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Wednesday, August 27, 2014

The History of Videodiscs

Video disc players of some kind have been around as far back as 1898.


The Spiral Motion Picture Camera (1898)


The Spirograph (1907) Similar to The Spiral (above)


The Phono-Vision (1964) used video recorded on vinyl LPs, a technology that would come into commercial use as the Selectavision CED player (below)



MCA DiscoVision - The unfortunately named, very first practical consumer video disc was invented by the Pioneer Corporation of Japan and first licensed and marketed by American record conglomerate MCA Records, the owners of Universal Studios (MCA Records is known today as Universal Music Group) beginning in 1978. It was the very first laser based consumer medium, predating the CD by four years. These discs were two sided and the video quality was not much better than the best video tapes of that time.


They were also ridiculously expensive. In spite of stereo sound (on some discs) and their cool look, there was no way it could compete with the video tape. Video tapes could be home recorded. Video discs could not.

And then there was that name.

You couldn't sell something with "disco" anything in it in America in the early '80s without creating PTSD flashbacks of mirrored balls, white three piece suits and Bee Gees music. We were a nation still in recovery then and sales began to seriously tank.

They tried renaming it the Video LP (VLP), even CD Video before MCA finally gave up on the format.

Pioneer renamed it the Laserdisc and enjoyed some modest success in the early 1990s. They were still outrageously expensive. But there were many technical improvements. But the VHS video tape still dominated. The final blow came with the introduction of the DVD in 1996. Which also successfully killed off the VHS tape format by 2004 with the introduction of the recordable DVD-R and later by, YouTube, Netflix and cloud sharing.

RCA Selectavision - Also known as the CED video disc. Introduced in 1982. what made these different was instead of a laser, they used a stylus, similar to a vinyl LP record. Which is why you inserted the CED disc into the player through it's case and it is removed with the case to play each side.


However, even with the sturdy plastic case, they were not immune to the same problems that plagued vinyl LPs. Including dust (from inside the machine) minor scratches and if you had a smart toddler, they can physically remove the disc from the case by pressing the tabs on the upper corners of the case. And out falls the actual disc. (I knew one guy who had his entire CED disc collection ruined by his girlfriend's mischievous four year old son one horrifying Saturday morning.) The stylus like any vinyl format also had to be changed. By a professional. Often. Or else, the discs would wear out and skip like any other record. And they were not pleasant to look at.



They were discontinued in 1986.

CD-ROM - Most CD's are pretty much CD-ROMs. Meaning they could only be read and not re-recorded. With the CD-RW, they could. However in the mid '90s, computer software and video games was only available on CD-ROMs including your operating system. So all computers of that time had them. And some low quality music videos began appearing on standard music CDs, meaning you could play this disc in your CD-ROM equipped home computer and watch the video on your monitor. There were also instructional videos on CD-ROM. Remember these commercials?

"Try my product?......"

DVD - The DVD format went on sale in Japan on November 1, 1996, in the United States on March 1, 1997, in Europe on October 1, 1998 and in Australia on February 1, 1999. The DVD became the dominant form of home video distribution in Japan when it first went on sale in 1996, but did not become the dominant form of home video distribution in the United States until June 15, 2003, when weekly DVD rentals began outnumbering weekly VHS cassette rentals. The very first movie ever released on DVD was Twister (1996) The DVD could store 4.7 GB of data per disc.


Blu-Ray - is a format designed to supersede the DVD format, in that it is capable of storing high-definition video resolution (1080p). The Blu-Ray disc could store 25 GB of data.

HD-DVD - HD-DVD was a format designed to compete with the Blu-Ray. But the format failed to get a foothold.

 

Tuesday, August 26, 2014

Epic Nu-Disks

In 1979, Epic Records introduced the Nu-Disk.


The Nu-Disk was a 10" inch extended play mini-album, or EP. It was made mostly as a promotional gimmick for mostly newer rock acts on the label.


However records of a 10" inch size weren't "Nu". In fact, most of the very first 33 1/3 LPs from 1948 to 1955 were 10" inches and that size was actually considered standard and many automatic record changers well into the 1970s had a 10" size selector. But the 12" LP began to overtake the 10" and with the exception of a few rare pressings, the 10" album size was largely retired until Nu-Disk.


