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Showing posts with label Musical Instruments. Show all posts
Showing posts with label Musical Instruments. Show all posts

Wednesday, October 13, 2021

The Great Kat - Worship Me Or Die! (Roadrunner, 1987)


Your blind date is here. Image: Discogs

I once saw a mail-order offer for this album in Metal Edge magazine back in 1988. The cover of this made me do the same double take you probably just did. So if you haven't already gotten the trigger warning; This is not an Anne Murray-type album.

"......UNDERSTAND??!!" Image: Discogs

But why it was mail order was an interesting fact of music distribution in the 1980s. Some major retail chains back then (including Walmart) simply did not stock then-independent labels such as The Great Kat's then-label, Roadrunner Records. And perhaps partly due to the then ongoing PMRC controversy and Roadrunner's then 1980s line-up of mostly scare-your-overly-religious-parents satanic shock metal bands, such as Obituary, Mercyful Fate and it's frontman, King Diamond that were hugely popular in the headbanger underground of the 1980s.  

"And always remember to brush and floss daily, limit sweets, and get a dental check-up twice a year. Mr HappyHorns....AWAAAAAAYYYYY!!!...." Image: Discogs

And in the 1980s, many independent record stores in America outside of larger urban centers were being wiped out by mall chains, such as Sam Goody, Musicland and Wherehouse, which typically only had just enough floor space for the mainstream major label hit albums (though you could special order some releases through some chains, you usually had to pay more.) 

So indie labels (even a few majors) often sold direct through fan magazines such as Metal Edge

Your eyes almost melted from the bright, airbrushed full color glossiness of every page of Metal Edge.

And The Great Kat's Worship Me Or Die! was one ad for a record that somehow stuck in my head. Without even hearing it

But even in my then heavy metal-centric stomping grounds of Lynnwood, Washington (circa 1988) and even in nearby Seattle, this album was somehow impossible to find locally. In any format.  

So while promising myself I'd order a copy Worship Me Or Die! (I mean, like, that cover), other albums distracted me. I was a very foolish mortal. And soon, I would really be in for it.

Image: Discogs

I almost completely forgot this album until I came across a miracle copy of this LP at a Goodwill a decade later. I grabbed it. Took it home, wiped the dust off the grooves. Put on my headphones. And began my atonement. 

And I was instantly disappointed. In myself. For not ordering this record when I should have. Because this album would have been the de facto soundtrack of a lot of headbanger parties, had I heard this back then. Because beneath the layers of metal cheese (and she didn't miss a single cliche) is some of the fastest speed metal guitar fretwork I've ever heard then. Or since.

An institutional grade Cuisinart could not shred speed metal lead guitar like The Great Kat. Forget the lyrics. I kept putting the needle back at the beginning of her guitar solos; What the hell did I just hear?

Even with all the thrash/speed metal I've heard up to this point, I still can't comprehend how this still exists absolutely ignored by the mainstream (ahem, rock radio.) But fortunately, you can hear this lost classic in it's entirely on Spotify and YouTube.

The Great Kat (aka Kathrine Thomas) is a Julliard-trained classical musician, which other than actual demonic influence might explain her amazing fretboard dexterity. She played classical music before crossing over to metal. She plays both violin and guitar. 

Her later releases, while not quite as over the top as Worship Me Or Die! combined classical music with speed metal. Her skill getting even more shockingly fast with each new album.

The Great Kat Beethoven on Speed (1990)

      

And The Great Kat is still showing the boys how it's done. This is her latest, "Shredssissimo" (2021).


 

Friday, September 06, 2019

"Ruby Tuesday" Freakout Guitars (Spin-O-Rama,1967)

Freakout!!: The Great New Guitar Sounds Freakout Guitars (Spin-O-Rama, 1967)




This super-cheesy whammy-bar fueled version of the Rolling Stones classic has always been a personal guilty pleasure of mine. In fact both sides of this album are worth a listen (it's department store budget albums like this one that also have some of the most kickass talk-over music for your community LPFM radio show.)

I think this was as close to a psychedelic album as Spin-O-Rama Records ever got. 



Saturday, April 27, 2019

Philosophy of The World by The Shaggs (Third World Recordings, 1969)






If you've never heard of this album, you might not be ready for it.


