History's Dumpster = GLORIOUS trash! Kitsch, music, fashion, food, history, ephemera, and other memorable and forgotten, famous and infamous pop culture junk and oddities of yesterday and today. Saved from the landfill of time...
All day long, I've been nursing a really bad hangover. And it still feels like a dream. Even though the evidence was all around me, I still could have used someone to pinch me. The Seattle Seahawks actually WON the Super Bowl?
And not only won, but gave the Denver Broncos the most devastating Super Bowl loss in decades.
All
Hail The Saviour Of Computer Geeks Everywhere. It was programmed with
scalable compatibility and simplicity, yet It was decommissioned on the
UNIVAC mainframe for our parsing errors......
Some time in the late '60s or early '70s, a strange record appeared
I see a fence back there and I'm really hoping this cover shot was taken at a state hospital.
It gets worse. Look at the back cover. Click on it to enlarge. Read it.
You read this correctly. This was a middle aged woman, (allegedly) channeling a three year old.
How a woman like this is loose on the streets (let alone allowed anywhere near children. Or a recording studio) is beyond me. But it takes "Born-Again Christian" to a brand new low (instead of being "born again", why don't they just GROW UP.)
I honestly don't know what it is with evangelist women and big hair, geological layers of makeup and poodles, I just don't.
But it's not just this woman who scares me like crazy. It's her enablers. Jay W. Turney, Steve Chandler, Eddie Crook and the entire staff of Electric Arts Studio of Madisonville, KY.
Mr. Turney is also this woman's husband. Whom she also refers to as "Daddy". And the oozing disgust about this record only BEGINS there.
There's nothing I can say that can illustrate this horror better than LISTENING to this record itself.
Here's a nifty little compilation of some of Bob Marley & The
Wailer's earliest recordings (with Peter Tosh.) Released in 1977 as Bob
Marley was making his mark on American FM rock stations and people
everywhere were discovering this strange new music called "reggae".
Whereas back then, punk was loud, fast and snotty, reggae was the
mellow, laid back stuff your stoner next door neighbour played loudly on his stereo every
Sunday morning.
While on the surface, this might look like your
typical major label budget compilation (Calla was the hard
funk/Caribbean music imprint of CBS Records) to cash in on a big trend
by reissuing a current superstar's early material, this album is
surprisingly well mastered with some instantly catchy tunes ("Wings Of A
Dove", "I'm Still Waiting") and excellent liner notes on the back
cover.
On this one, you hear more of a '60s soul influence (these
sessions were recorded in the late '60s, before Marley's more
rock-influenced Island albums in the '70s that made him a superstar) and
Bob Marley could have easily scored a few '60s US hits if CBS were
actively looking in Jamaica for exciting new music. Which they weren't
(NOBODY outside of Island and a few specialty labels were doing that.)
These recordings are reissued material Bob Marley & The Wailers
recorded for New World Disc Records. It's a necessary companion to Bob
Marley's greatest hits album Legend.
And the perfect soundtrack for a Sunday morning.....