Halloween Hits: "Horror Movies" Bollock Brothers (1983)

"L.A. Is My Lady" Frank Sinatra (1984)

The year was 1984 and Frank Sinatra had just released a long awaited new album.

This was a pretty big thing. Whenever Sinatra put out a new album, the world of music paid attention.

This album however would be Sinatra's last album of new material. 

This video has a ton of cameo appearances, including Van Halen, Donna Summer, Missing Persons, Michael McDonald, Cheryl Tiegs, Dean Martin, LaToya Jackson and of course, Michael Jackson.) When you get a call from Quincy Jones asking you to appear in Frank Sinatra's video, who is going to turn him down?   

"Lightning Tree" The Settlers (1971)

I don't know what attracts me so much to this song, but somehow I love it. I remember hearing it many years ago online on the now-defunct Saga FM 105.7 in Birmingham, England. There's a certain, distinctly British beauty about it that's hard to put in words. It's a song that really should/could have been a hit here in the States.

"Lightning Tree" (York Records, later reissued on Decca Records UK.) was originally released in 1971 and only charted in the UK and a few other countries. It was the biggest hit for a '60s UK pop band called The Settlers.

The song is most famous there for being the theme song to the Yorkshire TV/ITV series Follyfoot, which was about a rest home for horses, It had challenging things to say about the treatment of horses in British society that was far ahead of it's time. The show had a two year run on British TV and ran there as repeats until well into the late '80s.

Here's the UK TV opener for Follyfoot:

The Settlers never had another hit single. Which was odd. I always thought they kind of sounded like The Seekers and I guess I'm wasn't alone when I looked them up on Wikipedia, http://en.wikipedia.org/wiki/The_Settlers_(band)

"The Settlers have generally been referred to as a folk group. However, like the Seekers, the successful Australian group with which they shared marked similarities, some of their material gravitated towards mainstream pop, which, taking its cue from American singer-songwriters Bob Dylan and Joan Baez and such groups as Peter, Paul and Mary and The Byrds, readily absorbed folk influences in various ways in the mid 1960s......"

Bad Saturday Morning Cartoons Of The '70s

The Brady Kids Meet Wonder Woman

I can just imagine this. Several ABC-TV programming honchos are sitting at a large table in a conference room, snorting a mountain of cocaine while trying to come up with new Saturday morning cartoon ideas.

Suddenly one of them jumps up and says "I'VE GOT IT! Why not make a cartoon with the kids from The Brady Bunch....and Wonder Woman!"

Part One

Part Two

Part Three

The Osmonds

The Osmonds were at their commercial peak in 1972. So Rankin-Bass, following the EXACT same formula of their successful Jackson 5ive cartoon, decided to recycle that into this show. And I do mean RECYCLE......

John Travolta's Album

John Travolta's eponymous debut album (1976) was one of MANY albums by popular Hollywood TV stars of the '60s, '70s and '80s. Released on Midland International (Silver Convention, Thor), the album was released at the peak of Travolta's TV success as Vinnie Barbarino on the TV sitcom Welcome Back Kotter.

This album didn't generate the same success as his TV show. But it did sell respectably well. and generated a Top 10 single "Let Her In".

But his career would skyrocket a year later.......and the rest would be history......

"I Love Rock N' Roll" Arrows (1975)

BEFORE Joan Jett made it a rock n' roll national anthem in 1982 (and kept the songwriters set for life in sheer royalties), here's the 1975 ORIGINAL by the UK band Arrows.....

Happy #@&!$% Valentine's Day: Songs For The Dumped

Valentine's Day.....Is there ANY day more REVOLTING?

Of course not. At least the fact you just got dumped isn't rubbed into your face by every Madison Avenue commercial jingle on Halloween.

For every happy couple you see today, there are couples who were missed by Cupid's arrow.

These songs are for them.......

