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Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Friday, March 27, 2015

Controla-Tone (1955)


The Controla-Tone was an early do-it-yourself TV remote control, The Controla-Tone was a TV volume controller that worked by the user first removing the back of the TV set and connecting the lead wires of Controla-Tone to the speaker leads. The user could then control the volume output through a small knob on the Controla-Tone unit from his/her easy chair.

It only worked for sound. The Controla-Tone did not power on/off, change channels or adjust picture. It could also work for radio.

Not much else is known about The Controla-Tone Co. of Tacoma, WA other than this is believed to be their only product. It was advertised in the June 1955 issue of Popular Mechanics.


Although initial sales were good, TVs with dedicated remotes that could do far more than control volume were lowering in price and becoming increasingly affordable to the average consumer, making the Controla-Tone pretty much doomed.








Saturday, March 07, 2015

The Hollywood Palace starring Diana Ross & The Supremes, Sammy Davis Jr. and The Jackson Five (1969)


Let's drop everything and go back to 1969. This is an episode of The Hollywood Palace, a popular TV variety show in the 1960s. This originally broadcast on October 18, 1969 and starred Diana Ross & The Supremes, Sammy Davis Jr. and The Jackson Five. It's also complete with original commercials!

More episodes of The Hollywood Palace and more great Classic TV can be found at Internet Archive



Saturday, January 31, 2015

"Have A Nice Trip" Merv Griffin (1968)


If there's anyone I always wanted to have a hit of Geritol with, it was Merv Griffin.....






Wednesday, January 28, 2015

"Give Just A Little" Seattle Helps The Hungry (1985)





The release of Band Aid's 1984 single "Do They Know It's Christmas?" raised a new consciousness of the devastating famine in Ethiopia in which several million Ethiopians died after years of drought and the unimaginable horror and suffering the Ethiopian people were enduring.

The success of the single inspired an American response single, "We Are The World" by USA For Africa and soon, artists from other countries and music communities began releasing what has become known as The Benefit Single. In which artists, producers, recording studios, labels, distributors and retail outlets would donate their talent, time and resources in bringing these singles to market with no compensation and 100% of the proceeds from the single would go to the charities in which they were intended.

After seeing a similar benefit single released by local artists in another city, Seattle producer and songwriter David Perry created Seattle's own benefit single for Ethiopia. This single, "Give Just A Little" was a sort of who's who of Seattle's local music talent and media personalities of that time. Including Annie Rose & The Thrillers, The Eagertones, The Dynette Set, Rail, The Cowboys, Chuck Conlon, Eric Tingstad, Michael Tomlinson, Mondo Vita and Red Dress. Radio and TV personalities Wayne Cody and Nick Walker of KIRO-TV, KUBE Radio's Truck Rogers, KHIT Radio's Maureen Matthews, KPLZ's Jeff King, KNBQ's R.P McMurphy and local legend Merrilee Rush (who sang the original version of the pop classic "Angel of The Morning"). As well as The Neville Brothers and many others.

The single benefitted the USA For Africa aid charity as well as local food bank Northwest Harvest. Reminding us that hunger exists right around the corner as well as halfway around the world.

This single (like many others) got some brief media attention, but it was also becoming apparent the market was becoming saturated with benefit singles and while local sales were good, they were eclipsed by the "We Are The World" single which inspired them.

However, as we are approaching the 30th anniversary of "We Are The World" (and it still seems like yesterday!), these singles still stand as an irrefutable testament to the fact that were it not for the music communities, Ethiopia would have starved while the politicians just talked. And every little bit helped.


Tuesday, January 13, 2015

The Legend Of KLEE-TV


Like some broadcasting ghost story, it gets told again and again.

But like many urban legends, there is a grain of truth underneath the embellishment.

Image: The Pecan Park Eagle
This is the story.

In 1958, Reader's Digest magazine published an article on how one mysterious afternoon in 1953, a signal showing the station ID card of KLEE-TV, Houston, TX appeared on TV sets throughout the UK - three years after KLEE-TV was sold and their call letters had changed to KPRC-TV.