Only a handful of titles were released in the Nu-Disk format before CBS retired the format in 1981 due to public indifference. All further EPs were 7" or 12".









 

Sunday, August 24, 2014

If I Were A Woman - Ira North (Eden Records, circa late 1950s, early 1960s)


You've probably been seeing this record cover circulating around the interwebs lately amongst the world's worst album covers listings. But rarely do we get the chance to hear what one sounds like.

Well, thanks to our friends at Kill Ugly Radio, you can now hear this one.

And it's not really what you might be thinking (female viewers of this blog will be REALLY offended listening to this.) It's one big clueless (and hopelessly dated) misogynistic rant in the guise of a folksy sermon (like on just about every Southern religious sermon record, where if it wasn't white, Protestant, straight and male, it was to be subjugated.)

Ira North sure thinks he's a sweet funny preacher. And perhaps he was considered that in the Deep South of the late 1950s and early '60s before the Civil Rights Act, Women's Liberation and Stonewall. But his screed back then sounds vomit-inducing amongst the more evolved amongst us today.

Saturday, August 23, 2014

Before They Were Stars: Laura Branigan


If there was one name that summed up Adult Contemporary music in the 1980s, it would be Laura Branigan. Her songs were staples on AC radio, guaranteed to pop up at any given time anywhere around the radio dial in those days.

If all you had was a radio for entertainment in your car or wherever, there was just simply no escape; You were going to hear at least a snippet of a Laura Branigan song somewhere at any time as you were tuning around the radio dial. That's how big of a radio-friendly pop star she was back then. 

From 1982 to 1985, she racked up several hit singles. In fact, many of her poppier songs, such as "Gloria" and "Self Control" were actually Americanized renditions of European pop hits with often completely rewritten English lyrics. ("Gloria" was originally recorded in 1979 by Umberto Tozzi and "Self Control" was originally recorded by Raf earlier in 1984.)

She even made a rendition of Falco's "Der Kommissar" (1982), called "Deep In The Dark" (1983). "Der Kommissar" was also most famously covered by the British act After The Fire (1983) and to a much lesser extent, Suzy Andrews (1982)

Laura Branigan's string of major hits dropped off after 1986, but she still remained active through the '90s, including occasional forays into acting until her untimely death in 2004. Those earlier hits of hers were still played on the radio ad nauseum for the rest of the 1980s and well into the '90s.

But long before this string of hits, Laura Branigan in the early '70s was an aspiring singer, still in her teens. And as an aspiring singer, you took whatever gig you could get. Especially if that gig also came with a recording contract with a fairly major label. As in the case of Meadow.

Meadow was a fairly unknown folk act in a sea of many such acts of that time who recorded a sort of religious psychedelic folk concept album called The Friend Ship.

The Friend Ship was released in 1973, as the spiritually based psychedelic rock concept album era was in full swing. Jesus Christ Superstar and Godspell were huge hits in the early 1970s. And oddly enough, even The Osmonds got into the act with their Mormon based 1973 offering The Plan.)  


The track listing on the back of the LP gave you a hint of that you were getting into.



A few singles were released, but The Friend Ship never got anywhere.

"Here I Am" Meadow


"See How They Run"

"The Lawless Lady"

"Sweet Life"

However this wouldn't be Paramount Records (which was eventually absorbed into MCA Records) only flirtation with a later mega-star act of the 1980s. They also released a 1972 album from another folk-pop act called Milkwood, which featured Ric Ocasek and Benjamin Orr of The Cars.

However unlike most early recordings of then unknown artists that are later re-released by record companies to capitalize on the artist's later success, Meadow's The Friend Ship never had a reissue and Branigan herself was known for being tight-lipped about the experience.


Probably for the better, as The Friend Ship's pseudo-religious psychedelic folk-pop was fairly dated by the time Branigan had established herself as a major pop star. It would have been extremely difficult for her fans and the general public to reconcile her then-current image with the one that was on The Friend Ship. Even though there were far worse beginnings for many major pop acts.

However in spite of the music, this LP (as Milkwood's) remains a prized collector's item for it's rarity alone.

Friday, August 22, 2014

Are You INSANE??

List of reasons why you could have been admitted into an insane asylum in the late 1800s. Do YOU qualify?

