History's Dumpster = GLORIOUS trash! Kitsch, music, fashion, food, history, ephemera, and other memorable and forgotten, famous and infamous pop culture junk and oddities of yesterday and today. Saved from the landfill of time...
This CD was from the Mount Vernon City Library (WA) and particularly strange because these recordings aren't even from Lionel Richie at all. The singer(s) don't even sound close to Lionel Richie. Or Diana Ross on "Endless Love".
It was released in 1993 not on Motown (Lionel Richie's home label during his '80s hit making streak), but on something called Starnice. That was the first warning sign, along with the crummy, non-descript packaging.
A Googling of Starnice reveals it to be a Hong Kong based label with other titles of presumably similar knock-off material of other acts. Regardless, the CD is a fake and not worth anyone's money unless you like really bad anonymous karaoke covers better than original hit recordings (which I'm presuming most of you don't.)
I'm also sure this wasn't intended for sale in the U.S. where recordings like this are illegal to sell unless they are marked as not the original performer on the packaging. This is how these recordings otherwise get sold in America, as worthless anonymous "tribute" albums. I can't believe there's an entire bastard subset of the music industry dedicated to this crap (I once broke off a budding relationship with someone over the fact that she bought a Glee CD - no joke.) But this disc is a flat out fraud. It promises Lionel Richie, but gives you not one, but two and possibly three, maybe even four schmucks with detectable Chinese accents.
This disc starts out with an anemic cover of "Say You Say Me", bungled up lyrics in "Hello" ("I've been alone with you inside my head".) It's just droning electronic keyboards and lame attempts at sounding like Lionel Richie.
And since it is a cheap, chintzy knockoff, I've included it for your masochistic pleasure. But most of you probably would rather have a tax audit instead of hearing this garbage.
For those of you who love those old budget label Christmas records (the kind your parents randomly picked up at the drug store just as something different to play on the stereo around the holidays.) I have a tub of pure Cheez-Whiz for you today.
In the 1950s and well into the '80s, It wasn't uncommon to see racks of super cheap anonymous Christmas records in your local drug store or supermarket selling for anything from 88 cents to $1.98. A cheap "impulse" thing you bought when your Christmas spirit was high, but money was tight. This made an even balance. You got your gifts and wrappings, ornaments for the tree, a quart of dairy egg nog and...Wait...I gotta have tunes!
And there they were. Conveniently close to the check-out stands for ridiculously low prices. Problem. Solved. Granted, it was "mystery music". But who knows?
Sometimes these records became family heirlooms, others donated to the thrift shops. But there's always been a soft spot for those over 40 who can still remember seeing these records at drug and discount stores.
And a very special thanks to Kaiwaza for finding some of these aural samples.
"Christmas With The Caroleers" The Caroleers (Promenade/Diplomat/Spin-O-Rama, 1963)
First, let's get started with the biggest known of the budget label acts (and absolutely mandatory in any collection of cheapo vinyl); The Caroleers.
As mentioned here, "The Caroleers" weren't technically an actual group. Although some Caroleers tracks have the same vocalists, it appears to be the generic umbrella name for anonymous holiday material from Synthetic Plastics Company (famous for their Peter Pan label of cheap kids records) and their various subsidiary labels regardless of the actual performer. Many of the same songs also appear across several Caroleers LPs on the various Peter Pan/SPC label LPs, 45s and EPs in the 1960s.
Putting names and faces to this music is next to impossible. SPC/Peter Pan (as well all the other budget labels) only paid their studio performers a flat rate with no royalties. They rarely had credits for anyone.
But in my research last week, I made a major breakthrough. I found one actual person that not only appeared on some Caroleers tracks, but could very well be the mysteriously female sounding voice on the "Nuttin' For Christmas" song I wrote about a few weeks ago that was credited to Bobby Stewart as well.
Her name was Toby Deane, a comedienne and voice actress. Bob Purse has an excellent post on Toby's career on his blog, The Wonderful and the Obscure. Toby Deane recorded for Peter Pan/SPC label records and various other budget labels from the 1950s to the 1970s. Her voice is believed to be on several hundred children's records.
