Six Star Factory Outlet Stores

Hello Dumpster Divers,

My kitty, Mr. Smokey Gato

Sorry for the lack of action, I'm caring for a terminally ill kitty right now. Mr. Smokey Gato has feline cancer and it's advanced. He is getting weaker and thinner. And this kitty has been my buddy, always there for me. So I'm paying a lot more attention to him. Because I don't know how long I will have him. 

I recently made a list of vanished retail chains, mostly in Puget Sound, I had a few requests to post about some chains. But it's not easy to find information on most of them. There are a few chains that have simply no hard information I could research on them and others I have memories of shopping at, but little else overall to go on. 

One of those is Six Star Factory Retail Outlets (best known as Six Star) Six Star was a discount store from 1987 to 2009 that also specialized in craft supply merchandise. Six Star was once a rising chain in the Western America, mostly in suburban areas as far east as Colorado. My local Six Star was in Lynnwood, WA

Six Star was mostly a dollar store, with some items going as high as $6. But no higher for most merchandise. Some products, such as an aluminium cookware set were available for $6, plus the balance in "Bonus Bucks" coupons, which for each $5 of things you buy, you got one Bonus Buck coupon. 

Six Star also expanded full tilt into craft merchandise in the early '90s by opening Super Star locations (there was one in Lynnwood across the parking lot from the Six Star), which offered craft supplies only. These were meant to offer all craft supplies and an employee there once told me they were planning to transition the craft supplies out of the Six Star stores and into the nearby Super Star locations, freeing up shelves for even more general merchandise in Six Star locations.

But there was one thing I looked for specifically at Six Star and it were these.

On the cashier counter, there sat a rack of compilation cassettes, mostly of the cornball country/religious crud that Gusto Records specializes in as well as warmed over mini-compilation cassettes from any given major label's special products division. But amongst them were Canadian compilations from Quality Records. They sold for $4.00 each

They were K-Tel like and offered a pretty good mix of pop tunes. Including at least 3 Canadian tracks. OK, so Zappacosta, Frozen Ghost and The Parachute Club aren't exactly the first names that jump off American tongues when you bring up '80s pop music. But they were a pretty good deal for the money. And I could only find them at Six Star.

The last store closed in 2009 in Poulsbo, WA.

Wing Over America

Her name is Wing. Wing Han Tsang, to be exact. She's from Hong Kong by way of New Zealand and she's gonna rock your world.....



You might have heard of Wing from an episode of South Park (they dedicated a whole episode to her)


She has recorded 20 CDs of cover versions of songs ranging from Elvis to AC/DC (in fact, she recorded TWO albums of AC/DC covers!)

Here's her rendition of AC/DC's "Hells Bells"


She actually has a huge worldwide fan base, proving that talent and singing on key and coherently are simply overrated.

But sadly in June of 2015, Wing announced her retirement from music.

http://wingmusic.co.nz/

Chipmunk Punk (Excelsior/Pickwick, 1980)

In the late 1970s, it seemed like The Chipmunks franchise was all but dead.

Ross Bagdasarian Sr., the Chipmunks creator had passed away in 1972 and aside from various licensed holiday repackagings for budget labels such as Mistletoe/Springboard, there was no new Chipmunks music in that cold, lonely decade.

Liberty Records had folded into United Artists in 1968 and UA wasn't as fond of these rodents as Liberty.

The '70s were a real low point for the Chipmunks. And to add insult to sad loss, a religious producer/musician named Floyd Robinson created something called Charlie The Hamster. A smug, born-again knockoff that served no other purpose other than to remind us of how much we really missed the actual Chipmunks.

 Charlie The Hamster Sings The Ten Commandments (Singcord, 1977) is a headache inducing Christian market knockoff of the Chipmunks franchise. Somehow, Robinson and his hamster forgot about Commandment #8.....   

But by 1980, the Chipmunks really needed a makeover and it was up to Ross Bagdasarian Jr. to carry the Chipmunks torch into the '80s. So he created Chipmunk Punk. And yes, even Yours Truly owned a copy.

Chipmunk Punk wasn't actual punk rock music per se. If you came here looking for some hysterical Chipmunk versions of The Sex Pistols, Anti-Nowhere League, The Ramones or The Dead Boys, you better move on.

But you did get Chipmunk covers of rock songs from The Knack (three songs were Knack covers!), Tom Petty and The Heartbreakers, Blondie, The Cars, Billy Joel, Linda Ronstadt and Queen. Sanitized of course (The Knack's "Good Girls Don't" was cleaned up - this is a kids record after all.)

The album was a surprising success and went Gold (the first Chipmunks album to do so.) The album was inspired by a DJ from Los Angeles rock station KMET-FM who played Blondie's "Call Me" at twice normal speed and jokingly called it "the new Chipmunks record".

