Kenny and Dolly: A Christmas To Remember (1984)

"Christmas In Japan" Paul Anka (1960)

"Stop The Cavalry" The Cory Band w/ The Gwalia Singers (1981)

Most of you have probably never heard this UK single before and technically, it's not even a Christmas song, but an anti-war song.

Yet if you live in the Seattle area, you definitely know it. It gets regular airplay on Seattle's Warm 106.9 radio during their annual holiday music format. For decades, it was a holiday season radio hit in the Puget Sound. An earworm that never seems to leave your brain once you hear it. It reached #3 on the British pop charts in December 1981. But there was never an American release of the song at that time. Either it wasn't considered or no American record label was interested in licensing the track for the U.S., thinking it wouldn't sell to American record buyers.

So how did this song get to be such a huge hit in Seattle and pretty much nowhere else outside of the UK?

Well first, we're weird here in Seattle. That said, there's a fascinating back story (here) to how this record was nearly lost forever and how it was finally saved.

The original label the record was on, Stiff Records, was a British independent specializing in "pub rock", new wave and punk (Nick Lowe, Elvis Costello, Madness, Lene Lovich, Tracey Ullmann and Ian Dury & The Blockheads were among Stiff's best known artists.) It became one of the most influential independent labels in the world in the early 1980s, ushering in the punk and new wave genres to the UK and the world.


This song however was clearly none of the above genres.

It was originally recorded by Jona Lewie (another Stiff artist), but it was The Cory Band's cover of the song that became the Seattle hit.

The Cory Band is a Welsh brass band and one of the longest continuous running bands in the world. They were founded in 1884 (The Rolling Stones have nothing on these guys) and are recognized as one of the world's most innovative and popular brass ensembles. 

However somewhere along the way from the song's initial release, Stiff had erased and reused the original studio master tape of The Cory Band's version of this song (being a low-budget independent record label, that is not uncommon.) So when a Seattle record producer heard the track and contacted Stiff in 1997 to license an American re-release of this extremely rare single because of overwhelming demand from Seattle area radio listeners, Stiff looked in their vaults. Then told the producer the awful news.

A makeshift workaround had to be arranged with a vinyl copy of the song. Luckily, there were a few mint copies remaining from the original pressing. The producer made a decent transfer suitable for the re-release and sold 13,000 copies of the reissue locally.

It still remains one of the perennial holiday favourites in Seattle. Enjoy.  

Now That's What I Call Yacht Rock!

In the late 1970s and early '80s, the airwaves were filled with a certain vanilla latte type of music nobody really had a name for back then.

It was a super polished style of slick, studio perfect pop music that's mostly associated with acts like Kenny Loggins, Steely Dan and Michael McDonald era Doobie Brothers. But acts like Hall & Oates, Chicago, Pablo Cruise, James Ingram, Toto, Christopher Cross, Boz Scaggs, Nicolette Larson, George Benson, Dr. Hook and others were also making this type of music. Or converting briefly to it.

And it wasn't necessarily limited to any one subset of bands and artists. Although it always had a core of artists that tended to appear on each others albums - namely Michael McDonald, Steely Dan, Kenny Loggins and members of Toto. But many other major pop acts of that time period are guilty of contributing to it in some way. Including Elton John, The Bee Gees, The Eagles Fleetwood Mac, Barbara Streisand, Cliff Richard and Smokey Robinson.

But thanks to a later generation of lovable hipster music fans (they just get it. don't they?) This music finally has the proper name those of us who actually grew up in the era of this music never really had for it; Yacht Rock.

Yacht Rock was what was left when you removed the Anne Murray, Barry Manilow, Melissa Manchester, Neil Diamond and the rest of the torchier ballads and disco crossovers from the then-current Adult Contemporary radio playlists of that period.

Yacht Rock is also the name of a hilarious 2005 internet mockumentary series about this era of music. Originally made for internet video site Channel 101, the series is one of the most popular online video series ever and was the subject of a June 2015 article in Rolling Stone. And the source of the very name Yacht Rock.


