The S&H Green Stamps

If there was an American institution sorely missed now more than ever, it's the Sperry & Hutchinson Green Stamps. But there's a twist to the tale.

For decades S&H Green Stamps were the nice little extra of American life from the 1930s until the end of the 1970s. And S&H weren't the only customer loyalty/trading stamp program. There were several others, but S&H is the most nationally recognized.

But to begin, the stamp game worked like this; It added customer loyalty. For certain amounts you spent, or for certain products that the retailer wants to move, the customer got x amount of S&H Green Stamps.

The stamps came in denominations of 1, 10 and 50 points that you filled up in a stamp book like this. 

You needed 50 of the 1 point stamps to fill up a single page of a book. Or five of the 10 point stamps or a single nice fat, juicy 50 point stamp (when you bought something big or shopped generously at your locally participating business. And almost every local business was participating in S&H Green Stamps.) 

Each book could hold 1,200 single points of stamps. With a cash value of $1.20 each (not a shabby amount at the 1950s/1960s peak of the Green Stamp.)

You could then pick out whatever you liked from a neat, convenient catalog of whatever. Or brought your completed books to a local S&H showroom.

This solved a lot of problems. For you the customer, everything from first apartment furnishing to last minute Christmas gift ideas can be found here.

For you the retailer, you can move that pesky lingering stock or promote a new item with Green Stamps. This also helped restaurants sell specials, gas stations when you bought a certain amount of gas, banks when you opened an account and beauty shops, etc. And kept people coming back because they got bonus treats like these just for shopping local.... 

The S&H Ideabook was your passport to sublime cashless wishes. Where the only requirement was carrying a stamp book in your glove box/visor, bookbag or purse around town and making sure you got your stamps.   

The downfall of the S&H Green Stamps came in the 1970s with the rise of the credit card. You didn't need to wait forever collecting all these stamp books for things you can get with charging it right now.

The other was the downfall of the local retailer, as downtowns began emptying into suburban malls, local businesses that carried Green Stamps began to die. Looking at the husks of remaining shopping malls these days, I doubt it was worth it.

However, it was the Greatest Generation that understood the secret true benefit of collecting stamps and books; It was a little bonus of life. Maybe the products were average and you had to wait a long time, diligently collecting stamps and books to get them. but it was just something you didn't have to pay precious hard currency for that you could use for other, more pressing things. And over time, those savings added up. 

The surprising news is S&H Green Stamps were still around until last year.

"S&H Green Stamps are no longer valid and we are no longer accepting them. They have no value."

"Ruby Tuesday" Freakout Guitars (Spin-O-Rama,1967)

Freakout!!: The Great New Guitar Sounds Freakout Guitars (Spin-O-Rama, 1967)

This super-cheesy whammy-bar fueled version of the Rolling Stones classic has always been a personal guilty pleasure of mine. In fact both sides of this album are worth a listen (it's department store budget albums like this one that also have some of the most kickass talk-over music for your community LPFM radio show.)

I think this was as close to a psychedelic album as Spin-O-Rama Records ever got. 

Mall Of 1974 by Mall Music Muzak

Remember real shopping music? Before the music over shopping mall PA systems became a mishmash of Adult Contemporary recurrents and tired, overplayed '80s oldies?

The music was always more welcoming because it was agnostic. It wasn't someone's favorite music. Or anyone's. It was that stuff that you heard just slightly below the general din of a typical day inside a shopping mall.

You don't know headaches until you've just heard Bon Jovi music playing in the echo chamber of an empty shopping mall. You just don't.

Because the malls acoustically are/were the worst places for contemporary pop/rock music of ANY kind. I soon realized this after the malls started changing their background music from easy listening to pop music from 1987 to 1990. And I soon had a renewed appreciation for orchestras with pianos and lots of big brassy instruments. 

Photo: Long Island '70s Kid

Because shopping malls have/had hard surfaces. The glass storefronts, marble floors and walls, fountains, the weird metal abstract art sculptures and high vaulted courtyard ceilings all reflect sound. Acoustically, they were just better tempered for low volume Percy Faith than mid-volume Paula Abdul. Pop/rock booms in malls with a cathedral-like echo that's sometimes disorienting. Some people can't process that and the person next to them talking through the echo as well as the older easy listening and I'm one of them. Now get off my lawn.

