The Star Wars Holiday TV Special

Watch here.

Kenny and Dolly: A Christmas To Remember (1984)

"Here Come The Judge" Pigmeat Markham (1968)

Whether or not this is the very first ever true rap song, a jury of hip-hop scholars will probably forever be out. But this is widely considered to be the earliest known prototype of the genre.

Dewey "Pigmeat" Markham (1904-1981) was a vaudeville comedian in the 1920s and '30s, later moving into acting and singing. He got the name "Pigmeat" from an early act of his, where he declared himself as "Sweet Poppa Pigmeat".

For decades, Markham's career was severely limited to only nightclubs and theatres that accepted black entertainers called the "Chitlin' Circuit", as Jim Crow racism and segregation was still dominant in every aspect of American life in those days. He was little known among white audiences until the 1960s when Pigmeat Markham released several comedy albums that crossed over. 

Sammy Davis Jr. performed the "Here Come The Judge" act on Rowan & Martin's Laugh-In. The success of Sammy Davis Jr.'s rendition of Markham's act later got Markham himself a deal to appear on Laugh-In for one season. The success of which spawned this single, which made it to #19 on the Billboard Top 40 charts in 1968.

The Hollywood Palace starring Diana Ross & The Supremes, Sammy Davis Jr. and The Jackson Five (1969)

Let's drop everything and go back to 1969. This is an episode of The Hollywood Palace, a popular TV variety show in the 1960s. This originally broadcast on October 18, 1969 and starred Diana Ross & The Supremes, Sammy Davis Jr. and The Jackson Five. It's also complete with original commercials!

More episodes of The Hollywood Palace and more great Classic TV can be found at Internet Archive

Gary Owens Aircheck KMPC September 19,1970

The late Gary Owens, who passed away February 12 was unquestionably one of the world's finest broadcasting voices. From his days at KMPC 710 AM in Los Angeles, which aired what was called a "Middle of The Road" music format.

Middle of The Road, (or MOR) was about as family safe a radio format as you could get. Those "family safe" Christian Adult Contemporary stations today sound downright raunchy compared to the slick, genteel sound of Middle of The Road. Lots of soft pop songs, with a few perky instrumentals. Musically, it was barely passable if you were in your '20s and something Grandma could put up with as well. In 1970.

But what held it all together was the personalities on these radio stations. The smooth, stylish voices on these MOR radio stations. In Seattle, we had Robert E. Lee Hardwick on KVI, Larry Nelson on KOMO, and Phil Harper (who appeared on many Seattle stations and many formats from country to jazz.)

And Gary Owens had no shortage of that. His phrasing, his enunciation, they were as stylish as they came. His panache unforgettable. And one TV came back to time and time again, like another recently departed radio star, Casey Kasem.

Who will replace them? I just don't know......

The Last Bing Crosby Christmas Special w/ David Bowie (1977)

The Judy Garland Christmas Special (1963)

The Donny & Marie Osmond Christmas Specials

The Carpenters at Christmas (1977 TV Special)

The Bob Hope Christmas Special (1967)

The Johnny Cash Christmas Show (1977)

John Denver's Rocky Mountain Christmas TV Special (1975)

Complete with original 1975 TV commercials!

Yes kids, TV really did look like this in 1975.

And who knew John Denver invented the Bio-Dome?

The Paul Lynde Halloween Special (1976)

One of the BEST Halloween variety TV specials of the '70s. Starring Margaret Hamilton (reprising her role as The Wicked Witch from The Wizard of Oz), Betty White, Tim Conway, Roz Kelly, Billie Hayes, Billy Barty, Florence Henderson, an uncredited appearance from Donny & Marie Osmond and musical guest Kiss.

Love Will Keep Us Together.......For 39 Years....

 

After 39 years of marriage, the Captain & Tennille are getting a divorce.

 

The duo came on the national music scene in 1975 after releasing their first single, "The Way That I Want To Touch You". Which was played widely on Los Angeles area radio, leading to an album deal with A&M Records.

After signing with A&M Records, they were offered the Neil Sedaka song "Love Will Keep Us Together" The single went gold and from 1975 to 1979, the Captain and Tennille had a variety TV show (1976-77) and a string of chart topping hits including a re-release of "The Way That I Want To Touch You", "Muskrat Love" (famously parodied as "Hamster Love" by Big Daddy on the Dr. Demento radio show), "Shop Around", "Lonely Night (Angel Face)", "You Need A Woman Tonight" and their final hit "Do That To Me One More Time" for Casablanca Records. 

Toni Tennille also went solo as pop standards singer and in 1980, briefly hosted a syndicated daytime TV talk show. They stayed together through the '80s, '90s  and 2000s making occasional TV appearances and performing their old hits on the club circuit.

  

Kristy & Jimmy McNichol

Oh dear.

Hot on the heels of the Donny & Marie "If the Carpenters can do it, we can too!" craze of corny sibling pop, comes this slice of sheer pasteurized processed cheese product. 

Kristy McNichol had already made a name for herself as Buddy in the ABC drama Family and other ABC TV network productions and Jimmy McNichol (who?) hosted something called "Hollywood Teens". Somebody thought pairing them on a record would move them onto the A-List in no time. So they convinced RCA Records to sign them. 

And so came this album. And this was it: A family friendly album of mostly cover versions of early '60s pop songs an average teenage girl (and the parents of) in the late '70s would probably like (they really didn't.) The same stuff that Leif Garrett and Shaun Cassidy were slinging out. The same stuff TV variety shows were filled with.  

Interestingly, they got The Chiffons to sing backup on their own song "He's So Fine".