Yacht Rock as a genre also connotes a recurring theme in the lyrics and album covers of these songs, usually about sailing. But also the fact that many yacht owners simply loved laid back, easy going pop music when out for a sail (and that's not a stereotype. Having some friends who are yacht owners on Puget Sound and sailed with them on day cruises, I can testify to this.)

And Yacht Rock today has made a comeback, mostly by way of the internet series and younger music fans rediscovering these old songs and the artists behind them (the resurgence in vinyl LP records in the last decade to today has also contributed.) But also in the fact that this was once the most familiar type of music on the radio for two decades. And the older fans really miss it.

And I confess, it's a guilty pleasure for me too sometimes....

L'eggs, L'aura & L'erin

Somewhere suspiciously next the ubiquitous L'eggs pantyhose display stand in any supermarket of the early '80 was the L'erin cosmetics stand.

Most people already figured this was a natural place to put the makeup. But for L'eggs, it was uniquely important; They owned L'erin.

L'eggs is a product of underwear conglomerate Hanes. They were introduced in 1969 with their famous plastic egg containers, which had zillions of uses (some women would keep jewelry in them, some people made arts and crafts out of them. In fact, some people bought them just for the big plastic egg containers, which sadly, they have long since phased out.)

Seeing an complimentary advantage to their very successful pantyhose line, in 1980, L'eggs created the L'aura cosmetics line.

Wait....What?

L'aura was the original name for L'erin. But everybody got it mixed up with that big French cosmetic conglomerate, L'Oreal. It was quickly renamed L'erin.


But L'erin cosmetics as a product? Well, the verdict wasn't good.

First, most women were used to the idea of makeup being a distinctly personal art. They wanted something glamourous and luxurious. And all other cosmetic companies were working overtime to accommodate this image.

But L'erin just wasn't that. At all. L'erin's commercial tag line for it's first few years was "Put Your Face On And Forget It". Which sounds like something their dads would say when he needed to use the bathroom.

L'erin was trying to be simpler and more practical, aiming for the young, active woman who wanted less drama and fuss in their makeup kits. But being sold primarily in supermarkets and discount stores (this wasn't exactly Estee Lauder), the cosmetically savvy ladies just weren't impressed. They viewed L'erin as cheap and chintzy.

And it was. The makeup quality itself was also notorious, as millions of raccoon-eyed girls staring back from their '80s high school yearbooks can testify. The mascara was clumpy right out of the bottle, the eyeliner and eye shadow ran under hot lights or in the hot sun. By this time, boys were getting into makeup (the Duran Duran thing and the first wave of glam metal had hit) and I remember girls experimenting on us with their once-used L'erin cosmetics....And then laughing their butts off when we walked outside on a hot day.

The eternal price of trying to be cool (Sigh!)

L'erin lasted until 1984. It was sold in 1983 by Consolidated Foods (now Sara Lee) to another makeup company and after a few attempts to resuscitate the brand, L'erin was discontinued. 

"TV" The Judy's (1981)

A lost indie pop classic, "TV" was a song by The Judy's, Texas' (Pearland, specifically) most famous New Wave band.

This song got airplay on some wavy Seattle radio stations and this was where I first heard this song. But being on a local Houston area independent label, getting a copy of their album Washarama was nearly impossible since the label didn't have any national distribution. But The Judy's were unquestionably popular in the Lone Star state in the early 1980s. Their other hits included "Guyana Punch", "Her Wave", "Grass is Greener" and "Milk"

And "TV" is perhaps the only song to ever mention Allied TV Rentals, which was a famous national TV rental company, where you rented TVs by the week. A model that grew into today's rent-to-own businesses, such as Rent-A-Center, ColorTyme and Aaron's. Allied TV Rentals itself however went out of business nationally in 1987.

In spite of some worthy press and incredibly catchy singles, The Judy's never got the national fame and chart success they deserved. However, they still maintain a website where you can order their albums. 

  

"Dancing In The Dark" Bruce Springsteen (12" Extended Remix, 1984)

It seemed like a good idea.

