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Showing posts with label Heavy Metal. Show all posts
Showing posts with label Heavy Metal. Show all posts

Thursday, January 30, 2014

Before They Were Stars: Alice In Chains


Before Alice In Chains became one of the four cornerstone bands (along with Soundgarden, Pearl Jam and Nirvana) of Seattle grunge rock of the '90s, they were another up and coming local hair metal band.

Called Alice 'N Chains and released in 1987, this demo has everything. Samples, a horn section (you heard me), and the dopiest lyrics this side of Winger. No deep grungy depressiveness here and Layne Staley hadn't quite developed the voice he would be famous for. Enjoy.   

Tuesday, October 15, 2013

"An Angel Is Missing" Ronnie (James) Dio (1958)

(Somehow, the logo typeface, the label and it's typeface scream a custom pressing by Capitol for Seneca....just an educated record collector observation. If not, then it's one of the best damn imitations I've ever seen.)
You aren't a TRUE Dio fan if you don't know this one. And yes, it's from 1958.


http://www.youtube.com/watch?v=SRSMAx_X8Xg

And yes it's this Dio.



Halloween Hits: "Evil Woman" Crow (1969)/Black Sabbath (1970)


This is the original version of this song by Crow. You might know this song better through Black Sabbath's cover version.

 

Thursday, August 15, 2013

Then And Now: Band Names You Only THOUGHT Were Original

Nirvana

You know them as a famous grunge rock band that put Seattle on the map for a few years as the rock 'n roll capitol of America.



Hold on to your dirty flannel......Because Nirvana was originally the name of a British '60s psychedelic rock group


Skid Row

You know them as a classic American hair-metal band of the late '80s/early '90s



.....so I take it you don't remember the early '70s Irish rock band called Skid Row.


True Fact: In the embryonic days of Nirvana (the Seattle band) in 1985, when they were trying to come up with their band name, one of the suggestions was Skid Row!

Scorpions

You know them as a good efficient German heavy metal band of the '80s.


....but there was a UK pop band called The Scorpions in the early1960s......




The Eagles

Best known as an American rock band......

http://www.youtube.com/watch?v=BjIJGxULpgo

The Eagles were originally the name of a British surf-guitar band in the early 1960's



The Knack (Thanks to raybearokc for reminding me of this one...)

You know them as the biggest power pop band of 1979.....


.....but in the 1960s, there was a band called The Knack (ironically signed to Capitol Records, the same label as the 1979 Knack!)


Coincidence?

Monday, July 15, 2013

Z-Rock Radio









Remember these guys?

Z-Rock was a national hard rock radio network from the late '80s to December 1996. Z-Rock was very popular with the headbanger metal crowd. They were heard over some FM stations, but most of Z-Rock's affiliates were third tier local AM stations that didn't find much success in any other format.

Z-Rock's days were numbered once the Seattle Grunge Revolution hit nationwide in 1992 and music tastes started changing towards alternative rock. In October 1993, the network further exacerbated their demise by pulling the plug on their AM affiliates and going FM only. As the network dwindled, so did their remaining affiliates until Z-Rock was taken off the air by their parent company, SMN Networks. However, the remaining local affiliates were allowed to retain the Z-Rock logo and imaging for their stations.....

Sunday, April 14, 2013

NWPUNKROCK: 30 Plus Years Of Punk In The Northwest (2007)


If you've always wondered where all that crazy grunge stuff in Seattle got it's start, look no further. This 2 hour documentary takes you back from the '70s all the way up to 2007 and looks at every aspect of the whole punk scene of the last 30 years from every location in the Puget Sound from Vancouver, BC to Olympia. A MUST watch for every fan of indie/DIY/punk/hardcore!

Download/Watch here

http://archive.org/details/NWPUNKROCK-30-plus-years-of-punk-in-the-Northwest 

Saturday, April 06, 2013

Exposed: A Cheap Peek At Today's Provocative New Rock (CBS, 1981)




Back in 1981, CBS Records released a 2 LP compilation of what was then some pretty cutting edge music called "Exposed: A Cheap Peek At Today's Provocative New Rock". It featured a few hits from Loverboy, Judas Priest and Adam & The Ants, but mostly selected album cuts from newer artists back then to the CBS house labels (Columbia, Epic and Portrait) as well as labels which CBS distributed (Nemporor, Stiff and Cleveland International.)

It sold on the counter of your favourite record store for a super cheap list price ($2.98, at a time when many rock acts were making double concept albums with more filler than you can shake a meatloaf recipe at for $15.98.)

It was what they called a "loss-leader", meaning if you liked what you heard on this sampler, you COULD be inclined to buy the full length albums from the artists you liked. But this 2 LP set was a nice way to come home from a fun day at the record shop with a little something extra in the bag to round out an evening of stereo fun.

Another act prominently featured on the set was Ellen Foley. Her name may not instantly ring any particular bells. But if you've ever wondered who that chick was who sang with Meatloaf on his hit "Paradise By The Dashboard Light"....


"STOP RIGHT THERE!".....That was Ellen Foley. But that's NOT Ellen Foley you see in the video. That's Karla DeVito lip-synching Ellen Foley's vocals......