Now here's the grain of truth: It's not uncommon for local over the air radio/TV signals to reach crazy distances under the right atmospheric conditions. It's a phenomena that happens every night on the AM radio band. But more rarely on FM and TV. But they still happen there.

Overseas reception of FM and TV signals is the rarest of all of what is known as "DXing", an actual hobby amongst radio/TV fans who surf over our ever increasingly noisy airwaves, trying to find those far off stations from hundreds, or even thousands of miles away on locally empty frequencies that can make brief appearances from a few seconds to even an hour or more on FM radio and TV. There are several online web sites and chat boards for DXers.

When you did find a far off station, the receiver of the signal would track down the address of the station and send them a confirmation of what they heard and at what time. To which the station engineer would send back something called a QSL card, which was like a postcard (which it was) with the station logo on them. Engineers used to look forward to getting these letters, as it was a testament to his/her engineering skills.

They don't send out QSL cards anymore (the last one I got was in 1982.) and there are far fewer broadcast engineers today than there were in those days.

In fact, the last convention of broadcast engineers I saw could have been mistaken for an AARP gathering with the number of grey, white and bald heads I saw there. And when they're gone, I'm not sure who is going to take their place. Not many young people seem to be taking up the profession.



But here's the letdown.

First, all broadcast signals fade away into the ether eventually. They cannot reflect back from a different time. If they could, the airwaves would be a far bigger mess today than they already are, considering all that has been transmitted over the last 100 years on every frequency around the world.

Second, the transmitting system of the UK is PAL. The US uses NTSC. Both are digital today, but were then - and still are - hopelessly incompatible with each other. You could not see NTSC video on a PAL TV set and vice versa without a very expensive, very large (which NO housewife would tolerate in the living room) and in the end, useless conversion system

Third, the transmission carrier frequencies of US and UK TV were also different.

And finally, it was all a hoax to sell TV sets in England:

"As it turned out, in a particularly clever marketing effort, a would-be British entrepreneur had sent a form letter to all U.S. TV stations making the claim that their station’s signal had recently been viewed in the UK. For proof, the sender included what appeared to be a photo of that station’s test pattern on a TV screen. Hoping to peddle a TV set he claimed could receive broadcasts from extreme distances, the sender had been working from an old list that did not reflect the Houston station’s change of hands.

All the other TV stations getting the letter tossed it. But when the letter from England got forwarded to KPRC, someone thought it looked like news and the station did a story on it. The Houston station soon figured out what the sender of the letter had been up to, but by then it was too late and yet another urban myth had been born. Like a radio wave moving ever deeper into space, it continues to live on...." - Mike Cox, The Great Texas/British TV Hoax of 1953

Tuesday, December 16, 2014

'Twas The Night Before Christmas (1974 Christmas Special)


Classic TV Special! With Joel Grey as....Everybody.

Every character in this animated special looks like Joel Grey.....

Tuesday, December 02, 2014

John Denver's Rocky Mountain Christmas TV Special (1975)


Complete with original 1975 TV commercials!

Yes kids, TV really did look like this in 1975.

And who knew John Denver invented the Bio-Dome?

Sunday, November 30, 2014

The Max Headroom TV Pirate


It was an ordinary Sunday night in Chicago in late November of 1987. Folks were unwinding to enjoy their evening in front of the TV and all was going according to plan.

Some people had the WGN-TV 9:00pm newscast on. But during the sports segment, the WGN-TV signal was suddenly interrupted by a strange signal. Someone in a Max Headroom mask with a new sheet of corrugated steel rocking behind him, mimicking one of the video effects of the Max Headroom show had appeared on the video carrier. But the signal had no audio.


Quick thinking engineers at WGN knew exactly what the problem was. Somebody was hijacking their microwave studio-transmitter link (STL) signal, which relays a wireless signal from the TV studio to their transmitter, which sends the signal out for public broadcast on the Hancock Building in downtown Chicago. They quickly changed their STL signal frequency which eliminated the interference.