But Bruce Springsteen's music (and this song in particular) is the type that utterly clashed with the general type of the R&B infected New Wavy dance music that was popular in the dance clubs in 1984 this version was made for. No matter how much drum machine and strange background singers you put in it.
  
That might be why Bruce Springsteen himself has never re-released this version of "Dancing In The Dark" on any of his compilations.

And let's face it, it's a horrible remix.

Children's Disco Musical Stories (Venus, 1988)

It's not every day you run into disco versions of children's stories, especially South Asian ones. And one made eight years after disco fizzled out in America. But this cassette really exists. 


Listen Here

Outsider Music

Ahhh....Another peaceful Sunday morning. Time to put on some nice, relaxing easy going music. Right?

Well I'm having none of it. It's time to crank it up full blast and wake up the neighbours with some truly awesome music. The stuff you just won't hear on the radio. Anywhere. 

Outsider musicians are those folks who simply make music the only way they know how. With very little to no musical training whatsoever. The conventional requisites of stardom are simply unheard of among outsider musicians.

This is not American Idol. There is no competition. Or critiquing. Or even practicing and rehearsals. What you hear is what you get.

They simply don't care about commercial success. Or any musical conventionality even amateur musicians adhere strictly to. They make their music on their own whims and for the sheer sake of their own personal enjoyment. Even if the only one enjoying it is themselves, they wouldn't care.

It also differs from vanity acts. Vanity acts actively look for a commercial breakthrough and exposure to the masses. Most outsider acts would never be heard at all were it not for certain friends and associates encouraging them to take a leap of faith and record their material.

Sometimes a major label finds them, but that's usually a by-product of local press buzz or through chance contacts. The labels never seek outsider musicians and outsider musicians never seek the labels. If planets align, they align. But that's very rare if they do. The major labels want something that delivers a massive return on whatever investment they make. And that's something no outsider act has ever really done. 

Outsider music isn't even a conscientious rebellion against mainstream rock and pop's status quo, which usually drives most hardcore independent lo-fi punk bands. They truly believe in what they are doing in spite of what anyone thinks. They simply let their dim lights shine.

But what may sound like tone-deaf psychiatric patients (some, but not all outsider musicians suffer from some sort of severe mental illness) to the rest of us is technically a sub-sub genre of Alternative rock. It's not even a "new" thing ("Wild Man" Fischer, whom Frank Zappa discovered in the late 1960s, is a pioneer. So is David Peel, whom John Lennon discovered and released a few albums of his on the Beatles' Apple label in the early '70s, The Shaggs and to some extent, even Charles Manson.)

Today, we're going head first into the most obscure of obscure music genres. But like most of my posts here, I don't disclose everything. I like to leave some of it out for you, the reader, to explore on your own. I just merely set up the launch pad for your own journey (it might be one-way.) So this is not a complete list. Not by far. But it's enough to give a basic insight into this strange genre. Google "Outsider music", if you're really curious.

Bingo Gazingo

Sweet dreams, ladies.....

Bingo Gazingo (Murray Wachs, 1924-2010) was an elderly New York City outsider musician and poet with perhaps more punk rock authenticity than any band that ever played at CBGB's. And I mean all of them. He was, perhaps literally, the grandfather of punk.

With song titles like "Oh Madonna, You Stole My Pants", "Up Your Jurassic Park" and "I Love You So Fucking Much, I Can't Shit", you pretty much get the idea this was no ordinary retired postal worker from Queens.

He released an album through WFMU Radio in 1996 and this song, "You're Out of The Computer" was a collaboration with techno artist My Robot Friend (Howard Rigberg) from My Robot Friend's 2004 CD Hot Action! It also appears on the Songs in The Key of Z compilation of outsider music.

Tragically, Bingo Gazingo was struck down by a cab on his way to a performance at the Bowery Poetry Club where he appeared weekly every Monday night in November of 2009. He died of his injuries on New Year's Day, 2010. He was 85.


Wesley Willis

Wesley Willis (1963-2003) could be the most famous of outsider musicians, even garnering some airplay on mainstream alternative rock radio in the 1990s.