Thursday, August 21, 2014

Hellmann's Big H Burger Sauce

In 1979, Hellmann's introduced Big H Burger Sauce a product that was briefly on the market. It was a near perfect carbon copy of a famous burger "special sauce" used by a famous worldwide mega-conglomerate burger chain. And that might have been why this product disappeared as quickly as it came. But I could put that stuff on nearly everything - including hot dogs and it would just taste FANTASTIC. I know it was popular because everyone was talking about it back then.  So it must have sold very, very well.

But ever since then, finding anything about this product was next to impossible. It was like the product never existed. For years, I tried to describe it. But people would think I was talking about Thousand Island salad dressing (this was distinctly different.)

It was the only product marketed by Hellmann's on the West Coast that wasn't under the Best Foods brand name (as Hellmann's Mayonnaise has always been.) There were a few attempts to consolidate the name under the Hellmann's brand west of The Rocky Mountains. But we West Coasters FLATLY wouldn't hear of it and the idea never got off the ground. And we still won't. 

So to this day, Hellmann's mayo is still known as Best Foods mayonnaise west of The Rockies. And that's that. Period.

 

Wednesday, August 20, 2014

Radio Disney


On August 13th, Disney announced it would be ending it's Radio Disney network on nearly all of it's mostly AM radio stations and selling the stations to concentrate on the network's digital platforms, such as online and satellite.

The stations affected are:

98.3 WRDZ-FM Plainfield/Indianapolis (their only FM station.)
590 WDWD Atlanta 
620 KMKI Plano/Dallas 
640 WWJZ Mount Holly NJ/Philadelphia 
910 WFDF Farmington Hills/Detroit 
990 WMYM Miami 
990 WDYZ Orlando 
1250 KKDZ Seattle (See below for more info on KKDZ)
1250 WDDZ Pittsburgh 
1260 WWMK Cleveland 
1260 WSDZ Belleville IL/St. Louis 
1260 WMKI Boston 
1300 WRDZ La Grange/Chicago 
1310 KMKY San Francisco 
1380 WWMI St. Petersburg 
1440 KDIZ Golden Valley/Minneapolis 
1470 KIID Sacramento 
1480 WGFY Charlotte 
1560 WQEW New York 
1580 KMIK Tempe/Phoenix 
1590 KMIC Houston 
1640 KDZR Lake Oswego/Portland 
1690 KDDZ Arvada/Denver

The stations will leave the air until they are sold. It's currently unknown if there will be a single buyer of all or if stations will be sold one by one. But one thing is guaranteed; the formats will change.

Radio Disney however is keeping it's flagship station, 1110 KDIS Los Angeles, but the rest are to be sold.

This brings to an end to the longest running AM children's radio network chain. Radio Disney was one of many networks started in the 1980s, '90s and 2000s to rescue failing 2nd tier, mostly AM radio stations with unique programming unavailable on most FM radio stations (such as hard rock, LGBT programming, personal motivation, progressive talk, business talk and others.) In Disney's case, programming for pre-teens.


However, they weren't the first network to cater to children. There were earlier networks, such as Radio AAHS (pronounced "Radio Oz", founded in 1990 and based at 1280 WWTC Minneapolis - now a conservative talk station.) Radio AAHS also offered a monthly magazine with a CD or cassette tape.
Radio AAHS entered into a early deal with Disney which quickly turned sour, as Disney was quietly preparing it's own radio network (unbeknownst to Radio AAHS.) It's been said the only reason Disney entered into the deal was to learn all they could about Radio AAHS's successful children's radio programming model. And then use it to their advantage and shutting out it's benefactor.


Seattle based KidStar was an aspiring competitor to Radio AAHS. Founded in 1993 and based at 1250 KKDZ Seattle, KidStar offered similar programming to Radio AAHS, but KidStar was a bit edgier, offering more rock based music selections than the mostly kiddie-tune Radio AAHS. There were plans to expand into a full network, like Radio AAHS, but they were quickly dashed as Disney began flexing it's muscles with Radio AAHS. 

Both the Radio AAHS network and KidStar relied on advertising from giants of kid marketing, such as Disney, Warner Bros., Mattel and General Mills. However as Disney became more powerful in the children's radio format at an alarming rate, these accounts quickly dried up by the time Radio Disney was launched in 1996 and there was no way tiny KidStar could compete with the Disney empire. KidStar had no other option than to sell it's one and only station, KKDZ Seattle to Radio Disney in 1997.

