"Close To You" The Clams (1974)

This, like "Why Daddy" Ronnie Dove, has to be amongst the strangest records to ever bear any involvement from Motown Records.

This is a novelty version of the Carpenters classic "Close To You" - done in Spike Jones style

Turn it up....


The flip side has another Spike Jones treatment, this time To Roberta Flack.

Soup Starter

Original Swift Soup Starter can

Soup Starter (originally called Homemade Soup Starter) was a base mix for homemade soup that came out in 1981.

It was essentially dehydrated vegetables, shell macaroni and dry soup stock (the carrot slices were always strangely warped in impossible shapes, like a vinyl record left out in the sun all day long and they never really re-hydrated no matter how long you simmered it.) And it was pretty salty. But it wasn't bad and did make the kitchen smell good when you made it.

It was first made by Swift, then Beatrice (after Beatrice acquired Swift)

After Beatrice was acquired by private equity firm KKR in 1990, the brand was spun off to Borden and it's Wyler's subsidiary. Wyler's also made Soup Starter's biggest competitor, Mrs. Grass soups and the brand began disappearing. By 1995, Wyler's was a Heinz product and Soup Starter has all but vanished in most parts of the country.

"Running" Chubby Checker (1982)

You're probably listening to this and thinking "Hey wait a minute, this isn't a song you can twist to!"

And that's what Chubby Checker was aiming for on his 1982 comeback LP The Change Has Come. To prove he wasn't just a one trick act and he could be a modern Adult Contemporary pop singer as well as as the master of an all time dance classic.

But there's no escaping The Twist and the only single from this LP, "Running" stalled at #92 on the charts. It just wasn't the Chubby Checker we know and love. And Chubby returned to twisting....

The Long Wave Radio Band

Atlantic 252 was one of the first attempts to make a commercial pop station on LW radio and they actually became very successful in the 1990s with five million listeners. Listenership declined as local copycat stations on AM/FM and fewer radios capable of receiving long wave radio were available. After several format changes and a failed attempt at sports talk, 252 kHz now relays RTÉ Radio 1 for Irish communities in the UK and Europe.

The longwave (or LW) radio band is one you've probably never heard of if you live in the Western Hemisphere.

LW radio is mostly used in Europe and some countries in Asia. Long wave radio signals work similarly to AM. The signals cover a vastly wider area during daylight hours than standard AM because LW transmission relies mostly on ground waves, rather than skywaves (like standard AM and shortwave.) And because of their extremely long range, there are only a handful of countries in Europe with LW stations

The LW radio broadcast band is from 153 to 279 kHz, MUCH lower than the frequencies of a standard AM radio, which runs from 530 to 1710 kHz.

If you need a further breakdown, 1000 kHz AM is 1 MHz. The FM radio band begins at 88.1 MHz.

Yes, LW is really as far down as you should wisely go on the radio dial.

But the advantage of LW is it has an incredibly long range covering hundreds, even thousands of miles during daylight hours with a steadier, non-fading signal.

But LW in Europe today is regarded like AM in the Americas, a radio band for older people who remember it and it's use and listenership has severely declined in favour of higher fidelity FM and digital signals. But it is still fairly popular, especially for older British and European people living or commuting around the continent. It's also less affected by terrain than AM and especially FM and high frequency digital signals. It's also possible to drive from Spain to Austria and never lose the signal.

And I know what you're going to ask; Why didn't we have LW radio in this hemisphere?

Well, there's no easy explanation for that. Many factors come into play, but mostly it was the fact that LW was simply never allocated internationally as a specific broadcast band in the Western Hemisphere. Another is there are only 15 channels in the LW band and 107 channels on AM, later to 117 in the late 1980s with the expansion of the AM radio dial from 1600 to 1700 kHz.

Yet another is the LW signals are so vast, they would interfere with each other. And finally, they're more susceptible to electronic interference than even AM.  

However, that doesn't mean we weren't trying to use it.

In the 1970s and '80s, there was a planned civil defense radio network in the US called Public Emergency Radio. The network would broadcast on 167, 179 and 191 kHz.

The flagship station of this network was WGU-20 on 179 kHz out of Chase, Maryland.

WGU-20 was a service of a branch of the forerunner to today's FEMA called Defense Civil Preparedness Agency called DIDS. DIDS stood for Decision Information Distribution System, which was a network of Low Frequency broadcast and feeder stations, DIDS was supposed to deliver audio messages directly to the public within 30 seconds after activation. In case of attack, DIDS was supposed to save 10- 17 million additional lives in its initial deployment (by 1979), and as many as 27 million more if developed further.

Signing on in 1973, the purpose of WGU-20 and it's planned sister stations was to broadcast news and information to Americans in the event of a nuclear war. The station was always in test mode, 24/7.

However, listening to WGU-20 wasn't much fun. There was no music, no sports or casual talk on WGU-20 throughout it's life. No wacky morning zoos or outrageous contests either. WGU-20 only aired it's station ID, time checks and weather reports for the mid-Atlantic coast  

And here's what it sounded like:



The advantage of using an LW signal rather than standard AM or FM signal was because as I mentioned earlier, LW signals travel through the ground rather than the sky. And that's where most of us (hypothetically) would be in a nuclear war - underground. In bomb shelters.

Second, radio direction guided missiles would have more difficulty homing in LW signals because they don't rely on sky waves. Besides, since radio towers are above ground, they would likely be destroyed or unusable due to radioactive contamination.

Thus WGU-20's ominous unofficial nickname, "The Last Radio Station".

And LW stations have the same purpose in other countries. In The Letters of Last Resort, which are the considered the final acts of Her Majesty's Government in the event the UK is destroyed in a nuclear war and the Prime Minister and second in command are killed. One of the protocols given to UK nuclear submarine commanders is to listen for BBC Radio 4 on it's 198 kHz LW frequency. Because LW signals not only travel well underground, but underwater as well.

If there is no signal and all other protocols for verifying the worst have been followed and the UK is no more, the commander may retaliate with his/her submarine's nuclear weapons, not retaliate, join a commonwealth country like Canada or Australia or an allied nuclear power like the US or France. The exact orders can vary and change with each new Prime Minister.

And while LW is disappearing from modern European radios, it's worth noting how important it still is; UK submarines on patrol were reported to have briefly gone on nuclear alert in 2004 when BBC Radio 4's LW signal mysteriously went off the air for 15 minutes.

But while WGU-20 made it to the air, the other planned LW stations in the network did not.

First, we were pretty satisfied with the Emergency Broadcast System. Which is now called the Emergency Alert System, of which those ear splitting digital data bursts have replaced the once annoying, but comparatively easier on the ears 1 kHz audio tone.

Second, manufacturers balked at the idea of including LW tuning components in newer radios, which would add to the expense of manufacturing and ultimately serve no real purpose.

And third, with political pressure in the government cutback happy 1980s and the collapse of the Eastern Bloc in 1989 and 1990, there was really no need for such a network  

WGU-20's final broadcast was in 1990.

However, if you're curious to hear what LW radio sounds like, there's a tunable WebSDR in Peterborough, UK you can use to sample the European LW dial.

"Existential Blues" Tom "T-Bone" Stankus (1979)

The original classic!