Purple Rain by Prince and hearing the lyrics to the track "Darling Nikki", which specifically mentioned masturbation. Going through their kids music collections, they were 'shocked' to find many more albums with lyrics referencing violence and sex in even the most indirect way.

This included innocuous pop songs like "In My House" The Mary Jane Girls. And it could also include 85% of all pop music ever written in history. That was the disturbing thing about the PMRC. They thought the '50s and '60s were such a pure time musically and only since the 1980s did music get overtly sexual and mention gratuitous violence.

"My Girl's Pussy" Harry Roy & His Orchestra (1931)



"Butcher Pete (Parts 1&2)" Roy Brown (1950)


While many dismissed the PMRC as a group that was powerless against a by then well established music form, that wasn't entirely true. The very fact it actually made it to a senate hearing is proof of how dangerously close we were to actually legislating the end of free artistic expression in music.

And Frank Zappa knew what was at stake.

James Dobson & Susan Baker "Rock Music Lyrics" (1986) MP3

Zappa, Dee Snider of Twisted Sister and John Denver appeared before congress and blasted the senate for the hearing and the thinly veiled attempt at censorship.

Dee Snider made an excellent remark regarding the Twisted Sister song "Under the Blade", a song Snider claimed was written about an impending surgery, that "the only sadomasochism, bondage, and rape in this song is in the mind of Ms. Gore." he stated, "Ms. Gore was looking for sadomasochism and bondage, and she found it. Someone looking for surgical references would have found it as well."

John Denver, whom the PMRC wives and the more conservative senators thought would side with them were in for a big surprise. And Denver should know something about getting censored; In the early '70s, his song "Rocky Mountain High" was banned off many radio stations due to the FCC's ban on songs that promoted drug use and some record shops refused to stock the song. He knew exactly what Snider, Zappa and the acts targeted by the PMRC were up against.     
But the most passionate speaker was Frank Zappa.


Naturally, the religious right were milking this for all they could get. In 1985, an avalanche of anti-rock books and local groups of religious and socially conservative people began appearing on daytime TV talk shows to denounce contemporary rock music.
 

More Rock, Country & Backward Masking Unmasked by Jacob Aranza (1985) Not even country music was safe. But the author hit a nerve with country artists and fans with this book, as country fans tend to be more religious and conservative. But not like this. This was going too far. And country artists and fans soon began joining the rockers when they realized their music was in the crosshairs as well.

 

Rock's Hidden Persuader: The Truth About Backmasking by Dan and Steve Peters (1985) Brothers Dan and Steve Peters were the type of Christians who would blame your bad day on a Thin Lizzy song you stumbled over on some Classic Rock station while scanning the radio dial. They argued satanic messages could be subliminally understood whether a record was played backward or forward...

The Devil's Disciples: The Truth About Rock by Jeff Godwin (1985) Unquestionably the most ludicrous of all the ludicrous books ever written on this immaterial subject. Even Christian rock and pop was a tool of the devil according to Jeff Godwin.

On December 23, 1985. James Vance and Raymond Belknap, after hours of drinking beer, smoking marijuana and allegedly listening to a cassette of Judas Priest's 1978 album Stained Glass, went to a playground in Sparks, NV with a 12-gauge shotgun to end their lives. Belknap was the first to place the shotgun under his chin. He died instantly after pulling the trigger. Vance then shot himself but survived, suffering severe facial injuries. Following numerous complications, Vance too passed away in 1988, three years after the suicide pact.

Vance and Belknap's parents sued Judas Priest, claiming the lyrics to "Better By You Better Than Me" (which was a cover of a 1969 song about a someone ending a romantic relationship through a third party from Spooky Tooth) prompted Vance and Belknap to their suicide attempts. A note written by Vance after the shooting was submitted as evidence as well as an "audio expert" who could discern evil in any record provided his example, claiming a subliminal message, saying "Do it" was repeated several times during the song.

