Forgotten Cigarette Brands Part II

Wow.

If there is one post on this blog that has gotten indisputably the most views of all, it is the Forgotten Cigarette Brands post, scoring nearly 27,000 views (and the most comments ever) in the two years it's been published.

For those who enjoyed that post, I'm happy to inform you I've only scratched the surface. It's a smoker's goldmine out there and I had been planning some sequels.

So back to the cigarette aisle of yesteryear.......

Magna (Late 1980s) - Magna as I remember was pretty harsh tasting discount brand (we used to call it "Magma") targeted to young men. They were the brand you bought when you didn't have enough to buy Marlboro or Camel. But didn't want to be seen with a generic brand cigarette.

Mapleton (1970s?) - This one was a "flavoured" cigarette, blending maple and rum with tobacco to give it a taste I shudder to think. This wouldn't be the only one - or the most extreme. There was also...

Twist (1970s) Twist was - brace yourself, a LEMON flavored MENTHOL. Gives "pucker up" a brand new meaning.

Cambridge (1980s) Cambridge was a discount brand that tasted like a Merit clone. I actually liked Cambridge. But they vanished by the early '90s.

Now (1980s) A low tar brand.

Bucks (1990s) was a '90s discount brand. Not the greatest smoke. But it worked when you needed the nicotine.....

Free (Early 1980s) - To quote Dorothy Parker "What fresh hell is THIS?"A NON-TOBACCO cigarette? Yup, Free was the brand you sought when Carlton was simply too much. I tried a Free back in 1981 and I gagged. I mean upchuck gagged. They were the worst EVER. Free didn't last long (obviously), first, they were horrible. Second, they got shoplifted a lot by unsuspecting smokers ("But officer, it says it's 'Free'!" If I were a cop, I'd have let the shoplifter go and let karma do it's job.) And having no nicotine and questionable ingredients was a total buzzkill. And finally, you could legally sell these to kids, as it contained no tobacco and nicotine (therefore, no warning label either.) This upset a lot of parents. And Free vanished.

Go To Hell! (1983) - Go To Hell! (There, that settles it) was a novelty brand for pissed off smokers. In the early '80s, legislation in more and more states began limiting where you could or could not smoke. Up to then, it wasn't uncommon to see ashtrays in stores, hotels, beauty salons, city buses, airplanes, restaurants and virtually everywhere - even in doctor's officers and hospitals, you saw smokers everywhere happily puffing away. Well the non smokers began putting the kibosh on that in earnest. Starting with airplanes and little by little, the stores, buses, hotels, hospitals, everywhere became off-limits to the cigarette puffers, first in designated areas, and finally outdoors, then 25 feet away from building doors/windows. Then the restaurants and bars fell and today, it's against most apartment leases to smoke inside your own home. Well in 1983, some big tobacco companies smokers weren't going to take it. And they rebelled with a campaign for smokers to begin demanding their rights. And nothing brings about a friendly, intelligent, civil discourse like "Go To Hell!". Unfortunately for the smokers, the tide was turning irrevocably and now it's getting nearly impossible to smoke anywhere (In Seattle, they've recently began banning smoking in public parks.) Even though smokers are running out of places to smoke, I don't think tobacco will ever be made illegal. We're slowly ending one black market over one plant (marijuana) and quite successfully. We don't need to be creating another.

 
Campaign Cigarettes - Yes, you could even vote with your lungs as late as 1988. Even at that time, these weren't anything new, they were used in campaigns going back to Eisenhower/Stevenson. Nixon also freely handed them to his campaign workers.

More to come.....

Christmas In The Northwest

"Christmas In The Northwest" Brenda Kutz-White (1985)

Now if you're not from the Pacific Northwest area, you probably will not understand this song. Or why Seattle folks still get a lump in their throats whenever they hear it.

Some people say Northwest folks are a proud, almost to the point of smug, bunch. And to be fair, they have a point. We don't have to go far for world class gourmet Asian food. We love our Seahawks, our high octane espresso....


...as well as our insatiable tattoo cravings.