However on the viewer end, there was nothing they could do. Fussing around with the antenna or fine tuning their TVs did nothing because their reception was actually just fine. It was WGN-TV's own microwave uplink signal that was being taken over. Their reception of WGN-TV's broadcast signal itself wasn't the problem. But all reception, whether by antenna or cable was affected by it, as cable subscribers received the final stage feed - the same that was going out over the air.

Needless to say, it was a surprise to viewers. Who thought someone was messing with their TVs or someone at WGN-TV was goofing off. But not nearly as surprised as the WGN engineers. This was not supposed to happen. At all.  

First, it's very hard to get this kind of equipment. STLs aren't sold at Radio Shack or even your most sophisticated consumer electronics supplier. They are strictly for broadcasters. Only professional broadcasting engineers can get them and specifically for the TV and radio stations they work for.

Second, they produce signals at very high frequencies far out of the range of consumer level electronic goods. And the STL signal frequencies are unknown to the general public. Only professional broadcasting engineers know them. So the person doing this must either have either been an a disgruntled engineer or have had high level training in broadcast TV engineering.

It didn't end there.

Two hours later, the Max Headroom pirate was back. This time during an episode of Dr. Who on public TV station WTTW (Ch. 11). This time there was barely discernible audio.



WTTW engineers however were completely taken by surprise and the pirate transmission on WTTW lasted for 90 seconds.

However not before the Max Headroom character went on a bizarre rant, which ended with the person in the Max Headroom mask bent over and exposed his butt, which was spanked by someone in a maid outfit before the pirate signal cut out on it's own and the WTTW signal returned. WTTW also transmitted from the Sears Tower, rather than the Hancock building like WGN-TV, which only added to the confusion amongst local broadcasting engineers.

However, this isn't the first time something like this happened. A year and a half earlier in April of 1986, a disgruntled satellite dealer named John MacDougall hijacked an HBO satellite feed for the East Coast with a static message over a colour bar test pattern with no audio.


MacDougall was moonlighting at a satellite uplink facility in Ocala, Florida, giving him access to transmitting satellite dishes. He was protesting HBO's decision to scramble their C-Band satellite feeds, requiring satellite viewers to pay for expensive descrambler boxes and a monthly subscription fee, which outraged thousands of satellite TV viewers who spent several thousand dollars on their C-Band satellite dish systems to avoid paying for pay TV services.

Bear in mind this was in 1986 and we're not talking about the Dish or DirecTV type of satellite. Those cable alternative satellite dishes wouldn't appear for another decade. Second, these were C-Band satellite dishes, as pictured. Which are still used for open international broadcasting, radio stations and a few subscription channels. But Dish and DirecTV use a different band and proprietary system than C-Band for their home subscribers. Most domestic subscription as well as many basic channels now use scrambling.
However, MacDougall was caught because he made several mistakes. First, it was far easier to triangulate where the interfering signal was coming from, as there were only two places in the Eastern half of North America that could uplink a signal to HBO's satellite. Second the character generator for MacDougall's message was the only one used for his location. Since the exact time of the incident was well recorded, it was as simple as narrowing it down to the person who was on duty at the satellite uplink when it occurred.

MacDougall paid a $5,000 fine and was placed on a year of probation. He still sells satellite TV equipment.

Both stories made international headlines. And made broadcast engineers far more vigilant in protecting their uplink signals, satellite or STL (which both are digital and far more sophisticated today than anything they were in the 1980s.)

The Max Headroom hijacker however never attempted another broadcast intrusion. And to this day has never been caught.

Friday, November 14, 2014

The Christine Chubbuck Story


From the looks of Christine Chubbuck, you'd think she had everything. She was a successful female TV news reporter at a time when women in broadcast news reporting were still fairly rare. She was young (29), attractive, talented, smart and ambitious. She had all the qualities needed to make it in broadcast media.

But there was a dark side to her. A side few people saw and most ignored.

Christine Chubbuck grew up in an upscale suburb of Cleveland. She was often described as very moody. She could be very nice one day, the next - look out! "She had no greys in her life" Greg Chubbuck, Christine's brother said about her. "Everything was black and white. Things were either wonderful or terrible. Chrissy just didn't have a compromise button"

Today, we call that bipolar disorder. But in the 1960s and '70s with mental health education and treatment still in the dark ages, nobody had a name for it. It was looked at as a character flaw on the person itself rather than a condition that could be treated. But her alarming and visceral mood swings were enough for her family to seek help from psychologists.