His story began as one of ten children born in a dysfunctional family (having so many siblings can throw even the most stable family off - think the Duggars) in the housing projects of Chicago. He spent most of his life going from foster home to foster home with two older brothers as their parents had a violent relationship and split up when Wesley was a child.

In spite of this horrific background, Wesley seemed to be a bright and fairly normal young man. However on October 21, 1989 (there are people who remember this specific date), he began to hear voices in his head, which he called "demons" and was diagnosed with paranoid schizophrenia.

About this time, he also began making music. Mostly as an outlet to escape the turmoil inside his head. He also made artwork and was discovered by members of Chicago's alternative rock scene, who encouraged his musical pursuits. This led to a collaboration called The Wesley Willis Fiasco and he actually became a sensation in the Chicago alternative underground, gaining attention from major label American Recordings, which was distributed by Warner Bros.

His favourite greeting wasn't a handshake or a hug. It was a headbutt to the forehead. I am not making that up. This left a permanent bruise on his forehead. 

His music was crude, rambling and often profane. One unique characteristic of Wesley Willis is no matter what song he's performing, they all sound identical to each other. They mostly are songs about things that he had personally identified with in his life. Such as his local McDonald's, bands and stars such as Pink Floyd, Foo Fighters, Kurt Cobain and whatever else figured.

Here's a sample of what that sounded like


He eventually recorded 50 albums from 1994 until his untimely death in 2003 from leukemia. He was 40.

Daniel Johnston

Daniel Johnston, like Wesley Willis, also suffers from schizophrenia and like Willis, also uses music as a way to cope with it. Johnston is also a visual artist as well. However Johnston is different in the sense that his music is more introspective and melodic than either Wesley Willis or Bingo Gazingo. He's been called a "fractured genius" and "the indie Brian Wilson". He quite possibly could have achieved mainstream stardom and in fact, he came quite close to it.

Daniel Johnston began recording music as a teenager on a boombox at home in the late '70s. By the early '80s, he was self releasing his own material. He moved to Austin and appeared on MTV in 1985, which gained him further exposure. He went on to make more recordings, including collaborations with Sonic Youth, Half Japanese and other indie acts, who became fans of his.

But his schizophrenia was also worsening. In 1990, on the way to West Virginia on a small, private two-seater plane piloted by his father Bill, Johnston had a manic psychotic episode believing he was Casper the Friendly Ghost and removed the key from the plane's ignition and threw it out of the plane. His father, a former Air Force pilot, managed to successfully crash-land the plane, even though "there was nothing down there but trees". Although the plane was destroyed, Johnston and his father emerged with only minor injuries. As a result of this episode, Johnston was involuntarily committed to a mental hospital.

In the early '90s, Kurt Cobain was often seen wearing a t-shirt with the cover image of Johnston's 1983 album Hi, How Are You? on it.

Which lead to even more interest in Daniel Johnston. Even while involuntarily committed at the mental hospital, Warner Music label Elektra Records was interested in signing him, but he refused the deal as Elektra then was also the label home of Metallica, whom Johnston thought worshipped Satan.

Eventually he signed with Warner co-owned Atlantic Records, which released his only major label LP Fun in 1995. The album flopped commercially and Atlantic ended his contract in 1996. 

In 2005, a full length documentary DVD on Daniel Johnston's life The Devil and Daniel Johnston was released.

Johnston is still active in music.


Jandek

To say Jandek is merely an outsider musician just doesn't quite cut it. In fact, he's been described as "The Rock N' Roll J.D. Salinger". Because he's perhaps the most reclusive of all the outsider musicians.

Yet he has released over 70 albums on the mail order Corwood Industries label. A label that while Jandek maintains a certain distance from professionally, has only issued Jandek material. And he has a surprisingly loyal and solid worldwide fan base. With almost no radio airplay or any promotion of any kind.

Most Jandek albums feature a young man on the covers in random photo shots and when you lay them out, you realize they are the same person - Jandek himself? Possibly.

But nothing has been directly confirmed by Jandek - he's only done a few interviews. But in rare recent pictures of Jandek, you do see a very strong, even uncanny resemblance.