(I personally heard that song many times before this tragedy and after, in both the Judas Priest and Spooky Tooth versions and both sober and drunk and high and not even once have I ever heard the words "Do it" in "Better By You Better Than Me". Nor have I ever felt the need to end my life over a song.)

Although the case was eventually dismissed in 1990, it further put rock music under the public microscope.

And the fear continued. In 1986, Wal-Mart stores (even then, a powerful and expanding empire) stopped carrying albums with explicit lyrics stickers and banned all rock magazines, including Rolling Stone from it's shelves. All albums for sale at Wal-Mart to this very day MUST be censored, clean versions.

And 1985/86 were rough years for Frank Zappa. He appeared on CNN's Crossfire program and staunchly defended artistic freedom....


.....And lampooned the PMRC controversy on his 1985 album Frank Zappa Meets The Mothers of Prevention. 

 

Warning sticker from Frank Zappa Meets The Mothers of Prevention.

Eventually, the Recording Industry Association of America (RIAA) caved in November of 1985 and allowed for labels and retailers to voluntarily sticker their albums with a uniform Parental Advisory warning sticker to parents.

Donny Osmond (of all people) was vehemently opposed to Parental Advisory stickering. He predicted that teenagers would find a way to get an uncensored copy of the album regardless and that would negatively impact artists album sales as well with unsold and unmarketable "clean" copies of albums that would have sold without the Parental Advisory stickers. Osmond also argued that artists that did not make explicit music would be forced to do so to remain marketable. His predictions were proven correct in the early '90s as "clean" versions of popular gangsta rap albums were vastly outsold by the uncensored versions and mainstream pop/rock acts of the time such as Madonna and Kiss made their most explicit records then.   

Frank Zappa also released his album Jazz From Hell in 1986. And the album immediately was given an Parental Advisory sticker by the Pacific Northwest Fred Meyer department store chain. One of the very first to receive one.

Jazz From Hell was an entirely instrumental jazz album.

 

The Parental Advisory stickers did exactly the opposite of what was intended. They designated the "cool" albums - especially in the emerging hip-hop scene and it's sub-genre, gangsta rap. NWA, Ice-T, Snoop Dogg and others proudly and prominently displayed their Parental Advisory warnings not as stickers, but as an actual part of their album covers..

As hip-hop rose to prominence in the late 1980s, a Miami rap group called 2 Live Crew released their debut album The 2 Live Crew Is What We Are in 1986. Featuring shocking and sexually explicit lyrics, including the singles "We Want Some Pussy" and "Throw The Dick". In 1987, a Florida store clerk was acquitted of felony charges for selling the album to a 14 year old girl.

The game had been upped. Now record store owners and employees were facing prosecution for selling controversial albums to minors. Particularly 2 Live Crew's albums. Realizing what they were facing without retail sales, the group offered clean versions of their later albums. The move actually helped them because they became more accessible to radio and Miami radio station WPOW "Power 96" began playing 2 Live Crew's toned down offerings. But the group always made explicit records and a record store owner in Alexander City, Alabama, was cited for selling an explicit copy of their next album Move Somethin' to an undercover police officer in 1988. 

It was the first time in the United States that a record store owner was held liable for obscenity over music. The charges were dropped after a jury found the record store not guilty. But a chill was placed on American independent retail record shops. Especially in the Bible Belt and the Deep South.

 

However when 2 Live Crew's 1989 LP As Nasty As They Wanna Be was released, the shit hit the fan. Lawyers for the religious conservative group American Family Association met with Florida's governor at the time to see if the album met the state's definition of 'obscene'.

(To this day, outside of child pornography, very few things, if anything else, ever met mutually in any definition of obscene on a federal level. One person's obscenity is another's art. Even the Supreme Court allowed plenty of ambiguity in obscenity cases and left them up to the states in which these suits were being contested.)