20. "F--k It (I Don't Want You Back)" Eamon
19. "Kiss This" Joanna Dean
18. "Gives You Hell" The All American Rejects
17. "You Oughta Know" Alanis Morrisette
16. "Love Stinks" J. Geils Band
15. "Before He Cheats" Carrie Underwood
14. "I Hate Everything About You" Ugly Kid Joe
13. "Coney Island Whitefish" Joan Jett
12. "Ain't No Pleasing You" Chas & Dave
11. "My Give A Damn's Busted" Jo Dee Messina
10. "I Hate Everything About You" Three Days Grace
9. "Love Will Tear Us Apart" Joy Division
8. "You're Breaking My Heart" Harry Nilsson
7. "Song For The Dumped" Ben Folds Five
6. "She's Got The Ring (I Got The Finger)" George Strait
5. "Nag" Joan Jett
4. "They'll Need A Crane" They Might Be Giants
3. "Leave You Behind" Sleater-Kinney
2. "Good Riddance (Time Of Your Life)" Green Day
1. "The Salt In My Tears" Martin Briley

"Emma Peel" The Allies (1982)

Back in 1982, there was a Seattle rock group called The Allies. They weren't a grunge band by any means, as you can see here, but they were a kickass power pop band that seemed to have a lot of potential.

This song, "Emma Peel" (about the heroine spy in the British TV series The Avengers) became a REALLY popular song locally in the Seattle area, gaining lots of airplay on influential Seattle rock radio station KJET, who's airplay helped get them national exposure.) The video even made it on MTV in it's early years. It's still a catchy tune after all these years



('60s superbabe Diana Rigg as Emma Peel in The Avengers)

Lost '90s Pop Classic: "That's What Love Can Do" Boy Krazy (1991)

Boy Krazy were a girl group, like Bananarama that were also proteges of Stock, Aitken & Waterman, a British pop music production team with a name that sounded more like a law firm.

They produced other hits for Kylie Minogue, Rick Astley, Cathy Dennis, George Michael, Dead Or Alive, Sonia, Samantha Fox and countless others. This song was originally recorded and released in the UK in 1991. A few months before grunge blew up......

What made this record stand out was the time it was finally released in America: 1993. Virtually every other song on the Top 40 chart in 1993 was grunge, alternative rock, hip-hop and R&B.

This song however was a sheer unadulterated and unapologetic throwback to the '80s Brit-pop that Stock, Aitken & Waterman made famous from 1986-1990.

It actually sounded exactly like a song you would have heard on Top 40 radio in 1987. And had the planets aligned then, Boy Krazy would have had at least a platinum album to show for it.

However, it might have been too much too late. While it was a refreshing, ear-candy break from the usually depressing stuff on the American radio in 1993 (4 Non Blondes anyone?), and did score a respectable #18 on the US charts, it didn't last. Boy Krazy did release a follow up single that stiffed at #59, and disbanded a year later......

"Shannon" Henry Gross (1976)

Here's the story......

You're 7 years old and you hear this song for the first time, but you can't figure the lyrics out. You hear it a second and third time and finally your sister buys the 45 because she loves the song. You "borrow" it from her and try to solve what could be a grisly situation. You know it's about Shannon and she's female. And she.....ummm...well,

The chorus goes like this:

Shannon is gone, I hope she's drifting out to sea
She always loved to swim away
Maybe she'll find an island, with a shady tree
Just like the one in our backyard....

Lyrics as creepy as this are usually grounds for a homicide investigation. Did Mr. Gross throw this poor girl overboard off his beachfront property, expecting her to swim to Tahiti or something in shark infested waters? (this song came out at the same time as America was beach nervous because of the movie Jaws....) My 7 year old mind was abuzz with suspicion. And sharks.

As it turned out, "Shannon" was about Brian Wilson's Irish Setter, who had passed away, (hopefully of natural causes.) But singing a song about somebody else's dog is kinda creepy too......

It became a gold single for Henry Gross (and one of the biggest one-hit wonders of the '70s......)