You may have grown up in the 1960s and thought you heard everything the 1960s had to offer. But if you haven't heard this album, you still haven't heard it all.

The Shaggs were Dorothy "Dot" Wiggin, Helen Wiggin and Betty Wiggin (and later, Rachel Wiggin), four sisters from Fremont, New Hampshire. They were formed as a group not under their own initiative, but by their dad, Austin Wiggin Jr.. His mother predicted Austin would marry a strawberry blonde woman and they would have daughters who would become a world famous music group.

The first two predictions came true. Austin married a strawberry blonde woman, Annie. And they had daughters. So Austin Wiggin Jr. set about making the third come true. He bought his daughters a drum kit and two guitars. And that was it. No formal lessons in playing or singing. They were on their own musically.

As a result, The Shaggs evolved, um, differently....

The Shaggs played live around the Fremont area. But the audiences weren't exactly thrilled by what they heard and often threw things at the band. It didn't matter. Austin Wiggin was going to make his girls stars. So he took the next step; Recording an album.

Austin Wiggin pulled out most of his savings to finance the album. They went to Boston and recorded Philosophy of The World on the independent Third World Recordings label. They pressed 1,000 copies of Philosophy of The World.

And 900 of them promptly disappeared. As with the head of Third World Recordings. Most of the remaining 100 copies went to radio stations, some of which escaped into the wild (as radio promo copies of albums often did.) Only one single was released, "My Pal Foot-Foot"(Foot-Foot was the name of Dot Wiggin's cat.)

To this day, no one knows what happened to those 900 missing album copies (or Foot-Foot.)

Or (as some wonder) if they were even printed.

 

Philosophy of The World has been called one of the worst records of all time. But Frank Zappa and Kurt Cobain called Philosophy of The World one of their favorite albums of all time. But who would even unleash such an album? Beat timing? Song structure? Performing on key? Big production? Artistic lyrics? FAH! Overrated.

But the reality was the Wiggin girls only went with what they honestly knew, which wasn't much. But they made the best of it to appease their father (although one could imagine the conflicts that must have went on between the girls and their dad at times were as bad as their music.) And the fact they weren't pretentious or egotistical lyrically (the song topics were about pets, sports cars, Halloween and random musings) made them just as inspiring. They became the godmothers of DIY punk and outsider music.

It's been said The Velvet Underground and Nico had 30,000 initial copies pressed and everyone who bought a copy started a band. The Shaggs pressed 1,000 copies of Philosophy of The World, lost 900 of them and still had the same effect. But Philosophy of The World, by all odds should never have survived.

The few copies that escaped quickly became collector's items initially not for their value, but for their weirdness. And their rarity has made the original LPs extremely valuable.

The Shaggs stayed together as an act until 1975. They did make an unreleased second album and on this one, there was studio help at last Their act had become famous once again when Boston rock station WBCN began playing tracks from Philosophy of The World as a joke, the album began getting renewed interest. Comedy radio host Dr. Demento also played tracks from Philosophy of The World on his syndicated radio show, which further interested/shocked listeners. When the jazz group NRBQ discovered them, they talked the Shaggs into re-releasing Philosophy of The World in 1980.

It was released on CD in 1999 on RCA Records. 


Thursday, April 25, 2019

Tisch Bumbass

"Yes, you read right! This is the world-famous "Tisch-Bumbass". a real cool one man jazz band that requires absolutely no talent to play ---- just nerve....Beautifully hand-carved in Germany and made of the finest materials, your 'Tisch-Bum-bass' will survive the wildest parties." - Escapade Magazine, August 1962.
The wildest parties. (You know? The ones with pretzels?)

This was Escapade Magazine, August 1962. I was born in 1968. So my takeaway from reading this was teasers like her in 1962 were hopelessly drawn to guys who can play the pie pan. tambourine, bicycle horn, cedar block, and cowbell simultaneously. It must've been a magical time. Like hair metal. Until the Beatles showed up....


A tisch (or "table") bumbass (also known as a Stumpf Fiddle or Devil's Stick) is a smaller version of a Medieval European headache-on-a-stick. It's essentially How Many Noisemakers Can You Put On One Thing? You might have seen it at carnivals and circuses (or wherever clog dancing is allowed.)