We also got legal bud now too.

But most of all, of the fact we live in an area surrounded by such pristine natural beauty.

Around the holidays, you learn to get a taste for local products like egg nog lattes, Frangos and Almond Rocha. Or if you dare, Aplets & Cotlets. I'm not particularly a fan, but some people have a thing for them.

And Christmas In The Northwest. Which not only became a regional Christmas anthem, it is also the name of a best selling regional yearly album collection in the 1980s through today.

The concept for the album came when Alex Lawson (daughter of Steve and Debbie Lawson) was admitted to Children’s Hospital at the age of 2, suffering from E.coli. The Lawsons were so impressed with the treatment their daughter received, along with the care they received during their family crisis that they wanted to do something in return for the hospital.

The Lawsons then owned Lawson Productions; a Seattle based recording company which later became Bad Animals/Seattle. They enlisted help from an “A” list of the Seattle music world to provide contemporary Christmas music for the first and subsequent CDs.

Artists have included Dave Matthews, Ann and Nancy Wilson of Heart...


....Kenny G, Steve Miller, David Lanz and Paul Speer, Tickle Tune Typhoon, Tim Noah, and Walt Wagner. The first album launched the hit song “Christmas in the Northwest”, written and sung by Brenda Kutz. That song has become a Northwest classic.

-  ChristmasInTheNorthwest.com






And if you like what you hear, you can get copies on the ChristmasInTheNorthwest.com web site.

Enjoy!

Soup Starter

Original Swift Soup Starter can

Soup Starter (originally called Homemade Soup Starter) was a base mix for homemade soup that came out in 1981.

It was essentially dehydrated vegetables, shell macaroni and dry soup stock (the carrot slices were always strangely warped in impossible shapes, like a vinyl record left out in the sun all day long and they never really re-hydrated no matter how long you simmered it.) And it was pretty salty. But it wasn't bad and did make the kitchen smell good when you made it.

It was first made by Swift, then Beatrice (after Beatrice acquired Swift)

After Beatrice was acquired by private equity firm KKR in 1990, the brand was spun off to Borden and it's Wyler's subsidiary. Wyler's also made Soup Starter's biggest competitor, Mrs. Grass soups and the brand began disappearing. By 1995, Wyler's was a Heinz product and Soup Starter has all but vanished in most parts of the country.

The Long Wave Radio Band

Atlantic 252 was one of the first attempts to make a commercial pop station on LW radio and they actually became very successful in the 1990s with five million listeners. Listenership declined as local copycat stations on AM/FM and fewer radios capable of receiving long wave radio were available. After several format changes and a failed attempt at sports talk, 252 kHz now relays RTÉ Radio 1 for Irish communities in the UK and Europe.

The longwave (or LW) radio band is one you've probably never heard of if you live in the Western Hemisphere.

LW radio is mostly used in Europe and some countries in Asia. Long wave radio signals work similarly to AM. The signals cover a vastly wider area during daylight hours than standard AM because LW transmission relies mostly on ground waves, rather than skywaves (like standard AM and shortwave.) And because of their extremely long range, there are only a handful of countries in Europe with LW stations

The LW radio broadcast band is from 153 to 279 kHz, MUCH lower than the frequencies of a standard AM radio, which runs from 530 to 1710 kHz.

If you need a further breakdown, 1000 kHz AM is 1 MHz. The FM radio band begins at 88.1 MHz.

Yes, LW is really as far down as you should wisely go on the radio dial.

But the advantage of LW is it has an incredibly long range covering hundreds, even thousands of miles during daylight hours with a steadier, non-fading signal.

But LW in Europe today is regarded like AM in the Americas, a radio band for older people who remember it and it's use and listenership has severely declined in favour of higher fidelity FM and digital signals. But it is still fairly popular, especially for older British and European people living or commuting around the continent. It's also less affected by terrain than AM and especially FM and high frequency digital signals. It's also possible to drive from Spain to Austria and never lose the signal.

And I know what you're going to ask; Why didn't we have LW radio in this hemisphere?