Chipmunk Punk reintroduced the Chipmunks to a new generation and led to several follow up albums and a new Saturday morning cartoon series in the '80s and they're still active today.

"Relaxation" The John Howard Abdnor Involvement (1969)

Listen here

Somewhere at the intersection of Dora Hall, Kit Ream and How To Blow Your Mind And Have A Freak Out Party sits this album.

Unknown artist on a record label owned by family? Check. Incoherent, possibly drug induced babbling? Check. Hippie cash in? Check.

John Howard Abdnor Jr. was a pretty lucky guy. The son of a very successful insurance salesman, John Jr. was aspiring to be a musician. John Sr. benevolently formed a production company and record label called Abnak for his son's musical enterprises.

Abnak Records (and yes, the label bears a suspicious resemblance to the classic Atlantic Records label - it's been said John Abdnor Sr. asked Atlantic Records chairman Ahmet Ertegun if he could use Atlantic's design for Abnak and Ertegun was flattered by the proposition, even though the two labels are not related) did score a national Top 10 hit with "Western Union" by The Five Americans in 1967. But every other Five Americans single reached far lower on the charts.

However, John Abdnor Jr. had made some records of his own and as a duet as Jon & Robin & The In Crowd with singer Javonne Braga as Robin. They scored some minor pop singles, including "Do It Again Just A Little Bit Slower", which made Top 20 in 1967.

Tragically, John Abdnor Jr. also suffered from bouts with mental illness and on July 27, 1980, he murdered his girlfriend, Janis Ballew, after she revealed she had an abortion. He was sentenced to life in prison in 1981, but the conviction was overturned on a technicality in 1988.

"Hooked On Classics" The Royal Philharmonic Orchestra (K-Tel/RCA, 1981)

When you think of classical music, K-Tel isn't exactly the first name that comes to mind.

K-Tel, as everyone knows, was the purveyor of microgroove albums of all the pop hits that's print to fit. So what was K-Tel doing messing around with classical music?

The story begins in the UK at the height of the Stars On 45 fad. Louis Clark, former arranger of Electric Light Orchestra had an idea of making a similar medley album, using recognizable pieces of classical music linked together with a disco beat. He thought it could re-energize the classical genre the way the Stars On 45 helped re-energize the Beatles catalog for a new generation. He found an unlikely supporter and partner in K-Tel UK.

UK pressing of Hooked On Classics

However this was far from the first time someone got the idea of blending classical music with contemporary pop music. Since the dawn of pop, classical melodies were used as the framework for many pop songs. Classically styled orchestras called 'Pops' (or "Light") orchestras often made full orchestrated versions of pop music and were staples in the easy listening radio format. Arthur Fiedler and John Williams were the best known conductors of pops orchestras.. The 1960s and '70s were a huge time of classical fusion with pop and rock. Beginning with Simon & Garfunkel, The Moody Blues and various experimental albums using classically styled arrangements of pop hits led to the progressive rock era. And from there, disco was added ("A Fifth of Beethoven" Walter Murphy from the Saturday Night Fever soundtrack was the '70s most famous example. Even leading an aging Arthur Fiedler into the disco age.)

While classical purists loudly condemned this practice, it's worth noting that there was a side benefit. Classical music even then was largely dying as fewer young people were exposed to the music. These albums, for all their campiness and unconventional approaches did introduce classical elements to a newer generation. It may not be your grandpa's classical music, but they illustrated what could be done with it in contemporary music. If they only got that far it was worth it as classical music, while still an increasingly obscure genre and long vanished off commercial radio, is still very much alive and it's influence still occasionally pops up now and then in contemporary pop and rock music.

Hooked On Classics was released in the UK and became a phenomenal smash hit. However in the US, K-Tel needed to get this out to real record stores, as most of K-Tel's product was sold in discount stores. And to the radio stations. RCA had all these connections. So they arranged a distribution deal through RCA Records in the US.

 This is K-Tel's only originally produced US Top 40 hit single, making it to #10 in February of 1982.

Hooked On Classics spawned two sequel albums, each selling far less than the first in 1982 and 1983.

Chu-Bops

Chu-Bops were awesome.

Chu-Bops came out in 1980. Their first series consisted of eight different then-current album covers by then contemporary artists including Foghat, The Knack, Pat Benatar, Rush, The Spinners and others.

Each Chu-Bops album sleeve had song lyrics and band bios printed on the back of each cover. They also had an order form on the detachable flap for offers (such a protective case to store your Chu-Bops collection) and fan club memberships.