But now you can relive that golden sound as you browse through the Amazon app on your smartphone! Mall Of 1974 is essentially a nifty compilation of classic mall PA music. But also with added echo and reverb to simulate the sound of a shopping mall, circa 1970s/early '80s.

Enjoy!

Bonanza '88' Stores

Bonanza '88' Stores were a discount chain that dominated much of the Western half of the US from 1967 to 1987.

They began as an all 88¢ store. Everything in the store, 88¢. Or 2 for 88¢ (many cheap budget label record albums were offloaded this way.) Over time, they began offering a mix of higher and lower price items.

In the late 1980s, Bonanza '88' was renamed simply Bonanza and also offered a pharmacy. They were bought out by the Seattle based Bartell chain in the late '80s.

Attention Kmart Shoppers

"OK, I have to admit this is a strange collection. In the late 1980's and early 1990's, I worked for Kmart behind the service desk and the store played specific pre-recorded cassettes issued by corporate. This was background music, or perhaps you could call it elevator music. Anyways, I saved these tapes from the trash during this period and this video shows you my extensive, odd collection.



Until around 1992, the cassettes were rotated monthly. Then, they were replaced weekly. Finally sometime around 1993, satellite programming was introduced which eliminated the need for these tapes altogether. 

The older tapes contain canned elevator music with instrumental renditions of songs. Then, the songs became completely mainstream around 1991. All of them have advertisements every few songs. 

The monthly tapes are very, very, worn and rippled. That's because they ran for 14 hours a day, 7 days a week on auto-reverse. If you do the math assuming that each tape is 30 minutes per side, that's over 800 passes over a tape head each month. 

Finally, one tape in the collection was from the Kmart 30th anniversary celebration on 3/1/92. This was a special day at the store where employees spent all night setting up for special promotions and extra excitement. It was a real fun day, the store was packed wall to wall, and I recall that the stores were asked to play the music at a much higher volume. The tape contains oldies and all sorts of fun facts from 1962. This may have been one of the last days where Kmart was in their heyday - really! 

One last thing for you techies, the stores built in the early 1970's (such as Naperville, IL Ogden Mall Kmart #3066, Harwood Heights, IL #3503 and Bridgeview, IL #4381) orignally had Altec-Lansing amplifiers with high quality speakers throughout the store. When you applied a higher quality sounding source, the audio was extremely good. Later stores had cheaper speakers and eventually the amps were switched out with different ones usually lacking bass and treble controls." - Mark Davis

Listen Here

Also see S.S. Kresge for information and links to recordings of background music from Kmart predecessor, Kresge. And The Seeburg 1000, an earlier store background music system. More on Kmart: Vintage Kmart Memories and Kmart Brand Products. 

S.S. Kresge

This recording of lovely in-store background music was created by Special Recordings Inc. for the S. S. Kresge Company, predecessor of today's K-Mart department stores. The music was intended to be piped through the store for a pleasant shopping experience. - Oddio Overplay

Listen/Download

Also see:

- Kmart Brand Products
- Vintage Kmart Memories

Christmas In The Northwest

"Christmas In The Northwest" Brenda Kutz-White (1985)

Now if you're not from the Pacific Northwest area, you probably will not understand this song. Or why Seattle folks still get a lump in their throats whenever they hear it.

Some people say Northwest folks are a proud, almost to the point of smug, bunch. And to be fair, they have a point. We don't have to go far for world class gourmet Asian food. We love our Seahawks, our high octane espresso....


...as well as our insatiable tattoo cravings.

We also got legal bud now too.

But most of all, of the fact we live in an area surrounded by such pristine natural beauty.

Around the holidays, you learn to get a taste for local products like egg nog lattes, Frangos and Almond Rocha. Or if you dare, Aplets & Cotlets. I'm not particularly a fan, but some people have a thing for them.

And Christmas In The Northwest. Which not only became a regional Christmas anthem, it is also the name of a best selling regional yearly album collection in the 1980s through today.