Well, there's no easy explanation for that. Many factors come into play, but mostly it was the fact that LW was simply never allocated internationally as a specific broadcast band in the Western Hemisphere. Another is there are only 15 channels in the LW band and 107 channels on AM, later to 117 in the late 1980s with the expansion of the AM radio dial from 1600 to 1700 kHz.

Yet another is the LW signals are so vast, they would interfere with each other. And finally, they're more susceptible to electronic interference than even AM.  

However, that doesn't mean we weren't trying to use it.

In the 1970s and '80s, there was a planned civil defense radio network in the US called Public Emergency Radio. The network would broadcast on 167, 179 and 191 kHz.

The flagship station of this network was WGU-20 on 179 kHz out of Chase, Maryland.

WGU-20 was a service of a branch of the forerunner to today's FEMA called Defense Civil Preparedness Agency called DIDS. DIDS stood for Decision Information Distribution System, which was a network of Low Frequency broadcast and feeder stations, DIDS was supposed to deliver audio messages directly to the public within 30 seconds after activation. In case of attack, DIDS was supposed to save 10- 17 million additional lives in its initial deployment (by 1979), and as many as 27 million more if developed further.

Signing on in 1973, the purpose of WGU-20 and it's planned sister stations was to broadcast news and information to Americans in the event of a nuclear war. The station was always in test mode, 24/7.

However, listening to WGU-20 wasn't much fun. There was no music, no sports or casual talk on WGU-20 throughout it's life. No wacky morning zoos or outrageous contests either. WGU-20 only aired it's station ID, time checks and weather reports for the mid-Atlantic coast  

And here's what it sounded like:



The advantage of using an LW signal rather than standard AM or FM signal was because as I mentioned earlier, LW signals travel through the ground rather than the sky. And that's where most of us (hypothetically) would be in a nuclear war - underground. In bomb shelters.

Second, radio direction guided missiles would have more difficulty homing in LW signals because they don't rely on sky waves. Besides, since radio towers are above ground, they would likely be destroyed or unusable due to radioactive contamination.

Thus WGU-20's ominous unofficial nickname, "The Last Radio Station".

And LW stations have the same purpose in other countries. In The Letters of Last Resort, which are the considered the final acts of Her Majesty's Government in the event the UK is destroyed in a nuclear war and the Prime Minister and second in command are killed. One of the protocols given to UK nuclear submarine commanders is to listen for BBC Radio 4 on it's 198 kHz LW frequency. Because LW signals not only travel well underground, but underwater as well.

If there is no signal and all other protocols for verifying the worst have been followed and the UK is no more, the commander may retaliate with his/her submarine's nuclear weapons, not retaliate, join a commonwealth country like Canada or Australia or an allied nuclear power like the US or France. The exact orders can vary and change with each new Prime Minister.

And while LW is disappearing from modern European radios, it's worth noting how important it still is; UK submarines on patrol were reported to have briefly gone on nuclear alert in 2004 when BBC Radio 4's LW signal mysteriously went off the air for 15 minutes.

But while WGU-20 made it to the air, the other planned LW stations in the network did not.

First, we were pretty satisfied with the Emergency Broadcast System. Which is now called the Emergency Alert System, of which those ear splitting digital data bursts have replaced the once annoying, but comparatively easier on the ears 1 kHz audio tone.

Second, manufacturers balked at the idea of including LW tuning components in newer radios, which would add to the expense of manufacturing and ultimately serve no real purpose.

And third, with political pressure in the government cutback happy 1980s and the collapse of the Eastern Bloc in 1989 and 1990, there was really no need for such a network  

WGU-20's final broadcast was in 1990.

However, if you're curious to hear what LW radio sounds like, there's a tunable WebSDR in Peterborough, UK you can use to sample the European LW dial.

The History of Videodiscs

Video disc players of some kind have been around as far back as 1898.

