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Sunday, September 21, 2014

If The Bomb Falls: A Recorded Guide to Survival (Tops/PRI, 1961)


If a nuclear holocaust were to happen in 1961, you will need two albums. The Sam Sacks album I mentioned yesterday and this one.

Just kidding about the Sam Sacks album (or AM I?) This album was a cash-in from budget record label Tops (a subsidiary of geiger counter manufacturer Precision Radiation Instruments Inc.) for a nervous nation. But it covered all the basics. 

Audio at the bottom of the post.




It also included several government printed brochures and pamphlets.













Enjoy!


Saturday, September 20, 2014

Sing It Again, Sam!: The Inimitable Song Stylings of Sam Sacks - Sam Sacks (Arliss, 1961)


Sam Sacks was unquestionably an underrated musical genius. While Florence Foster Jenkins and Nina Hagen could sing a few notes on key once in a while. Sam Sacks' gift was he utterly could not. Even accidentally.


 Inimitable he was. You just don't run into this utter lack of talent everyday.

Listen as he barnstorms through "Secret Love", "Diana", "That Old Black Magic" and many other 1940s and '50s pop standards. And I do mean barnstorm. You can't even get the first thought of an opinion together (due to your shock in hearing this) before he whips into another tune (imagine the feelings of the musicians trying to keep up with him!)

I'm not sure, but this sounds like it was recorded in one big harried take (you can hear him argue with the engineer - even retake "Secret Love".)

No producer is credited. And you can hear why.

Sinatra has nothing on Sam Sacks.


Enjoy.....If you can.


Friday, September 19, 2014

Bernie Sanders' Lost Folk Album


You know Bernie Sanders as America's Senator, the lovable underdog determined to take on the Koch brothers, corporate greed mongers and corrupt government policy.

But did you know he has a musical side?

Bernie released this cassette album in 1987, Side One is a mix of traditional folk covers, Side Two is a recorded conversation with Bernie.

Enjoy.

More details + Audio here

"Zoo Be Zoo Be Zoo" Sophia Loren (1961)



Listen here

Usually, actors make lousy singers. And singers usually make lousy actors. And often, what's beautiful visually needs a LOT of studio gimmickery to pass for acceptable aurally.

There are exceptions.

Sophia Loren looked gorgeous AND could carry a tune, as she did in this 1961 classic.

Enjoy. 

Monday, September 08, 2014

"Shake Baby Shake" Sodsai Chaengkij (1968)



Listen here

Sodsai Chaengkij was one of the biggest stars of the 1960s....in Thailand. She was also one of the few Asian pop stars who recorded pop songs with the original English lyrics, as she covered this 1958 Jesse Lee Turner classic... 

Sunday, September 07, 2014

"Bras On 45" Ivor Biggun & The D-Kups (Dead Badger, 1981)


Listen here

In 1981, a Dutch group called Stars On 45 made a horrifying disco-fied medley of Beatles songs that actually was a worldwide smash hit in June of that year (don't laugh, it actually went to #1 in the US.)

This is still the longest song title ever for a 45 RPM single at 41 words....

Bear in mind, these weren't the original Beatles recordings stringed together (EMI would NEVER have allowed that), but the Stars On 45s were pretty good imitators (or at least significantly better than anything you hear at the karaoke bar down the street) and they did fool quite a few people.

The success of Stars On 45 made them ripe for parody, which UK TV personality Ivor Biggun   did with "Bras on 45". Ivor Biggun's parody on reached #50 in the UK and never charted in the US, but it was widely played on The Dr. Demento Show.

Saturday, September 06, 2014

"Is That All There Is?" Cristina (Ze/Island, 1980)


Listen Here

My favourite version of the Peggy Lee classic. Cristina Monet's twisted remake was also featured on the first KROQ Rodney on The Roq compilation (which I believe was the only release of this song in the US.) It was a "mystery" track, final cut on Side 2 and credited to "New York" with the track title "Surprise!"

Thursday, September 04, 2014

RIP Joan Rivers

What Becomes A (Semi) Legend Most? (Geffen, 1983)
 



Part Two


Part Three



"Emily's Illness" Nora Guthrie (Mercury, 1967)


Listen

It's needless to say a song with "illness" in the title probably doesn't get much pop radio airplay. And "Emily's Illness" certainly didn't. Certainly not in The Summer of Love, when musically you had West Coast acid-rock, Brit-pop and Motown ruling the charts. But this song was far ahead of it's time.

Nora Guthrie is the daughter of Woody Guthrie (and the sister of Arlo, singer of the perennial Thanksgiving Day classic "Alice's Restaurant Massacree".) She was 17 years old when she recorded this. There's an incredible back story to this song however.

And when you read the lyrics (written by her then boyfriend, Eric Eisner) you might even realize it could be the very first prototype "Goth" record. Granted, they didn't invent the genre, but this song probably opened the door to it.