Jefferson Airplane - Watch Her Ride (Perry Como Special, 1968)

"Meiecundimees üks Korsakov läks eile Lätti" Winny Puhh (2013)

Now that's what the fox said......

Forgotten Cable TV Channels

In the early days of cable TV, there weren't many channels. In fact, they were mostly your local over the air TV stations (with a few from the hinterlands, or over the border if you lived near Canada or Mexico.) The places where cable TV at that time was most frequently used were in areas too distant from cities with TV stations, where signals were too snowy and ghosty to watch - if they could be received at all.

That changed in the early '70s with the introduction of HBO and Showtime premium movie channels. By the late '70s cable began adding "super stations", over the air TV stations that offered their programming to nationwide cable (WTBS Atlanta - now known as simply TBS - the original Atlanta TV station was sold in the mid '80s. And WGN-TV Chicago and a few short-lived channels.)

The lineup was vastly expanded by 1980. And along the way, there were countless startup channels that grew and morphed into household names we know today: Lifetime, Fuse, MSNBC, Bloomberg, ABC Family and so on.

And now, let's take a look at the cable TV grid of yesteryear.......

- Cable Health Network (1982): Featured mostly medical and health related programming with some programming aimed towards women. Became Lifetime in 1984.

- SPN (Satellite Program Network, 1980-1988): Really low budget affair, ran mostly old public domain films from the '30s and '40s, some foreign programming and low budget, often politically biased programming. changed it's name to Tempo before being bought by NBC and relaunched as CNBC.

- The Video Music Channel (early '80s): One of the few pre-MTV video music channels and seen on selected cable TV systems as well. The VMC, like WTBS and CNN was based in Atlanta (but unrelated.) And it was one of a few major market over the air UHF TV stations that ran all music videos (others were in Boston and New York.) It's been said the original plan for Seattle's KTZZ-TV (now KZJO-TV) was to run primarily music videos, but the idea was scuttled after Viacom threatened to not carry the station on it's vast Seattle area cable system, lest it harm it's precious MTV.

http://www.youtube.com/watch?v=qJcg0ZPf8NU 

- The Nashville Network: Cable TV's first video music channel aimed primarily at country music fans. The Nashville Network had some modest success, but later expanded into programming for men, adding wrestling, action movies and other fare and briefly rebranded as The National Network before becoming Spike TV. The Nashville Network however has been relaunched in 2012 as an over the air DTV sub-channel network.

- The CBN Family Channel: Launched by evangelist Pat Robertson as a "family friendly" TV channel  Initially all religious, it moved towards mainstream classic TV with sitcoms and westerns from the '50s. It was eventually sold to Fox and later Disney/ABC. But as a precondition, the network MUST to this day carry Robertson's own show, The 700 Club. Why? Because Pat Robertson owns the word "Family" (as trademarked/marketed as a TV network.)

- FNN (Financial News Network) An early business news channel. A pretty interesting one I must say - you never saw Frank Zappa hosting a show on CNBC did you?

- Alpha Repertory Television Service (ARTS): One of the first highbrow fine arts cable TV channels (along with Bravo and The Entertainment Channel.)

One of the early predictions of the expanding cable TV boom of the early '80s was these channels would be so successful, there would be no need for government-funded PBS (which the Reagan administration and all Republicans afterward absolutely HATED.)

Unfortunately, advertisers for these channels were hard to come by. Commercial advertisers were never big on classical music, opera, ballet and the fine arts to begin with and most finicky arts-oriented viewers resented the whole idea. Period. ARTS merged with The Entertainment Channel to form - what else, Arts & Entertainment or simply, A&E. 

Originally, ARTS aired on Nickelodeon's channel after Nick signed off. After A&E was formed, the evening hours formerly used by ARTS became Nick at Nite, originally running rerun sitcoms from the '60s and '70s.

- Kaleidoscope: A channel for those with disabilities. Looked like a great idea, but disabilities are far too wide ranging for one channel to specialize in.

- MuchMusic USA: MuchMusic (or simply Much) is a Canadian video music channel that stepped into the American market. with limited success. It rebranded as fuse in 2003 and has for the most part replaced MTV as the primary TV source of music videos, which the original MTV ended in the early 2000s to focus on solely on teen oriented "reality" shows.

- Fine Living Network: A network targeted to upscale viewers. It was replaced by The Cooking Channel.

- The International Channel: Became AZN, targeting Asian Americans. AZN folded in 2008.

- Trio: An unusual cable network. A joint venture of the CBC (yep, the Canadian Broadcasting Corporation) and NBC, this channel specialized in American TV shows that were largely forgotten or unseen in most of America and Canadian and UK TV programs such as The Littlest Hobo, Follyfoot and Coronation Street and then-current Australian programs such as The Blue Heelers. It also showed the infamous American Pink Lady & Jeff show for the first time in nearly 25 years in 2002.

This is likely to be the first in a series. So many cable TV channels have come and gone, it's hard to name them all.

Donny & Marie's Super Energy Drink Recipe

Dawn's New Ragtime Follies (1973)

Perhaps one of the most surprising hit albums of the '70s, this album of ragtime themed music with Tony Orlando & Dawn came right after the smash success of "Tie A Yellow Ribbon (Around The Old Oak Tree)"

It's been said at first Bell Records (which would become Arista Records a year later) thought they were out of their minds when they heard the demos for this album. And at the cusp of the disco era, they probably WERE.

But they released it with little promotion at first and not only did the album go to #1, it also yielded 3 Top 10 singles. a variety TV show (which replaced Sonny & Cher in 1974 and lasted until 1976) and it's considered Tony Orlando & Dawn's most successful album.