Photo: Stuff We Collect.com

They came in shrink wrap. The gum was your typical pink hard gum seen in most baseball card packs, but in disc shape. Like a tiny vinyl LP (there was no music stamped into them and you couldn't play them on a record player). On the shelf, they looked like tiny vinyl LPs

Later series included an all Beatles set, and Elvis set and several others until the Chu-Bops line was discontinued in 1983.

"Good Vibrations" The 101 Strings Orchestra feat. The Alshire Singers (1976)

The Carpenters at Christmas (1977 TV Special)

"Merry Christmas" Melanie (1968)

Melanie Safka (usually referred to as simply "Melanie") was a singer/songwriter who was considered a hippie pop singer who sang hippie pop songs, but she never personally identified with being a hippie. And she was signed to bubblegum pop label Buddah. And Buddah wasn't exactly Vanguard or even Reprise in the echelons of hippie rock.

But while wannabe hippie girls everywhere loved her. She was the Jewel of her day.

But before Melanie had her famous Woodstock appearance and her 1970s mega-hits "Lay Down (Candles In The Rain)" and "Brand New Key", she recorded a Christmas song called "Merry Christmas", based on the traditional carol "We Wish You a Merry Christmas". It was originally on her debut LP in 1968 Born To Be. After her Woodstock appearance and the success of "Lay Down", Buddah re-released Born To Be, retitled as My First Album.

On this track Melanie, changes the "We" in "We Wish You a Merry Christmas" to "I". And literally demands her figgy pudding and her cup of good cheer. Now.

She still performs and releases new music and her old classics independently.

"Close To You" The Clams (1974)

This, like "Why Daddy" Ronnie Dove, has to be amongst the strangest records to ever bear any involvement from Motown Records.

This is a novelty version of the Carpenters classic "Close To You" - done in Spike Jones style

Turn it up....


The flip side has another Spike Jones treatment, this time To Roberta Flack.

"Running" Chubby Checker (1982)

You're probably listening to this and thinking "Hey wait a minute, this isn't a song you can twist to!"

And that's what Chubby Checker was aiming for on his 1982 comeback LP The Change Has Come. To prove he wasn't just a one trick act and he could be a modern Adult Contemporary pop singer as well as as the master of an all time dance classic.

But there's no escaping The Twist and the only single from this LP, "Running" stalled at #92 on the charts. It just wasn't the Chubby Checker we know and love. And Chubby returned to twisting....

Hang On Sloopy

You probably have heard this song many times on the radio and have utterly no clue what this song is about.

You're not the only one. In fact, almost everyone who's ever heard this song has scratched their heads wondering what this song is about.

For example, here's the opening lyrics:

Hang on, Sloopy
Sloopy, hang on
Hang on, Sloopy
Sloopy, hang on
Sloopy lives in a very bad part of town
And everybody, yeah, tries to put my Sloopy down
Sloopy, I don't care what your daddy do
'Cause you know, Sloopy, girl, I'm in love with you....

HUH?

Sloopy?

Now wait a minute. OK, the song is about a poor girl who "lives in a very bad part of town"

But Sloopy?

Was it a typo? And she was really Sleepy? Or Sloppy? Or even a vague reference to Snoopy, the Peanuts comic dog? Or even Soupy, as in the comedian Soupy Sales?

But even if it was, the song would still be way off. Certainly not the most charming way to seduce a poor girl in even the very worst part of town (try it and see.)

Sloopy?

There aren't any girls whatsoever I can recall even nicknamed "Sloopy". And even fewer who would put up with a guy who would call her that without filing a court order.

Why Sloopy?

So it was finally time to get answers once and for all.

Dorothy Sloop...also known as Dottie Sloop, was an American jazz pianist. She was born in Steubenville, Ohio and went by the nickname "Sloopy". During her performing years, she was best known as a pianist with a number of all (or mostly) female jazz bands in the New Orleans area, primarily from the 1930s through the 1950s.

She recorded an album, "Sloopy Time" Featuring Dixie and Sloopy, in 1957 with Yvonne "Dixie" Fasnacht, a jazz vocalist and clarinetist.

The LP was released on Golden Crest Records. Golden Crest released many albums from C and D List stars as well as countless high school choral and marching band records in the 1950s to the 1970s. It ended as a classical label before folding in 1982.

"Dixie" Fasnacht operated a bar called Dixie's Bar of Music on Bourbon Street in New Orleans. It was there that Dorothy's acquaintance and co-writer of "Hang On Sloopy" Bert Berns-Russell found the inspiration for the song. During problems with the sound equipment and a crowd getting rowdy, he heard a regular call out to her "Hang on, Sloopy!"

However, The McCoys weren't the first to record this song. It was originally recorded by The Vibrations in 1964 and titled "My Girl Sloopy". It's been performed by hundreds of rock acts, under both titles.