Because there weren't any pop songs that lyrically dealt directly with the process of someone dying (of leukemia, I'm guessing) until "Emily's Illness". Death itself was still a pretty taboo topic in American pop music in 1967 and very few acts even indirectly mentioned it. To say nothing of the word "blood", which outside of "Young Blood" The Coasters and a mention in "Eve of Destruction" Barry McGuire, was hardly used is any non-religious pop song until 1967.

Nora Guthrie today is the curator of her father's musical legacy, overseeing various recording projects, re-releases and historical recordings, including a very early live Woody Guthrie album  called The Live Wire, which was recorded on magnetic wire.

 

Wednesday, September 03, 2014

"The Kwella Stroll" Lou Berrington & The African Kamp (Parkway,1966)

This song, "The Kwella Stroll" is the HILARIOUS B-Side of a tune called "The Kwella" (Which was actually a fad dance in 1966)


Tuesday, September 02, 2014

"Bay-Hay Bee Doll" The Swingers (JCPenney/RCA Custom, 1966)




A. "Bay-Hay Bee Doll" The Swingers

B. "Bay-Hay Bee Doll (Instrumental)" The Swingers (Links: WFMU's Beware Of The Blog )


Play this record at your own risk. Because once it gets inside your head, you can't get it out.

And in a surprisingly good way. The bass and drum playing are insanely catchy, if the lyrics and vocals are simply awful - even for an early bubblegum rock prototype, as this song seems to be.

This 45 was a complimentary extra with the purchase of it's latest colour-coordinated, polyester/cotton blend sportswear line, The Swingers. However I read on WFMU's page on this record that it was an extra with a doll called Bay-Hay Bee Doll. But I've never seen any evidence of this doll (and I really hope such an evil thing does not exist.)

If The Swingers sound familiar, bear in mind there were literally dozens of bands in 1965/1966 called The Swingers, or some variation (The Swingle Singers, The Swingin' Blue Jeans, The Swingin' Medallions, et al.) I'm guessing "swinger" also didn't quite have the sexual connotations at that time that it would be infamous for throughout the '70s.

The song was written by someone named Warren Parker. However, the musician roster on this track as well as any session information have been lost to time (or more likely, never kept. As it was considered a commercial marketing one-off and not a legitimate band.)  

Monday, September 01, 2014

"Dear Mr. Jesus" Sharon Batts & PowerSource (1986)


Listen here.

Oh no, it's another one of those damn child singer records. But on a more serious subject.

PowerSource were a Texas based Christian pop group. Like many acts in this genre, they were/are largely unknown outside these circles. And "Dear Mr. Jesus" is unquestionably a Christian themed song about child abuse, sung from the perspective of a 6 year old girl writing a letter to Jesus after seeing a TV news report of "a little girl beaten black and blue". Not only that, she confesses at the the end "Please don't tell my daddy, but my mommy hits me too."

Six year old Sharon Batts, the lead vocal on this song, wasn't the designated lead singer of the group. Just on this particular song. And thankfully, she wasn't physically abused.

This song almost became a Top 40 hit in 1987. CHR, Adult Contemporary, Country and of course, Christian radio stations were playing this in December of 1987 shortly after the track was added to the playlist of New York City's influential Z-100 and the song broke. A distribution deal was quickly secured, leading to a nationwide re-release of the song.

It was also timely, as the story of a little New York City girl named Lisa Steinberg made national headlines then after she died after being beaten by her adoptive father while he was under the influence of crack cocaine.

The song made #61 on the Billboard Hot 100 and remained on the charts for seven weeks.

Sunday, August 31, 2014

Co-Star: The Record Acting Game (Co-Star/Roulette, 1957/1977)


In the late 1950s, somebody at Roulette Records got an idea. And Roulette Records had lots of ideas. Being mobster founded and funded and all. If you know what I mean (nudge-wink). 
 
This was also a surprisingly well known secret, even in the scandal-ridden 1950s. But everybody was getting too worked up over phantom communists in Hollywood to bother to notice the corruption going on amongst the mobsters in New York.
But if there was a one-up to Roulette, they were remarkably cutting edge for their time. They gave their artists total creative freedom in their sessions. But there was a price to pay for that. The Mob isn't 100% benevolent, you know....Just a little off the top. (In the case of Tommy James & The Shondells, it was $30,000,000 off a $40,000,000 career.)


They released this awesome series of 15 vinyl LPs in 1957. Each features the named actor reading one part in a two-character scene, and includes a script with both parts so that the listener can play the scene opposite the star. A terrific novelty item, probably more fun now than it was originally. 


Some of the actors were superstars, others were stars who have begun to fade. And even a few of Roulette's own recording artists (who weren't necessarily actors in their own right, such as Jimmie Rodgers and Pearl Bailey.) After all, when you're working for a record company owned by The Mob, who you gonna say no to?