Christine attended an all-girls high school (where she formed a tongue-in-cheek group called "The Dateless Wonder Club"), and went on to Miami University in Oxford, OH to study theatrical art. Then to Boston University where she earned a degree in broadcasting in 1965.

She worked for several public TV stations before coming to Sarasota, FL and joining WXLT-TV Ch. 40.

Initially hired as a reporter, Christine moved up to host a daily morning community affairs program called Suncoast Digest. The program was ahead of it's time in the fact it addressed segments of the local community typically ignored by most media, such as alcoholics and drug users in a manner that wasn't in a negative or condescending light. That there was hope for these individuals and showcased the groups and agencies trying to help them.

Christine took her position seriously and began making a name for herself. But she was still unhappy with her life. She struggled with her depression and attempted suicide in 1970.

She rarely dated anyone and yearned for a relationship. Christine even lamented to co-workers in 1974 that she was approaching her 30th birthday and she was still a virgin. Compounding that was she had an ovary removed the year before and doctors told her if she did not conceive in the next few years, she probably never would.

But Christine could never accept compliments and even got defensive over receiving them. She was constantly self deprecating herself. Her lack of self-esteem made it hard for her to socialize, even in a beach resort town like Sarasota.

She had a crush on a fellow reporter at WXLT and baked him a cake on his birthday. But discovered he was already in a relationship with someone else at the station, whom she was close friends with. Her friend had also recently recently been hired by a station in Baltimore, a much larger market than Sarasota. Christine had been hoping a station in nearby Tampa would notice her and give her the break she was looking for professionally. But nothing materialized.

She also resented the push in broadcast TV towards crime oriented news stories. The infamous "If it bleeds, it leads" policy in local TV news was quickly becoming established across America in the mid-1970s.

Ratings research indicated that with news stories about homicide and violent crime being shown first on a local TV news program, it tended to keep viewers watching for the remainder of the program and also increased viewership of local TV commercials during the newscast. Which encouraged current advertisers to continue sponsoring the newscast and attracted new ones, increasing a station's profitability.    

Christine didn't like this trend, which she called "blood and guts TV". But she realized she couldn't change it.

She surprised her news director at WXLT by asking to do a news piece on suicide and he approved. Christine then went to the Sarasota County sheriff's office and asked a deputy about the most efficient ways one would commit suicide. The deputy made a suggestion; A .38 calibre revolver with wadcutter target bullets aimed at the back of the head.

The morning of July 15, 1974 began like any other at the station. But Christine had asked to open Suncoast Digest with a news report, something that surprised co-workers as she vocally resented doing news reporting in the current environment. But WXLT management allowed her to do this.

She opened with three national news stories, then a local news story. As an operator in master control cut away to a film clip of the local story, the film jammed and the camera operator cut back to Christine, who unfazed, said;

"In keeping with Channel 40's policy in bringing you the latest in 'blood and guts' and in living colour, you are going to see another first - attempted suicide"

Christine Chubbuck then pulled a .38 calibre revolver and shot herself in the back of the head, exactly per the deputy's recommended method.

The shocked technical operator in the master control room quickly faded to black and ran to the studio. The news director also rushed in, both thinking it was some sick prank until they saw Chubbuck's twitching body slumped over the news desk.

Horrified viewers began calling WXLT and the station quickly resumed operation, using a few public service announcement clips and a movie. The WXLT news director found the script of her program on the news desk, including a script written in third-person to be read by a staff member who took over the broadcast. The station briefly ran reruns of Gentle Ben in place of Chubbuck's show. The Chubbuck family also sought and received the 2" Quad videotape of Chubbuck's final broadcast to prevent any further airings.

The tragic story of Christine Chubbuck's on air suicide shocked the nation for several weeks. And became the inspiration behind Paddy Chayefsky's script in the 1976 movie Network. Greg Chubbuck also spoke to E! Network about the suicide for the first time in 2007.