"I've Never Been To Me" Charlene (1976/1982)

Charlene originally released this tune on Motown's Prodigal subsidiary in 1976, but even with anything goes '70s radio (even on the hardcore R&B stations, which were serviced heavily by Motown and where Millie Jackson was NEVER a problem), those radio programmers had a problem with THIS song.

It referenced everything from abortion to prostitution in a sort of girl talk over coffee manner, the kind you would overhear coming from a secluded corner booth in the back of a Denny's. The kind of things that would spell instant career death for not only the person who sang it, but the DJ playing it.

But if there's one thing I know about pop music (and I can point out many, many more examples), it's this: The more conservative the country gets socially, the more outlandishly sexually themed the pop songs become. It's a natural rebellion.

So when a Florida DJ found this song in 1982 (during the first years of the Reagan administration) and played it on the radio, the phone lines went berserk. So Motown re-released it.

Where in spite of radio station boycotts of the tune (especially in the South), the song shot up to #3 on the national radio pop charts in 1982. 

Don’t Think I’ve Forgotten: Cambodia’s Lost Rock-N-Roll

Back in the '60s and early '70s, in a tiny kingdom in Southeast Asia very few Americans had ever known of and rarely even heard the name of up to then, a rock 'n roll revolution was happening.

Cambodia was a pretty Westernized nation at the time and it's capitol, Phnom Penh was surprisingly modern and trendsetting compared to most of Asia during those years. Many rock and roll bands were formed during the Vietnam war, taking rock and roll music that was brought to Cambodia by American soldiers stationed there and blending it with traditional Cambodian music to create probably one of the most unique sub-genres of '60s rock ever heard, one that could have easily held it's own along with the American and British rock that influenced it, even in if it was sung mostly in Cambodian.

But the kingdom became destabilized with the Vietnam war raging at it's border. The Khmer Rouge and it's leader Pol Pot had taken over Cambodia in 1975 and began the most bloody genocide and torture the world had ever seen since Hitler's Germany. Over two million Cambodians, one third of it's ENTIRE population were slaughtered in what became infamously known as The Killing Fields.

Virtually all musicians, artists and intellectuals were sent to work in forced labor camps, many were worked, starved or in the case of many women, also beaten and raped to death. Many people merely in possession of these Cambodian artist's records or tapes were killed or sent to camps to suffer the same fates and the records/tapes were destroyed. Very few original studio master tapes survived. However, a handful of songs have survived on 2nd or 3rd generation cassette tapes and vinyl discs that were smuggled out of Cambodia or hidden, from which came a few compilations released in the '90s, one which I found in 1998 and my own interest in this lost music began.

There is a forthcoming movie that chronicles this lost era just before the Khmer Rouge takeover of Cambodia called Don't Think I've Forgotten: Cambodia's Lost Rock & Roll.

Here is the trailer for it:

 
Here's one of the biggest Cambodian rock hits.  "I'm 16" Ros Sereysothea

The movie has been in production for nearly seven years, but it is due in 2013. Check it out....It's an eye opener into rock n' roll's most tragic mystery....

Website: http://www.dtifcambodia.com

UPDATE: 1/11/14  - Don't Think I've Forgotten premiered in Phnom Penh. It's US release is still unknown. But here's a recent article about the film and some of the artists:

http://www.phnompenhpost.com/7days/long-awaited-film-tells-tale-cambodia%E2%80%99s-musical-%E2%80%98golden-age%E2%80%99 

UPDATE: 3/8/15 - The movie is currently being screened at selected film festivals across America. It's unclear if there will ever be a Netflix showing or Blu-Ray or DVD release of the film.

Election Day Hits: "Election Day" Arcadia (1985)

Another Election Day Hit!

Election Day Hits: "The Politics Of Dancing" Re-Flex (1983)

Well, with Halloween over and Election Day coming up, it's time to dig through the archives for songs about politics And there's NO shortage of those either.....

I'll start with the ULTIMATE song about politics, a 1983 dance pop classic from a UK band called Re-Flex. This was their only US hit.......