The Broward County sheriff warned area record store owners that selling the album could be prosecutable after a county circuit court judge ruled there may be probable cause for obscenity violations. 2 Live Crew sued the sheriff and in June of 1989, a US district court judge ruled the album was obscene and two days later, a local record store clerk was arrested two days later, after selling a copy to an undercover police officer.

A few days later, members of 2 Live Crew was arrested for performing songs from the album at a nightclub in Hollywood, FL. The arrests and obscenity trials became international news and the group also received support from several rock and heavy metal artists. The memories of their earlier hassles with the PMRC were still painfully fresh.

Eventually, their convictions on obscenity were overruled.  

And somehow, the same old prudes that got their pantaloons in a twist over 2 Live Crew's albums completely ignored this classic from 1980.

In 1988, Poison released Open Up and Say... Ahh! While there was nothing controversial about the music itself, some people who overthink too much saw the cover model's Gene Simmons-like tongue and immediately wanted it banned.  

The "clean" cover of Open Up and Say... Ahh!

The obscenity threats also extended to rock album covers. And it had been for a very long time. But I'll save that for a future post.

In the mid '90s, gangsta rap reached saturation and began to fade. In it's place was a new musical threat to conservative and religious ideals. A hard rock group from Florida named Marilyn Manson emerged and at first glance, it was hard to see what they were upset about. It was a band that put a lot of theatrics in their shows, not unlike anything Alice Cooper and Kiss did 20 years before. But the rumour that Marilyn Manson was allegedly a priest in the Church of Satan (as well as the title of his 1996 LP was Antichrist Superstar) led to even more gruesome - and totally ludicrous stories, such as onstage human sacrifices, rapes and torture.

Marilyn Manson

But what made the allegations different was they were being spread by the internet, which was new and had virtually no rules in it's beginnings. But malicious lies and slander could be spread across the nation in virtually seconds and totally anonymously back then. And spread even farther and to others that much more quickly. By word of mouth alone, it took months to years at the fastest that they could be spread. 

And the band's leader/namesake Marilyn Manson had to fight back a daily barrage of unfounded and increasingly outrageous statements against him. And he did and took legal action against the sources of these statements. And they quickly ceased. Manson's music was also criticized after the 1999 massacre at Columbine High School in Littleton, CO as the shooters, Dylan Klebold and Eric Harris, were fans of Marilyn Manson. And suddenly, Manson found himself in the same ugly national spotlight as Judas Priest and 2 Live Crew had a decade earlier. While no legal action was taken against Marilyn Manson, having to go through that experience alone is pretty traumatic.  

In the 2000s, a Detroit based hip-hop duo called Insane Clown Posse made hot lyrics a part of their act since their mid 1980s beginnings and after years of music industry rejection and the obsessiveness of their fans (known as 'Juggalos') of their beloved duo had came to a cult-like hero status outside of the mainstream had recently earned them another status - federally recognized criminal gang. 

Insane Clown Posse

In 2011, the FBI put the Juggalos alongside such notorious criminal gangs such as the Bloods, Crips, Surenos, Latin Kings and MS-13. They cited certain examples of assaults and vandalism allegedly involving Juggalos, which Insane Clown Posse vehemently condemned and questioned. The band recently filed a lawsuit against the FBI and lost. But Insane Clown Posse plan to continue the legal fight against the classification. 

While most rock/pop stars realize a certain amount of urban legends are actually helpful to their careers. When the myths begin to overtake the facts, it's time to draw a line. Books like the ones illustrated above would never be allowed to be published unchallenged by the artists the books are making reference to today.

Maybe what some people forget is it's pop/rock and hip-hop music's role to challenge the status quo. If rock had never evolved beyond the '50s, it would never have survived. And each generation brings changes. Some of them marvelous, others not so much.

Maybe sometimes the most outrageous acts that come along are just a generational gimmick to attract disenfranchised youth. Sometimes, they work. And sometimes, they don't. 

Or maybe no matter what you call it, it's only rock n' roll. But we like it.