It must have been popular with young boomers, because Roulette Records reissued the entire series in 1977 on it's 20th anniversary. Sadly, it never got a further reissue to CD.




The Fernando Lamas record is close as I can come to a complete package. Here's a Here's a link to the MP3s. But unfortunately. I could not find a script for any of these titles with matching MP3 dialogue life of me. But maybe there's a brand new way of doing this: Create YOUR OWN responses to the dialogue. By the way, Fernando Lamas is the father of eternal chick magnet, Lorenzo Lamas.

Here are a few of the stars you'll be "acting" with.....(You'll ALWAYS sound better than that screechy drama chick in high school drama class you knew, TRUST ME.) 




(CLICK ON PHOTO) This is an example of the stock back cover Roulette used for these records. Only the performer and session information are changed from each album.

Friday, August 29, 2014

Oldies: They Aren't What They Used To Be


Every now and then, I would run into a someone over 60 who would grumble about why there's no oldies on the radio.

Actually, there are LOTS of oldies on the radio. But just not OLDIES. Today, the industry lingo for them is "Classic Hits". The change in term dates back to the late 1980s, when Baby Boomers of the late 1960s and early '70s felt uncomfortable with that term "Oldies" applied to their music.

They're pining for the sock-hopping tunes of the 1950s and early '60s. Elvis, Buddy Holly, The Coasters, The Robins, The Orioles, Gene Vincent, et al. And even the fans of late '60s and early '70s pop are finding fewer and fewer choices on the radio. Hardly anyone plays The Beatles or The Monkees anymore either. And they were once mega-superstars.

The sad answer is they have simply been aged out of the demographic spectrum of radio.

They're becoming a victim of what their parents went through a few decades earlier, when the Big Bands of Tommy Dorsey, Glenn Miller and Duke Ellington began vanishing en masse from the AM radio airwaves in favour of News/Talk and Sports formats.

Your warning sign. Photo: http://www.gaasch.net
But it's not just an age shift. More importantly, it's an economic one. As you get older, your spending becomes more frugal. Fewer people receive pensions and rely on their Social Security checks. When you live on a fixed income, you don't have what is referred to as disposable income. The very words of which seem very alien these days.

You can blame President Obama as much as you want. But radio began to be deregulated and more tightly corporately controlled under Reagan and President Clinton threw gasoline on it by signing the Telecommunications Act of 1996 into law, which allowed one corporation to own up to eight radio stations in one market. The bottom line is when people talk about the glories of unfettered capitalism, take it with a grain or two of salt. There are ALWAYS casualties. BAD ones.

It's pointless to complain to your local oldies station (not like they actually care about you anyway.) Most are corporately owned and they get their marching orders from wherever the corporate headquarters may be. They have to make a gross (and I do mean gross) profit to their CEOs and board of directors, as well as the shareholders in the corporation. Otherwise, they change their format completely. That's just how it is in commercial radio these days.

The oldies format began in earnest back in the early 1970s. Oldies radio tends to focus on songs that are 15-20 years old. You can map it out simply like this; in 1972, a 15 year old song was new in 1957.


As the 1980s came, the '60s became all the rage with the economically powerful Baby Boomers, in the 1990s, the '70s experienced a revival and in the 2000's, the '80s were cool again.

Remember this show?
Here we are in the 2010s and today it's the '90s. Another way of looking at it is this, "The Real World" Matchbox Twenty, "Fly" Sugar Ray and "Baby One More Time" Britney Spears are bona-fide oldies now.


Frightening, isn't it?

And it's only going to get worse, kids. One of these days (and following this formula, it's sooner than you think), Nickelback and Justin Bieber are going to get ad nauseum airplay on the local "Classic Hits" station. And you too will get old. By this time, the '90s will be the soundtrack of retirement homes.


So to all my Boomer friends, take it from someone who's been in the radio biz and has seen it all come apart. Outside of some of your VERY few locally owned, operated and programmed radio stations remaining (many of which stream online) finding those awesome '50s and '60s songs are getting harder and harder to find. But that's where good radio has gone - online.

Granted, they're not much more than MP3 jukeboxes with none of the personality and features you remember. But at least some of them have the music. And online, it's an infinite dial and you're closer to finding what you're looking for there than you ever will in most areas locally. But bear in mind most of the online operators are hobbyists who run the stations at a personal level, to offer something you can't hear at all anymore on the terrestrial dial. But it still costs them money. When you find an online-only station you like, please donate what you can to help keep them going. Your record collection is nice, but what REALLY matters is $$$. As computer servers as well as uploading 24/7 is not cheap. Not to mention royalties (they're not immune to this either.)

It's a strange new world we're in these days. But it's one we only have ourselves to blame for not paying attention to radio like we should have. It's like the old saying "Use it or lose it". We've taken radio for granted.

And this is the end result.