The Spiral Motion Picture Camera (1898)

The Spirograph (1907) Similar to The Spiral (above)

The Phono-Vision (1964) used video recorded on vinyl LPs, a technology that would come into commercial use as the Selectavision CED player (below)

MCA DiscoVision - The unfortunately named, very first practical consumer video disc was invented by the Pioneer Corporation of Japan and first licensed and marketed by American record conglomerate MCA Records, the owners of Universal Studios (MCA Records is known today as Universal Music Group) beginning in 1978. It was the very first laser based consumer medium, predating the CD by four years. These discs were two sided and the video quality was not much better than the best video tapes of that time.

They were also ridiculously expensive. In spite of stereo sound (on some discs) and their cool look, there was no way it could compete with the video tape. Video tapes could be home recorded. Video discs could not.

And then there was that name.

You couldn't sell something with "disco" anything in it in America in the early '80s without creating PTSD flashbacks of mirrored balls, white three piece suits and Bee Gees music. We were a nation still in recovery then and sales began to seriously tank.

They tried renaming it the Video LP (VLP), even CD Video before MCA finally gave up on the format.

Pioneer renamed it the Laserdisc and enjoyed some modest success in the early 1990s. They were still outrageously expensive. But there were many technical improvements. But the VHS video tape still dominated. The final blow came with the introduction of the DVD in 1996. Which also successfully killed off the VHS tape format by 2004 with the introduction of the recordable DVD-R and later by, YouTube, Netflix and cloud sharing.

RCA Selectavision - Also known as the CED video disc. Introduced in 1982. what made these different was instead of a laser, they used a stylus, similar to a vinyl LP record. Which is why you inserted the CED disc into the player through it's case and it is removed with the case to play each side.


However, even with the sturdy plastic case, they were not immune to the same problems that plagued vinyl LPs. Including dust (from inside the machine) minor scratches and if you had a smart toddler, they can physically remove the disc from the case by pressing the tabs on the upper corners of the case. And out falls the actual disc. (I knew one guy who had his entire CED disc collection ruined by his girlfriend's mischievous four year old son one horrifying Saturday morning.) The stylus like any vinyl format also had to be changed. By a professional. Often. Or else, the discs would wear out and skip like any other record. And they were not pleasant to look at.



They were discontinued in 1986.

CD-ROM - Most CD's are pretty much CD-ROMs. Meaning they could only be read and not re-recorded. With the CD-RW, they could. However in the mid '90s, computer software and video games was only available on CD-ROMs including your operating system. So all computers of that time had them. And some low quality music videos began appearing on standard music CDs, meaning you could play this disc in your CD-ROM equipped home computer and watch the video on your monitor. There were also instructional videos on CD-ROM. Remember these commercials?

"Try my product?......"

DVD - The DVD format went on sale in Japan on November 1, 1996, in the United States on March 1, 1997, in Europe on October 1, 1998 and in Australia on February 1, 1999. The DVD became the dominant form of home video distribution in Japan when it first went on sale in 1996, but did not become the dominant form of home video distribution in the United States until June 15, 2003, when weekly DVD rentals began outnumbering weekly VHS cassette rentals. The very first movie ever released on DVD was Twister (1996) The DVD could store 4.7 GB of data per disc.

Blu-Ray - is a format designed to supersede the DVD format, in that it is capable of storing high-definition video resolution (1080p). The Blu-Ray disc could store 25 GB of data.

HD-DVD - HD-DVD was a format designed to compete with the Blu-Ray. But the format failed to get a foothold.

 

Before They Were Stars: Laura Branigan

If there was one name that summed up Adult Contemporary music in the 1980s, it would be Laura Branigan. Her songs were staples on AC radio, guaranteed to pop up at any given time anywhere around the radio dial in those days.

If all you had was a radio for entertainment in your car or wherever, there was just simply no escape; You were going to hear at least a snippet of a Laura Branigan song somewhere at any time as you were tuning around the radio dial. That's how big of a radio-friendly pop star she was back then. 