Radio Disney is scheduled to end programming on their affiliate stations around September 26th.

(UPDATE: Radio Disney will continue to operate on all it's current stations until each are sold. - L.W.) 
98.3 WRDZ-FM Plainfield/Indianapolis 590 WDWD Atlanta 620 KMKI Plano/Dallas 640 WWJZ Mount Holly NJ/Philadelphia 910 WFDF Farmington Hills/Detroit 990 WMYM Miami 990 WDYZ Orlando 1250 KKDZ Seattle 1250 WDDZ Pittsburgh 1260 WWMK Cleveland 1260 WSDZ Belleville IL/St. Louis 1260 WMKI Boston 1300 WRDZ La Grange/Chicago 1310 KMKY San Francisco 1380 WWMI St. Petersburg 1440 KDIZ Golden Valley/Minneapolis 1470 KIID Sacramento 1480 WGFY Charlotte 1560 WQEW New York 1580 KMIK Tempe/Phoenix 1590 KMIC Houston 1640 KDZR Lake Oswego/Portland 1690 KDDZ Arvada/Denver

Read more at: http://radioinsight.com/blog/headlines/89717/radio-disney-to-sell-all-but-one-station/
98.3 WRDZ-FM Plainfield/Indianapolis 590 WDWD Atlanta 620 KMKI Plano/Dallas 640 WWJZ Mount Holly NJ/Philadelphia 910 WFDF Farmington Hills/Detroit 990 WMYM Miami 990 WDYZ Orlando 1250 KKDZ Seattle 1250 WDDZ Pittsburgh 1260 WWMK Cleveland 1260 WSDZ Belleville IL/St. Louis 1260 WMKI Boston 1300 WRDZ La Grange/Chicago 1310 KMKY San Francisco 1380 WWMI St. Petersburg 1440 KDIZ Golden Valley/Minneapolis 1470 KIID Sacramento 1480 WGFY Charlotte 1560 WQEW New York 1580 KMIK Tempe/Phoenix 1590 KMIC Houston 1640 KDZR Lake Oswego/Portland 1690 KDDZ Arvada/Denver

Read more at: http://radioinsight.com/blog/headlines/89717/radio-disney-to-sell-all-but-one-sta

Tuesday, August 19, 2014

"I Was Only 19" The Herd feat. Redgum (2005)

In 1983, there was a major hit record in Australia nobody in America has ever heard at that time.

But one they should have. Sadly, it didn't get any American radio airplay or distribution.

The song was called "I Was Only 19 (A Walk In The Light Green)" by Redgum, an Australian folk group that described the Australian experience in the Vietnam War and it's aftermath in a way any American veteran of that war could easily relate.


The early '80s seemed to be filled with songs about the Vietnam War. From "Still In Saigon" The Charlie Daniels Band, "Goodnight Saigon" Billy Joel, the ubiquitous "Born In The USA" Bruce Springsteen (among many he wrote.) The Clash also recorded several songs about the Vietnam War. And of course, there was the just plain dopey "19" Paul Hardcastle.

Time warp to 2005.

Australian hip-hop group The Herd (no relation to Peter Frampton's late '60s band, of course) remakes "I Was Only 19". Their version included John Schumann, Redgum's lead vocalist in the song's bridge and, most surprisingly, in the song's final rap. He is also highlighted in the song's video.


The Herd's remake became another major hit in Australia. Their version went to #18 on Triple J Radio's Hottest 100 countdown of 2005 and got regular airplay on the network.

Monday, August 18, 2014

Eating Like A Trooper: 12 Days of MREs





An old friend of mine recently sent me a package - and a challenge: Review these MREs.

What are MREs?


They are Meals Ready to Eat. They are issued to army troops in combat or anywhere outside the mess hall. They are in nearly every army around the world.

And so, always up for any challenge that involves eating. Beginning tomorrow, I'm going to review each MRE. There are 12 of them in this box. Each one contains one meal. Plus other essentials in a vacuum sealed bag (necessary because soldiers do a lot of fighting in dirty areas.)

But to do this, we are not going to go on the battlefield front line (I'm totally missing out on the atmosphere and service, I know.)