The Vibrations' version charted in the Top 30. After The McCoys version topped the charts, The Ohio State University Marching Band adopted "Hang On Sloopy" as it's theme song (Dorothy Sloop was also an OSU alum.)

Years later Sloopy earned a master's in English from the University of Florida, and taught special needs children in St. Petersburg. After retiring, Sloopy moved to Pass Christian, Miss., near her daughter Jane in Biloxi. A 1983 newspaper interview said her "saloon days" were over, but she still played gigs on occasion.

Dorothy "Sloopy" Sloop died in 1998. She never earned a penny in royalties from "Hang On Sloopy" and never sought out publicity from the song. Tragically, her personal memorabilia were destroyed in Hurricane Katrina.

More On "Hang On Sloopy"
  

FM (NOT THE ORIGINAL SOUNDTRACK)

In 1978, a movie called "FM" was released.

It was a really good movie, although running on the cliché (yet true and sadly timeless) theme of a wildly successful radio station that gets interference from bean counting management, utterly clueless and indifferent to the people that made the station successful who expect their input to make the station even more successful. Which more often than not ends up trashing the station.

I'm not going to spoil it beyond that, but I would put this movie in my Netflix queue if I were you. FM was also the inspiration behind the legendary WKRP In Cincinnati.

FM also had one of the best soundtracks of any movie of the 1970s. It was a compilation loaded with original hits from the original artists on a two LP album set. In their full length album versions, not edited single versions (which besides FM radio's sound quality, the full versions of songs were also what made FM radio great in the 1970s.) And certainly not like a K-tel and Ronco record. The soundtrack was mastered by Gary Katz, the golden ears behind Steely Dan's classic '70s albums. It was truly one of the very best sounding soundtrack albums I have ever heard and MCA Records spared no expense in getting this right. 

On the flipside, budget record label Pickwick Records tried to cash in on the popularity of FM's soundtrack with their typically crummy knockoff record of incredibly LOUSY cover versions of the FM soundtrack's hit songs.

 

....and I do mean lousy. 

Listen to this hysterically bad cover of The Eagle's "Life In The Fast Lane"

The Sugar Bears

Hello Dumpster Divers,

Yes, it's been a while since I've last posted. I really haven't felt very inspired lately. The depression spells have hit quite hard in recent weeks. But the fog appears to be breaking up. So I'll start fresh.

It seems like the late '60s/early '70s were filled with cartoon pop acts; The Banana Splits, Josie & The Pussycats, The Archies, et al. But The Sugar Bears appeared to be the first act directly tied to a commercial product mascot (Sugar Bear of Super Sugar Crisp cereal.) They were promoted through a short-lived cartoon series and cut out records on the boxes of Super Sugar Crisp cereal.

  

Presenting The Sugar Bears was one of the earliest releases on the fledgling Big Tree Records label, which would be the '70s record label home of Lobo, Hot Chocolate, Brownsville Station and most notably, England Dan & John Ford Coley.

The Sugar Bears was another stop in the career of Kim Carnes, who joined shortly after leaving The New Christy Minstrels. She wrote some of the songs and sings on this album (as "Honey Bear".) Another former Christy and member of Kenny Roger's First Edition, Mike Settle, also writes and sings on this album.

Sing It Again, Sam!: The Inimitable Song Stylings of Sam Sacks - Sam Sacks (Arliss, 1961)

 

Sam Sacks was unquestionably an underrated musical genius. While Florence Foster Jenkins and Nina Hagen could sing a few notes on key once in a while. Sam Sacks' gift was he utterly could not. Even accidentally.

 Inimitable he was. You just don't run into this utter lack of talent everyday.

Listen as he barnstorms through "Secret Love", "Diana", "That Old Black Magic" and many other 1940s and '50s pop standards. And I do mean barnstorm. You can't even get the first thought of an opinion together (due to your shock in hearing this) before he whips into another tune (imagine the feelings of the musicians trying to keep up with him!)

I'm not sure, but this sounds like it was recorded in one big harried take (you can hear him argue with the engineer - even retake "Secret Love".)

No producer is credited. And you can hear why.

Sinatra has nothing on Sam Sacks.


Enjoy.....If you can.

"Zoo Be Zoo Be Zoo" Sophia Loren (1961)

Listen here

Usually, actors make lousy singers. And singers usually make lousy actors. And often, what's beautiful visually needs a LOT of studio gimmickery to pass for acceptable aurally.

There are exceptions.

Sophia Loren looked gorgeous AND could carry a tune, as she did in this 1961 classic.

Enjoy. 

"Shake Baby Shake" Sodsai Chaengkij (1968)

Listen here

Sodsai Chaengkij was one of the biggest stars of the 1960s....in Thailand. She was also one of the few Asian pop stars who recorded pop songs with the original English lyrics, as she covered this 1958 Jesse Lee Turner classic...