Halloween Hits: "The Ghost In You" The Psychedelic Furs (1984)

                                         





                                                                          

Lena Zavaroni

I'm no fan of child recording stars in any way. I just can't handle the high, shrill frequencies that leave me screaming for a Fiona Apple tune. But this record bears a special horror to me, as my mom once owned a copy of this album.

If you're not familiar with the name Lena Zavaroni, you probably weren't around in 1974. Because for most of that year, this Scottish girl was "The Next Big Thing", appearing on American variety shows and telethons and scoring a debut album at the tender age of 10 with Ma! He's Making Eyes At Me.

But beyond who this girl who seemed to come out of nowhere was, it was the impact it had on an American R&B institution.

This album was most shockingly released in America in 1974 on Stax Records, the once mighty home of powerhouse soul like Otis Redding, Booker T. & The MGs, Wilson Pickett, Sam & Dave, Rufus Thomas, Issac Hayes, etc, etc, etc.

But by this time, all of Stax's biggest artists from the '60s had been stolen by Stax's former distributor, Atlantic Records by 1968 and Stax was left with only a handful of lesser soul acts on the label. Even the original master tapes of Stax's most successful '60s hits were taken. The label virtually had to start all over again from the beginning.


How do you recreate such a massive institution Stax was?

After 1968, Stax had floundered so badly in a lopsided distribution agreement with CBS Records that in a Faustian deal (it's the only way I can describe it) Stax quickly signed this girl for American distribution (I'm not sure whether it was Stax themselves that signed her as a last ditch attempt to bring their sorry financial house back in order or CBS that forced them into it in the hopes of killing off a potential rival to CBS's own home roster of R&B acts - the story varies.) But thanks to the crappy CBS distribution deal, the only way they could promote this album was through a massive TV campaign of commercials for the album (which my mom succumbed to), and other TV appearances because most record stores had trouble even getting Stax's regular R&B output.

Stax was also considered the bratty stepchild within the CBS household and with the exception of a few token spins of her only charting single (the album's title track) American radio simply would not play her songs. (10 year olds singing songs that only grandmothers liked has a way of doing that.)

And even more embarrassing for Stax, which was once one of the biggest and most respected R&B record labels in America were some of the blackface Al Jolson songs this little 10 year old white girl sang on this album, including "Mammy" and "Rock-A-Bye Your Baby (With A Dixie Melody)"

The gambit failed - HORRIBLY. Stax suffered a massive backlash from it's loyal base of hardcore R&B fans over this album and Stax went bankrupt in 1975. It's name and remaining assets were picked up by Fantasy Records and aside a few releases every so often, was mostly dormant until the 2000s.

But she disappeared as quickly as she came in America.

She maintained a small cult following in Europe (where she became more or less the Connie Francis of the '80s, still singing pop standards at a time when most young women her age were singing far more edgier rock material.) While considered a throwback in the '80s, she would probably seem very mainstream today.

She had a variety show in the UK (where the variety TV show format survived well into the '80s.)

However, she suffered from anorexia. Her weight dropped to a deadly 70 lbs. On top of struggling to maintain a fading career. At the end of her life, she was living on UK government benefits. She also suffered from chronic depression, at one point begging for doctors to operate on her brain so she wouldn't have to suffer anymore (This was before the days of newer medications and treatment programs.) 

The eternal tragedy of the former child star. Perhaps the most Faustian deal there is.

She died in October 1999 at 35.

Halloween Hits: "A Nightmare On My Street" DJ Jazzy Jeff & The Fresh Prince (1988)

Halloween Hits: "The Gila Monster" Joe Johnson (1959)

Watch/Download the movie here.

Halloween Hits: "Godzilla" Blue Oyster Cult (1977)

Halloween Hits: "The Ghost Of Tom Joad"

"The Ghost Of Tom Joad" Bruce Springsteen (1996)

"The Ghost Of Tom Joad" Rage Against The Machine (1997)