Jandek's actual name has never been confirmed directly either, but he's believed to be Sterling Smith and he was born in 1945. Other than that, very little else is known about him. And that's how he likes it.

His music is a sort of psychedelic country-blues. But even that description isn't quite accurate. Jandek is a genre all to himself.

Jandek is an enigma even by outsider music standards. And that's saying something. In 2003, he released Jandek on Corwood, a documentary DVD that doesn't answer even the most basic questions of his life his fans always wanted to know. But then again, that mystique is still a part of his attraction.

He's still active, releasing an album or two a year and occasionally touring.






More:

Curly Toes

Wing Over America

Florence Foster Jenkins

"Do Ya Think I'm Sexy" Tiny Tim (1982)

Attention Kmart Shoppers

"OK, I have to admit this is a strange collection. In the late 1980's and early 1990's, I worked for Kmart behind the service desk and the store played specific pre-recorded cassettes issued by corporate. This was background music, or perhaps you could call it elevator music. Anyways, I saved these tapes from the trash during this period and this video shows you my extensive, odd collection.



Until around 1992, the cassettes were rotated monthly. Then, they were replaced weekly. Finally sometime around 1993, satellite programming was introduced which eliminated the need for these tapes altogether. 

The older tapes contain canned elevator music with instrumental renditions of songs. Then, the songs became completely mainstream around 1991. All of them have advertisements every few songs. 

The monthly tapes are very, very, worn and rippled. That's because they ran for 14 hours a day, 7 days a week on auto-reverse. If you do the math assuming that each tape is 30 minutes per side, that's over 800 passes over a tape head each month. 

Finally, one tape in the collection was from the Kmart 30th anniversary celebration on 3/1/92. This was a special day at the store where employees spent all night setting up for special promotions and extra excitement. It was a real fun day, the store was packed wall to wall, and I recall that the stores were asked to play the music at a much higher volume. The tape contains oldies and all sorts of fun facts from 1962. This may have been one of the last days where Kmart was in their heyday - really! 

One last thing for you techies, the stores built in the early 1970's (such as Naperville, IL Ogden Mall Kmart #3066, Harwood Heights, IL #3503 and Bridgeview, IL #4381) orignally had Altec-Lansing amplifiers with high quality speakers throughout the store. When you applied a higher quality sounding source, the audio was extremely good. Later stores had cheaper speakers and eventually the amps were switched out with different ones usually lacking bass and treble controls." - Mark Davis

Listen Here

Also see S.S. Kresge for information and links to recordings of background music from Kmart predecessor, Kresge. And The Seeburg 1000, an earlier store background music system. More on Kmart: Vintage Kmart Memories and Kmart Brand Products. 

Six Star Factory Outlet Stores

Hello Dumpster Divers,

My kitty, Mr. Smokey Gato

Sorry for the lack of action, I'm caring for a terminally ill kitty right now. Mr. Smokey Gato has feline cancer and it's advanced. He is getting weaker and thinner. And this kitty has been my buddy, always there for me. So I'm paying a lot more attention to him. Because I don't know how long I will have him. 

I recently made a list of vanished retail chains, mostly in Puget Sound, I had a few requests to post about some chains. But it's not easy to find information on most of them. There are a few chains that have simply no hard information I could research on them and others I have memories of shopping at, but little else overall to go on. 

One of those is Six Star Factory Retail Outlets (best known as Six Star) Six Star was a discount store from 1987 to 2009 that also specialized in craft supply merchandise. Six Star was once a rising chain in the Western America, mostly in suburban areas as far east as Colorado. My local Six Star was in Lynnwood, WA

Six Star was mostly a dollar store, with some items going as high as $6. But no higher for most merchandise. Some products, such as an aluminium cookware set were available for $6, plus the balance in "Bonus Bucks" coupons, which for each $5 of things you buy, you got one Bonus Buck coupon. 