The concept for the album came when Alex Lawson (daughter of Steve and Debbie Lawson) was admitted to Children’s Hospital at the age of 2, suffering from E.coli. The Lawsons were so impressed with the treatment their daughter received, along with the care they received during their family crisis that they wanted to do something in return for the hospital.

The Lawsons then owned Lawson Productions; a Seattle based recording company which later became Bad Animals/Seattle. They enlisted help from an “A” list of the Seattle music world to provide contemporary Christmas music for the first and subsequent CDs.

Artists have included Dave Matthews, Ann and Nancy Wilson of Heart...


....Kenny G, Steve Miller, David Lanz and Paul Speer, Tickle Tune Typhoon, Tim Noah, and Walt Wagner. The first album launched the hit song “Christmas in the Northwest”, written and sung by Brenda Kutz. That song has become a Northwest classic.

-  ChristmasInTheNorthwest.com






And if you like what you hear, you can get copies on the ChristmasInTheNorthwest.com web site.

Enjoy!

"Bay-Hay Bee Doll" The Swingers (JCPenney/RCA Custom, 1966)

A. "Bay-Hay Bee Doll" The Swingers

B. "Bay-Hay Bee Doll (Instrumental)" The Swingers (Links: WFMU's Beware Of The Blog )

Play this record at your own risk. Because once it gets inside your head, you can't get it out.

And in a surprisingly good way. The bass and drum playing are insanely catchy, if the lyrics and vocals are simply awful - even for an early bubblegum rock prototype, as this song seems to be.

This 45 was a complimentary extra with the purchase of it's latest colour-coordinated, polyester/cotton blend sportswear line, The Swingers. However I read on WFMU's page on this record that it was an extra with a doll called Bay-Hay Bee Doll. But I've never seen any evidence of this doll (and I really hope such an evil thing does not exist.)

If The Swingers sound familiar, bear in mind there were literally dozens of bands in 1965/1966 called The Swingers, or some variation (The Swingle Singers, The Swingin' Blue Jeans, The Swingin' Medallions, et al.) I'm guessing "swinger" also didn't quite have the sexual connotations at that time that it would be infamous for throughout the '70s.

The song was written by someone named Warren Parker. However, the musician roster on this track as well as any session information have been lost to time (or more likely, never kept. As it was considered a commercial marketing one-off and not a legitimate band.)  

Harmonic Convergence.....Redneck Style

Courtesy of W. Lane Startin @ Superfluous Bloviations (Photo taken today at Fred Meyer, Twin Falls, ID)

Aluminum Christmas Trees

Aluminum Christmas trees were a fad that lasted from 1955 to 1965. First appearing in department store windows, they quickly became a "must have" item for suburban housewives.

You couldn't use ordinary string lights with these trees. The sides of the "needles" of these trees were often like razor blades and could cut into the wire insulation, causing a dangerous electrical short. And since string lights come in green or white wires, it would be the equivalent of wearing a strapless gown with a bra that isn't.

You used a colour wheel, a spinning light was used which shined light in red, green, blue and gold onto the reflective tree. They only looked good in a very low light area.

 
The downfall of the aluminum Christmas tree came after A Charlie Brown Christmas Special, where Lucy tells Charlie Brown to buy an aluminum Christmas tree ("Maybe painted pink!") It became a symbol of the commercialization of Christmas and fell out of favour with the public.

However, they've been making a nostalgic comeback in recent years....

Drug Store Christmas Records For Kids

Never heard of The Caroleers? You're not alone. Their name isn't even mentioned on some of their own records! 

But if you were a kid of the '50s to '70s, you may have had a few of their records.

And they may have sold as many Christmas records between 1950-1975 as Bing Crosby, Nat King Cole and Burl Ives. 

Admittedly, there are no actual sales numbers of these records because the only places you could find them were in racks at drug stores or supermarkets. And the RIAA never calculated music sales outside mainstream retail record stores in those days. But from the sheer numbers of these records I encounter in thrift stores and on eBay, it was likely a few million. 

The Caroleers recorded childrens records for Peter Pan Records in the early '50s as The Peter Pan Caroleers. Peter Pan Records was a division of Synthetic Plastics Corporation (SPC). SPC was based in Newark, NJ and started out in the late '20s making other plastic products (buttons, board game and toy pieces, hair combs and whatever other minute miscellanea you could make out of PVC.)