From 1982 to 1985, she racked up several hit singles. In fact, many of her poppier songs, such as "Gloria" and "Self Control" were actually Americanized renditions of European pop hits with often completely rewritten English lyrics. ("Gloria" was originally recorded in 1979 by Umberto Tozzi and "Self Control" was originally recorded by Raf earlier in 1984.)

She even made a rendition of Falco's "Der Kommissar" (1982), called "Deep In The Dark" (1983). "Der Kommissar" was also most famously covered by the British act After The Fire (1983) and to a much lesser extent, Suzy Andrews (1982)

Laura Branigan's string of major hits dropped off after 1986, but she still remained active through the '90s, including occasional forays into acting until her untimely death in 2004. Those earlier hits of hers were still played on the radio ad nauseum for the rest of the 1980s and well into the '90s.

But long before this string of hits, Laura Branigan in the early '70s was an aspiring singer, still in her teens. And as an aspiring singer, you took whatever gig you could get. Especially if that gig also came with a recording contract with a fairly major label. As in the case of Meadow.

Meadow was a fairly unknown folk act in a sea of many such acts of that time who recorded a sort of religious psychedelic folk concept album called The Friend Ship.

The Friend Ship was released in 1973, as the spiritually based psychedelic rock concept album era was in full swing. Jesus Christ Superstar and Godspell were huge hits in the early 1970s. And oddly enough, even The Osmonds got into the act with their Mormon based 1973 offering The Plan.)  

The track listing on the back of the LP gave you a hint of that you were getting into.

A few singles were released, but The Friend Ship never got anywhere.

"Here I Am" Meadow

"See How They Run"

"The Lawless Lady"

"Sweet Life"

However this wouldn't be Paramount Records (which was eventually absorbed into MCA Records) only flirtation with a later mega-star act of the 1980s. They also released a 1972 album from another folk-pop act called Milkwood, which featured Ric Ocasek and Benjamin Orr of The Cars.

However unlike most early recordings of then unknown artists that are later re-released by record companies to capitalize on the artist's later success, Meadow's The Friend Ship never had a reissue and Branigan herself was known for being tight-lipped about the experience.


Probably for the better, as The Friend Ship's pseudo-religious psychedelic folk-pop was fairly dated by the time Branigan had established herself as a major pop star. It would have been extremely difficult for her fans and the general public to reconcile her then-current image with the one that was on The Friend Ship. Even though there were far worse beginnings for many major pop acts.

However in spite of the music, this LP (as Milkwood's) remains a prized collector's item for it's rarity alone.

Radio Disney

 

On August 13th, Disney announced it would be ending it's Radio Disney network on nearly all of it's mostly AM radio stations and selling the stations to concentrate on the network's digital platforms, such as online and satellite.

The stations affected are:

98.3 WRDZ-FM Plainfield/Indianapolis (their only FM station.)

590 WDWD Atlanta 

620 KMKI Plano/Dallas 

640 WWJZ Mount Holly NJ/Philadelphia 

910 WFDF Farmington Hills/Detroit 

990 WMYM Miami 

990 WDYZ Orlando 

1250 KKDZ Seattle (See below for more info on KKDZ)

1250 WDDZ Pittsburgh 

1260 WWMK Cleveland 

1260 WSDZ Belleville IL/St. Louis 

1260 WMKI Boston 

1300 WRDZ La Grange/Chicago 

1310 KMKY San Francisco 

1380 WWMI St. Petersburg 

1440 KDIZ Golden Valley/Minneapolis 

1470 KIID Sacramento 

1480 WGFY Charlotte 

1560 WQEW New York 

1580 KMIK Tempe/Phoenix 

1590 KMIC Houston 

1640 KDZR Lake Oswego/Portland 

1690 KDDZ Arvada/Denver

The stations will leave the air until they are sold. It's currently unknown if there will be a single buyer of all or if stations will be sold one by one. But one thing is guaranteed; the formats will change.

Radio Disney however is keeping it's flagship station, 1110 KDIS Los Angeles, but the rest are to be sold.