Six Star also expanded full tilt into craft merchandise in the early '90s by opening Super Star locations (there was one in Lynnwood across the parking lot from the Six Star), which offered craft supplies only. These were meant to offer all craft supplies and an employee there once told me they were planning to transition the craft supplies out of the Six Star stores and into the nearby Super Star locations, freeing up shelves for even more general merchandise in Six Star locations.

But there was one thing I looked for specifically at Six Star and it were these.

On the cashier counter, there sat a rack of compilation cassettes, mostly of the cornball country/religious crud that Gusto Records specializes in as well as warmed over mini-compilation cassettes from any given major label's special products division. But amongst them were Canadian compilations from Quality Records. They sold for $4.00 each

They were K-Tel like and offered a pretty good mix of pop tunes. Including at least 3 Canadian tracks. OK, so Zappacosta, Frozen Ghost and The Parachute Club aren't exactly the first names that jump off American tongues when you bring up '80s pop music. But they were a pretty good deal for the money. And I could only find them at Six Star.

The last store closed in 2009 in Poulsbo, WA.

Wing Over America

Her name is Wing. Wing Han Tsang, to be exact. She's from Hong Kong by way of New Zealand and she's gonna rock your world.....



You might have heard of Wing from an episode of South Park (they dedicated a whole episode to her)


She has recorded 20 CDs of cover versions of songs ranging from Elvis to AC/DC (in fact, she recorded TWO albums of AC/DC covers!)

Here's her rendition of AC/DC's "Hells Bells"


She actually has a huge worldwide fan base, proving that talent and singing on key and coherently are simply overrated.

But sadly in June of 2015, Wing announced her retirement from music.

http://wingmusic.co.nz/

10-10 Dial-Around Numbers

In the late 1990s, before cell phone service became affordable and nearly ubiquitous for nearly everyone, there were dozens of phone numbers offering super cheap long distance and other gimmicks via a 10-10 prefix number for land line phones. (Image: Chris Stewart/The San Francisco Chronicle)  

The 1990s were the last decade where home land line phones were still dominant. Cell phones were still prohibitively expensive, very few people had them and they had no features. Just voice.

In the 1990s, there was no unlimited talk, text messaging was still mostly unheard of and there was no mobile web/data access either. Charges for voice calls were still by the minute and at the rate of $2 per minute, they added up real fast. Plus you needed a perfect credit score or a massively huge deposit to even get cell phone service.

So the land line phone was status quo for most people. Which meant if you had to call someone in a different area code, you had to pay by the minute for it, often at the rate of 25¢ to as high as $1.00 per minute (or more!) for international calls. However after 7pm local time and on weekends, these rates came down, but not by much.

In 2015, with the concept of area codes considered nearly obsolete (I live in the Seattle area and my cell phone number has a 415 - that's San Francisco, area code - long story, but no problems thus far) and nearly unlimited everything on your smartphone and zillions of apps you can do nearly everything with for around $30 month, it's hard for most younger people to imagine such a backwards and expensive system. But that's really how it was back in the day.

But to get a further glimpse into our topic, you need to go back even farther.


Making a long distance call in most of the 20th century was a complicated procedure. On top of expensive. Plus, there was only one provider of cross country long distance. It was called The Bell System (it's also been referred to as "Ma Bell" because of the ubiquitously female phone operators and automated voices. Plus it was the "mother" of the entire American phone system and dated all the way back to the very first telephone system in the 1870s.)

There were a few companies that provided local and regional phone service, such as GTE (the predecessor to today's Verizon.) But most long distance calls went through The Bell System.

But in spite of the Bell System's snazzy, friendly commercials and happy brochures, they could charge whatever they wanted if your call went through their lines. Because screw you. That's why. They were a monopoly, they set the rates, they provided the means of communication. There was no competition. So whaddya gonna do about it? Punk.

It frustrated millions of Americans who longed for some level of competition and better rates. So if you wanted to cheaply talk to friends and family across the miles in the days long before the internet, email and social media and today's smartphone services, you had to rely on old fashioned snail mail. Which took days or even weeks to arrive. And breaking family news and emergencies just couldn't wait. But more than anything else, people just wanted to hear the voices of their loved ones far away.