My kitty, Sgt. Smokey Gato has already established his base camp....
So, I'll be eating these at home...

Stay tuned....

  

Tuesday, August 12, 2014

Suicidal Depression: An Open Confession


I've never came forward with this publicly beyond my inner circle of friends and a few family members. But the suicide of Robin Williams yesterday hit just a little too close to home.

And I have a confession to make; I suffer from chronic depression with suicidal tendencies with Post Traumatic Stress Disorder and anxiety. (I also have Asperger's and Cogan's Syndrome.)

There. I've said it.

It's not easy to come clean with any kind of mental illness. It's like a gay person publicly coming out of the closet. You just don't know what to expect. Will people you've been very close to begin avoiding you? Will they try and overcompensate for any perceived wrongdoings on their part (which is just as disturbing as avoidance.)

Or will they begin to take advantage of you, mock you, condescend you and use what you are as a weapon against you? Or in more egregious cases, to take control of you?

Having lived with this since I was a teenager (although I remember having symptoms, including suicidal thoughts as young as 5), it's nothing you just "get over".

Everyone has problems. Everyone hurts. But most people bounce back and carry on. People with depression cannot do this without therapy, if at all. They live with a low self-esteem, and a constant feeling of hopelessness and worthlessness that cannot be overcome by personal achievements, success or popularity. For me, it's life behind two-way glass. You know others see something remarkable in you. But you don't. You just see a reflection of the same person you wished was never born.

Robin Williams is an example of this. He was one of the most successful, popular and beloved comedians in history. He had everything. He could do whatever he wanted. But he still couldn't do what most people take for granted and that's feel it within himself. Money can't buy that. And there's no magical "happy pill" for it. If there was, I'd be eating those things like popcorn.

I fought back tears all day today. Because I saw so much of myself in Robin. Because we both used a sense of humour and a happy-go-lucky personality to camouflage the real person underneath that thick veneer. We wanted to be understood, but afraid of what would happen if someone doesn't. Or even if they actually did.
 
I take several pills daily, including Wellbutrin, Risperdal and Zoloft. I also smoke marijuana to relieve acute feelings of depression. Pills and cannabis alone do nothing but control the brain chemical balances enough to where you can function at a certain level. And it's only a small part of the equation. It also takes therapy, friends, family and a routine to keep you focused and someone to talk to when it gets too much.   

For others, depression is so crippling that they cannot even leave their homes. And some rely on public assistance to get by.

You just don't understand humiliation until someone tells you to "Suck it up!" Or "You're faking it" or "You're lazy". Or "selfish", a "worry-wart" or any number of insensitive and thoughtless things. I have actually been told "If you want to die so bad, why don't you just kill yourself and rid the world of another useless idiot like you". I'm embarrassed to say it, but there are actually people like that in the world.

NOBODY wants to live this way. I never raised my hand in second grade and said "When I grow up, I want to have feelings of hopelessness and despair, to fight back thoughts of killing myself daily and to take pills every day to function at the most basic level of human existence."

Depression is not an alternative lifestyle. Depression is not a fun and easy lifestyle. It's the closest thing to hell in the human condition.

I wish I could say that the medications alone changed my life. That I could say that things suddenly got brighter and life was suddenly worth living, that I could smile genuinely and feel the same happiness I see in others. But I can't. Even with the best medication and therapy, I still have to carry on with a void and emptiness nothing could fill. It's like feeling like you don't have a soul. You know you have one, you have empathy and compassion for others. You feel their pain, but you just can't describe your own. And that's what makes depression so hard to talk to people about. You feel so guilty and ashamed for needing anyone's help. And nobody likes a whiner.

So you take it out in one of two ways - some do it internally through self destruction. Or externally by lashing out at others.

Or the third way; Get help. I took things out internally. Even if they weren't my fault.  And I'm just learning to unlearn that behaviour. But it's going to take time I'm 45 now and I'm sure that had I not gotten the help I did, I would not be here telling you this.

I still fight minute by minute with feelings of worthlessness. That nobody cares about me (In fact, I generally feel that most people hate me, that I am unworthy of the time of day from them, let alone their attention.) That I am not worth knowing or loving. And that everything would be better if I just didn't exist. Not a day goes by that I don't think of how much relief I would get from something that would suddenly end my life. And my pain.