This brings to an end to the longest running AM children's radio network chain. Radio Disney was one of many networks started in the 1980s, '90s and 2000s to rescue failing 2nd tier, mostly AM radio stations with unique programming unavailable on most FM radio stations (such as hard rock, LGBT programming, personal motivation, progressive talk, business talk and others.) In Disney's case, programming for pre-teens.

However, they weren't the first network to cater to children. There were earlier networks, such as Radio AAHS (pronounced "Radio Oz", founded in 1990 and based at 1280 WWTC Minneapolis - now a conservative talk station.) Radio AAHS also offered a monthly magazine with a CD or cassette tape.

Radio AAHS entered into a early deal with Disney which quickly turned sour, as Disney was quietly preparing it's own radio network (unbeknownst to Radio AAHS.) It's been said the only reason Disney entered into the deal was to learn all they could about Radio AAHS's successful children's radio programming model. And then use it to their advantage and shutting out it's benefactor.

Seattle based KidStar was an aspiring competitor to Radio AAHS. Founded in 1993 and based at 1250 KKDZ Seattle, KidStar offered similar programming to Radio AAHS, but KidStar was a bit edgier, offering more rock based music selections than the mostly kiddie-tune Radio AAHS. There were plans to expand into a full network, like Radio AAHS, but they were quickly dashed as Disney began flexing it's muscles with Radio AAHS. 

Both the Radio AAHS network and KidStar relied on advertising from giants of kid marketing, such as Disney, Warner Bros., Mattel and General Mills. However as Disney became more powerful in the children's radio format at an alarming rate, these accounts quickly dried up by the time Radio Disney was launched in 1996 and there was no way tiny KidStar could compete with the Disney empire. KidStar had no other option than to sell it's one and only station, KKDZ Seattle to Radio Disney in 1997.

Radio Disney is scheduled to end programming on their affiliate stations around September 26th.

(UPDATE: Radio Disney will continue to operate on all it's current stations until each are sold. - L.W.) 

98.3 WRDZ-FM Plainfield/Indianapolis 590 WDWD Atlanta 620 KMKI Plano/Dallas 640 WWJZ Mount Holly NJ/Philadelphia 910 WFDF Farmington Hills/Detroit 990 WMYM Miami 990 WDYZ Orlando 1250 KKDZ Seattle 1250 WDDZ Pittsburgh 1260 WWMK Cleveland 1260 WSDZ Belleville IL/St. Louis 1260 WMKI Boston 1300 WRDZ La Grange/Chicago 1310 KMKY San Francisco 1380 WWMI St. Petersburg 1440 KDIZ Golden Valley/Minneapolis 1470 KIID Sacramento 1480 WGFY Charlotte 1560 WQEW New York 1580 KMIK Tempe/Phoenix 1590 KMIC Houston 1640 KDZR Lake Oswego/Portland 1690 KDDZ Arvada/Denver

Read more at: http://radioinsight.com/blog/headlines/89717/radio-disney-to-sell-all-but-one-station/

98.3 WRDZ-FM Plainfield/Indianapolis 590 WDWD Atlanta 620 KMKI Plano/Dallas 640 WWJZ Mount Holly NJ/Philadelphia 910 WFDF Farmington Hills/Detroit 990 WMYM Miami 990 WDYZ Orlando 1250 KKDZ Seattle 1250 WDDZ Pittsburgh 1260 WWMK Cleveland 1260 WSDZ Belleville IL/St. Louis 1260 WMKI Boston 1300 WRDZ La Grange/Chicago 1310 KMKY San Francisco 1380 WWMI St. Petersburg 1440 KDIZ Golden Valley/Minneapolis 1470 KIID Sacramento 1480 WGFY Charlotte 1560 WQEW New York 1580 KMIK Tempe/Phoenix 1590 KMIC Houston 1640 KDZR Lake Oswego/Portland 1690 KDDZ Arvada/Denver

Read more at: http://radioinsight.com/blog/headlines/89717/radio-disney-to-sell-all-but-one-sta

More From The History's Dumpster Bookshelf...

Also see The History's Dumpster Bookshelf and Read Any Good Books?

 

Source: Regrettable Reads