In 1984, the U.S. Justice Department ruled what everyone knew for over 100 years, that the Bell System was indeed a monopoly and ordered the break up of Ma Bell. This led to a flurry of complicated and strange new providers such as US Sprint (later just Sprint) and the now defunct MCI. And Ma Bell became AT&T.

This did lead to more competitive rates, but barely. The initial long distance rates of these new providers were in reality not much different than Ma Bell's. And sometimes, depending on where you were calling, they were even more expensive. The Telecommunications Act of 1996 led to yet even further fragmenting to the land line telephone systems.

A typical landline phone of the '90s. By this time, cordless phones had begun to overtake corded models.

The 10-10 numbers were created by the newly minted sub-long distance provider US Telecom (then a subsidiary of MCI, now operated by Verizon) as a workaround to your regular home long distance provider. Offering rates as low as 10¢ per minute. Which was actually not a bad rate for 1998 home long distance. Plus they were the same rate, 24/7. No need to wait until after hours.



But by 2004, these services themselves were becoming increasingly antiquated  as cell phone services became more and more affordable and offered far more than the standard land line could provide. And even the 10-10 numbers began increasing rates to compensate. First to 18¢ and now at 30¢.

Surprisingly, some of these 10-10 dial-around land line services are still in business today, even as the use of land lines has dropped dramatically and land lines today are mostly used by businesses, the elderly and the vision and hearing impaired today. But 30¢ is a crazy rate to pay per minute for domestic long distance in 2015 when most people don't even pay for it at all. It just comes gratis with their cell phone service.

More on the 10-10 dial-around numbers 

(Note: I know I'm probably going to hear from those who still have land lines about their virtues and yes, they do have clearer sound and one major benefit. When power is out, the phone lines - with corded phones - usually still work as their source of power is within the phone line itself and in areas that are disaster prone, that's a major benefit. But Seattle rarely has extreme weather or natural disasters. So I can live without one. Just the thought of having to go back to the Luddite old system just gives me the creeps - L.W.)
 

"Up With People" Up With People (1965)

When I was a kid, I hated this record. Like smash this record to atoms, melt it into an unrecognizable blob, jump on it, toss it into a woodchipper, melt it back down into another blob, toss it into a lead barrel, seal it with concrete and launch it into deep space hate this record.

Up With People is a musical troupe that goes around the country (and even the world) trying to bridge cultural differences and create global understanding through public service. And musicals. They released several albums (all including this song) from the 1960s to the 1980s. Actress Glenn Close was a member in the '60s

Good intentions and wholesomeness aside, UWP became infamous for four years as being the selected Super Bowl halftime act from 1976 to 1986. They were lambasted as utterly the worst Super Bowl halftime act ever and, well, here. Take a look.




UWP's incredibly choreographed and cheerful singing and dancing acts were remarkable visually. No sleazy "wardrobe malfunctions", hard rock music, hip-hop or anything remotely disturbing to heartland American sensibilities. They were as threatening as milk and cookies. 

But in spite of it as time wore on, Up With People's brand of entertainment had become increasingly stale and dated. Halftime became the time you made a run to the 7-Eleven for more beer, chips and ranch dip. It wasn't until 1987 when they were permanently dropped from the halftime act roster and were replaced by hipper, edgier pop acts and commercials you just have to see.


They returned as the pre-game act in 1991, but that would be their last Super Bowl appearance.

While some people may look at Up With People as some pseudo-hippie musical act about peace, love and understanding, I look at them as just one big, if somewhat creepily happy glee club.

However, They've received corporate funding, including from Halliburton (cue Jaws theme), General Motors, Exxon, Searle Pharmaceuticals - major progressive no-nos. Leading to criticism that they are more closely linked to right wing politics than they let on. They've also received praise from John Wayne, Pat Boone and Presidents Nixon, Reagan and George H.W. Bush, not exactly the most liberal statesmen.

In 2009, a documentary was made on Up With People called Smile 'Til it Hurts: The Up With People Story.


Up With People are now in their 50th year. Not doing Super Bowl halftime shows, but still very much active.