And the Eddie Maynard Orchestra. But once again, I run into the same dead ends in my research while looking for Eddie. All that is known is they appear across several Peter Pan/SPC label albums and their holiday music appears on LPs credited to The Caroleers.
Santa Claus Is Coming To Town The Caroleers (Diplomat/Tinkerbell, 1970)
With
the release of this album, the sound of The Caroleers radically
changed. No more old recycled tracks, here was a
Caroleers album of mostly actual original material. Sung by Toby Deane and Ray Dorey. A pop vocalist who, like Toby Deane, also performed with Benny Goodman's Orchestra in the 1940s. Ray was also a fixture on Boston area on radio and TV in the 1950s and in later years, recorded chidren's records and other material for Peter Pan/SPC.
It
sounds more cohesive than other Caroleers albums in that it wasn't a
grab bag of whatever was in the SPC/Peter Pan vaults and that it was single group in a session specifically for this album.
Christmas Is For Children; Merry Favorites from Santa's Little Helpers (Design Records DLPX-2, 1957)
Toby Deanealso appears on this album. In fact, many of the Caroleer vocalists from the Peter Pan/SPC labels appear on this Pickwick distributed LP. It appears there were no exclusive contracts to the budget labels, as these performers seemed to appear on nearly all of them.
Design
Records was Pickwick's subsidiary label. They're best known today as
where Lou Reed got his first break in the music industry as a staff
songwriter and recording as session musician and occasional vocalist
with some musicians who would later form The Velvet Underground. While
most of Design's output was knockoff cover versions of pop songs and
sound-alikes, Design occasionally licensed older material of various pop
acts. When stereo LPs became the norm, Design took a few, shall we say,
liberties with their licensed material (Such as this infamous Roy
Orbison "remix".)
And down here, I dug out some of the earliest stuff that was available back
in the day. Perennial, old-timey fruitcake-like music you probably heard
dropping from the automatic record changers inside your
parents/grandparents BIG console stereos of the time. Choruses, orchestras and pipe organ music. Mostly playing public domain
traditional carols.
Christmas At Our House; Favorite Christmas Carols Martha Tilton and other Great HOLLYWOOD Vocal Stars, George Mather at The Console (Tops Records,1956)
Martha
Tilton was called "The Sweetheart of Swing", best known for her 1944 hit "I'll Walk Alone". After 1950, Big Band swing music had given way to the pop balladeer and her career was fading and she was recording for
Tops.
This album also features Marni Nixon, who was a movie playback singer (she recorded the vocals for Deborah Kerr's singing parts in The King And I.) She is also fondly remembered in the Seattle area as the host of KOMO-TV's kids TV show Boomerang.
Thurl Ravenscroft was a radio and animation voice actor and basso singer who sang the classic 1966 version of "You're A Mean One, Mr. Grinch" (not on this album.) and the legendary voice of Tony The Tiger in TV commercials for Kellogg's Frosted Flakes.
Doris Drew (Not to be confused with Doris Day) was a jazz singer and like Marni Nixon, often recorded songs for actress singing parts in movies. Norma Zimmer would join Lawrence Welk's orchestra as it's religious singer. John Gabriel would find later fame as a soap opera actor in the '60s, '70s and '80s. and probably best known as Seneca Beaulac in Ryan's Hope. All that is known about John Gustafson is he had an uncredited role as a background singer in the 1954 movie musical Brigadoon. And I can't find anything at all on Bill Reeve.
Tops
Records was a typical budget label that specialized in the "knockoff",
sound-alike record and often sold packaged compilations of these. When
the LP was invented, they changed to recording originals by fading and
B-List stars. At their peak in the late 1950s, they were the most
popular budget label in America.
They also pioneered the "cheesecake"
album cover (With Hollywood actresses on the covers, including Jayne
Mansfield, Mary Tyler Moore - who appeared on several Tops LP covers.
Rita Hayworth and Kim Novak.)
Jayne Mansfield
Mary Tyler Moore
Rita Hayworth
Kim Novak & Rita Hayworth
But then after a strange merger with failing Geiger counter maker Precision Radiation Instruments in 1958 (which established it's own subsidiary record label)
and a couple years later, a disastrous acquisition by an investor who
was completely inept to the record business, Tops was bankrupt and it's
catalogue was sold to Pickwick Records just two years after the
acquisition.