It's hard to tell what is worse. The pain of dying or the pain of living. I have the worst of both worlds; The pain of living a dying life.

I have lived with this all my life. When I was 13, a family member went and dumped rocket fuel on a smoldering, but then containable fire with years of verbal and emotional abuse to the point I began attempting suicide in earnest (This is the source of my PTSD. And I have only spoken to this person only once and only through e-mail in the last 18 years.) I have been hospitalized many times from suicide attempts, several of them nearly successful, including a three week coma. Even psychiatry specialists were baffled  

But another day comes and the sun rises. I take my pills and put on that happy-go-lucky facade. I find something weird or memorable and I talk about it here. And there are days I simply can't do that at all. In part because I also have arthritis and my joints hurt constantly, but much of the time, I'm too sad to talk about anything. It's my brain chemistry roller coaster in action.

There are also times the sky clears up and I feel some mediocre level of peace. I cherish those moments more than anything else whatsoever. Because they are so rare. But suddenly, I'm back down the spiral and I'm contemplating suicide again. It's crazy, I know. But please bear with me. Because this is the only life I have ever known.

I pray everyday the next day will be the one I feel okay. Or the one that never comes. The day I never wake up. But here I am still.  For now.

Sometimes I wonder why I keep doing it. And is this my life? To give others what I can never feel inside? To put a smile on the faces of strangers when I can't smile at all or even feel the happiness that creates a sincere smile? Without being told to? It doesn't make sense.

Starting this blog is one of the ways I'm learning to cope with my depression. To create that "happy place" where I could escape without bringing everybody down. To touch on things we have forgotten or are unknown to others. I carried around most of this information for most of my life and here, I have an outlet to dump all that. As well as act as a distraction from the bad news of today with something positive. Or weird.

I don't like to talk about bad news here - especially about myself. But this is one of those rare moments I have to get a certain weight off my shoulders FTW.  

But every once in a while, I get a message like this and for a little while, I feel like there's new hope.


 It's hard for me to understand this effect I have on some people. I'm flattered by it but at the same time, confused by it. I never saw myself worthy of any kind of praise. I should be proud of myself. But I feel uncomfortable doing that. Who am I to wave my own flag? My denial sometimes gets to the point I actually think they are talking about someone else named Larry.

But in some small way, if I made someone's day in some small redundant way, I might have what it takes to carry on for the rest of the day. But I wake up again and I'm back at square one. Is this life worth carrying on? I feel like a time bomb.

But never forget this; Little things do mean a LOT to someone with depression. You can't fix depression. There is no cure for it and there's lot of trial and error to find the right treatment plan (the one I have is very limited in it's success. It keeps it barely under control, but not much else. At least I have that. Depression has different effects for different people and no two treatment plans are ever the same.)

Most of all, it takes very special people. Those with positively reinforcing energy (and it's not some special super-hero power. If you are anyone's friend, you already have it.)

I don't expect miracles. But I guess if I can't find internal happiness, I'll accept the next best thing, a momentary peace of mind. And just swing from limb to limb on those alone.

Maybe I will finally find a way to stop feeling like this. Maybe they will finally invent that "happy pill" that changes everything - if artificially. Or a brain surgery that removes the part that's hurting me.

I'll do anything. Just make it stop.

I know there are people who care and worry about me. People who would be devastated without me and tell me so. It is for those people I struggle to carry on for. 
 
I'm trying to carry on. That's all I can do. But sometimes, it is so hard.....

Reality, What A Concept! - Robin Williams (Casablanca, 1979)



RIP Robin Williams.....


Thursday, August 07, 2014

Witchcraft - Magic: An Adventure In Demonology - Vincent Price (Capitol, 1969)

Click on images to enlarge







If you're looking for some SUPER creepy occult lessons from the Master of Creepiness himself, wait no longer.

This two record set, released by Capitol in 1969 covers all the bases; Witches, black magic, demons, how to make a pact with the devil and more. It also describes the burning of witches and spellcasting in incredibly graphic detail. This album, even at 45 years old, is definitely not for the squeamish.   

Also see: Halloween Hits: Sounds of Terror! - Pickwick Records (1974) and Halloween Hits: Chilling, Thrilling Sounds of The Haunted House - Disneyland Records (1964)