SPC started Peter Pan Records in 1949. They initially made plastic 78 RPM records for children. They knew as the 33 1/3 RPM long playing and 45 RPM record was taking the nation by storm, there would be BIG business in children's records due to the sudden rise in hand-me-down 78 RPM phonographs from their parents who quickly adopted the slower speeds and multiple speed functions of the automatic record changers that were coming into vogue.

By the late '50s, they were making the then standard 45s. You may better remember the Peter Pan childrens 45s from your '60s/'70s childhood. They were the second biggest (behind Disney) producer of children's records in America.

 

Playhour Records (late '60s): Contrary to popular collector belief, it wasn't SPC, but Pickwick that made Playhour Records, following the SPC/Peter Pan formula perfectly. Playhour records were packaged in tote pack sets of 12 45s and sold for $3.  

SPC expanded in the adult market with their budget record labels. They often mixed in their Caroleers recordings for Peter Pan on their Christmas albums marketed for adults. (Under the Yuletide, Spin-O-Rama, Diplomat and Tinkerbell labels.) These albums are regular thrift store/eBay finds.

Where we have this nearly flawless Perry Como impersonator.....

 

...or this Tom T. Hall imitator....

At least, "The Caroleers" was their pseudonym. No one truly knows who they were, where they came from. Who was their leader, etc. Nothing. Session information and artistic liner notes do not exist. As with everything SPC ever produced..

The cold hard truth is "The Caroleers" were just a blanket name for a group of unknown session singers and musicians at SPC who were paid a flat fee for their services and recieved no royalties from their recordings. And this was perhaps the best selling group on a budget label ever.

And guess how much songwriters Jack Rollins and Steve Nelson got in royalties from The Caroleers' recording of their "Frosty The Snowman"? Just guess.....

In an apparent Gene Autry knockoff.....

Most of The Caroleers recordings were made in the 1950s and '60s at a time when music publishing was fraught with copyright loopholes galore, allowing for dozens of knockoff and "tribute" records (much like we see today.) SPC and other budget record labels got away with this by claiming their music was intended for children and thus for play inside homes, not over the radio or publicly. SPC did not service radio stations and most radio stations did not play their product. (Most.) So they actually claimed that they didn't have to owe songwriters royalties in spite of making millions in profit from their songs.

Today, the artists and songwriters are usually in on it too, as these knockoffs are actually a revenue stream, no matter how disingenuous.

     

However in the early '70s, songwriters were sick of all these cheap record labels whoring their music and collectively put an end to this racket and most budget labels ceased operation or went into other lines.

About this time however, SPC stopped pressing the old Caroleers records and hacked up something even more nefarious for Christmas in the '70s.

"The Peppermint Kandy Kids" anyone?....This record was narrated with Peter Fernandez doing utterly the very worst Jackie Vernon impersonation you will ever hear.

However even in the disco era, old habits died hard with SPC (by then known as Peter Pan Industries.) They even cashed in on the Disco Duck craze with "Irwin The Disco Duck"   

SPC went back to exclusively childrens records as Peter Pan and later, Power Records which incorporated an action comic book style format targeted to boys.

Merry Christmas From The Family.....

"Well c'mon kids..... SMILE for Santa....."

More holiday photo madness.....

http://yougottobekidding.wordpress.com/2012/11/28/wal-mart-called-your-christmas-photos-are-in/

Christmas Greetings Vol. 3 (Columbia Special Products for A&P, 1972)

This would be yet another by now fairly typical Columbia Special Products '70s Christmas compilation album were it not for two tracks on it whose artist names literally jumped off the back cover when I found my copy in a Goodwill a few years ago.

 "The Christmas Song" Carol Burnett...


...and "Here's To You" Cary Grant, which was also released as a B-side 45 RPM single in 1967.

 This 45 is extremely hard to find in merely acceptable condition. The single's equally classy A-side "Christmas Lullaby" can also be found on the 1971 A Very Merry Christmas Volume 3 CSP compilation for the now defunct East Coast department store chain, Grant's.