Another strange coincidence was Tops
Records were also pressed at the same South Central Los Angeles pressing
plant as the Bihari brothers' infamous Crown Records. Just what connection Tops had with
Crown is still unclear with many collectors. It's believed the plant
was originally owned by Tops and sold to Crown and then used again by
Tops as a cost cutting measure. Even some Tops recordings appeared on
Crown (attributed to different artists) and vice-versa. At this time,
Crown's record quality was still fairly decent. But after Tops folded in 1962,
Crown's quality tanked. And like Crown, Tops covers were known for
splitting at the seams as they were just two pieces of cardboard held
together by a cover slick.
Hail To Christmas Peter Raymond Carolers (Wyncote, 1966)
On this album, it appears the lead caroler on some tracks on Side 1 is a very off-key caroler who sounds like he's trying to shout over the orchestra. He also botches the lyrics in "Jingle Bells".
It takes work to botch up the lyrics in "Jingle Bells".
Wyncote was owned by Cameo-Parkway Records, a major independent label based in Philadelphia and named for a Philadelphia suburb.
You'd
think Wyncote, being owned and operated by a major independent would
have better quality albums than the usual budget label dreck. But
nothing could be further from the truth. They were amongst the very worst
budget labels I have ever seen. Every Wyncote record I ever owned (all
of them clean and some close to mint) was plagued with ghastly surface
noise, the vinyl often had bumps and even a few air bubbles. Like
Tops/Crown, Wyncote covers were slapped together with no inner paper or
plastic sleeves and the quality of the music? Well, let this sink in.
Christmas Favorites
The International Choristers and Orchestra Featuring George Mather (HIM
again?) at The Mighty Console (Craftsmen/Golden Tone/Tops, 1959)
Nothing says international
Christmas like four random average American-looking white people from
the Midwest and a rather annoyed looking sidewalk Santa, who seems to be
pondering "How much did they say I was getting for this stupid photo
shot again?"
And it really shows on this album in particular. They sing in perfect English with exaggerated German and French accents.
From here, we go to the late '70s and the disco-themed Christmas budget albums.
Christmas And New Year's Party - Irwin the Disco Duck with The Wibble Wabble Singers and Orchestra (Peter Pan, 1977)
Disco Noel Mirror Image (Pickwick, 1979)
Mirror Image was Pickwick's house band in the 1970s. They appeared on several "sound-alike" Pickwick albums of the 1970s.
Disco Noel included a free disco dance lesson.
Pickwick was so confident in the success of the Disco Noel album, it was immediately followed up with Yuletide Disco.
And they did sell quite well, in spite of disco rapidly falling out of popularity at this time.
But this would be the end of the era of the budget label Christmas record. Pickwick had been sold to PolyGram earlier in 1979 and would soon cease operations and Peter Pan/SPC would concentrate solely on their kids records.
Still, it was an era. And it still feels weird walking into a discount retailer and not seeing the bins of budget label Christmas records like I used to.
British comedian Marty Feldman is best remembered by American audiences as Igor in Young Frankenstein. (and his eyes, a product of a bad operation for his Grave's disease as a child.)
Feldman released some UK comedy albums and novelty singles in the late 1960s. This single failed to crack the UK charts and didn't get much (if any) airplay (not many comedy singles do.)
"The B-Side" is a poke at the flipside of a 45 RPM single...
Kenner Kiddie Fondue was an insulated plastic pot with fondue made with special packages of artificially flavoured melting chocolate inside a three compartment tray and heated by hot water in the red pot. Kids can then dip the mini-marshmallows in it and it was all fun and as close as they could get to those Saturday evening parties their parents would have when they would all smoke funny cigarettes with their friends in the living room around the real fondue pot.
This was made by Kenner when it was owned by General Mills. They were seeing some kind of synergy between both sides of their food/toy portfolio. (The Easy Bake Oven was another Kenner product.)
It came in chocolate, vanilla and cherry flavoured chips, which you poured into a three compartment tray.