You may also know Ellen Foley as Billie Young from the '80s TV sitcom Night Court. But in the early '80s, she took a stab at a solo music career, recording two albums. One of them, The Spirit Of St. Louis was recorded with The Clash as her backing band. She was going out with Mick Jones at the time, a relationship that didn't work out - he wrote "Should I Stay Or Should I Go" about her.

There are other lost power pop/new wave gems here (The Sorrows, Garland Jefferys), some early country/rock crossovers (Rosanne Cash, Steve Forbert) and others completely lost to time and memory.

It was also popular enough to spawn a sequel album later that year....




Thursday, October 18, 2012

Classic Ghetto Blasters of The '80s


The Queen Mother of ALL Ghetto Blasters, the Lasonic TRC-931 was a wall - literally. WITH all 10 "D" size batteries it required, it weighed a good 30 pounds. It had a dual cassette deck and not just any dual cassette deck. This thing was so badass, the Play deck was side-loading (like in a car stereo), just to make room for the massive 12" inch woofers. The radio had not one, but TWO telescopic antennas, AM/FM and two Shortwave bands. A full 5 band graphic equalizer, auxiliary inputs (earliest models included a PHONO input for your turntable!) stereo enhancement and pumped out a generous 50 watts per channel. And where where you most likely to buy one? Try WOOLWORTH! 
No photo does justice to this one - this one is, to this day the BIGGEST ghetto blaster ever made. It sported an AM/FM/Shortwave radio, which was a strange feature on many portable stereos in the '80s.

No American teenager actively listened to shortwave radio back then - in spite of stations like the English transmissions of Radio Moscow (which broadcasted Western rock music that would get any Soviet teenager sent straight to the gulags if they were ever caught listening to it. With a healthy dose of anti-American propaganda in spite of the fact many of the Western rock acts they did play were AMERICAN.)

Secondly, the low-fi, wildly fluctuating unevenness and irregularity of the shortwave radio signal made music listening on it an endurance test. My guess was the manufacturers were thinking of some phantom jet-set people who wanted to take a radio with them that could allow them to pick up The Voice Of America or the BBC World Service should they wind up in say, Nairobi. But the size of this ghetto blaster (the actual size of a suitcase), to say nothing of the weight (30 lbs. - with the 10 - yes, I said 10 - "D" cell batteries required to feed this thing off of the AC power grid) and weight (did I mention the $200 - about $400 in 2012 dollars) price tag?) guaranteed this radio was STAYING in America.

It had a dual cassette (one deck was a player that you inserted a cassette into it like a car stereo) while the other was a typical ghetto blaster player/recorder for dubbing your Iron Maiden tapes (for your friends in Nairobi) both with auto-reverse, a 5 band graphic equalizer, a Loudness button (for extra punchy bass) through the 12" speakers and countless other buttons as well as a light show in itself just to make this work.

Lasonic went ass over tea kettle (whatever that means) on this product. But even though Lasonic (who?) weren't a very well known electronics name like Sony, Panasonic or Aiwa, this radio became so influential on the TRUE ghetto blaster folks (early rap stars), that Lasonic reissued the TRC-931 in 2007, with iPod connections replacing the often faulty dual cassette system. I really think, why not just BUILD an MP3 player/recorder into it, using thumb/flash drives (the cassettes of today?)

Portable stereos in the early '80s were HUGE things only for the most headstrong music fan when a simple Walkman won't do.

I once knew a kid named Glenn who owned one of these General Electric babies. When he blasted his Judas Priest tapes out of this thing, every moose in Canada could hear it. The FM and AM reception was STUNNING. I ALWAYS wanted one.... 
But by the mid '80s, they started getting smaller...and smaller.

I'm not sure if it was the lawyers were getting on them for the hernia problems these huge radio/tape decks were potentially causing for kids at school (I mean with 30 lbs. of boombox and cassette tapes on one arm and another 30 lbs. of Trapper Keeper and books on the other.). But the rockin' out sure took a hit.

Then it really got colourful:

The Sharp QT-50
 Then these things started showing up. The Sharp QT-50 from 1985. A sort of retro-trip in pastel colours (pink, lavender, peach, seafoam green, banana yellow, powder puff blue and even beige) that even the girliest of girls and gayest of guys get nervous at today just looking at this thing. But 1985 was also the year of guys wearing pink polo shirts and Miami Vice.

There were 8-track capable sets


This was Montgomery Ward's 1983 offering. Montgomery Ward, Radio Shack and the RCA Music Service were the final outposts for the hardened 8-track tape lover in the '80s as Montgomery Ward still made players by the end of 1984, Radio Shack still sold blank 8-tracks, tape head cleaners and cases and the RCA Music Service still made and offered a slowly decreasing, selection of new 8-track tapes well into 1988.

...and those with TVs



Some even had turntables (for warping and scratching your records while playing volleyball on the beach.)




Sadly...by 1990, the portable stereo had become, seen-one, you seen 'em, all black things in weird shapes with CD players. They brought the colours back too more recently, but I still wish they made them like those BIG powerhouses from back in the day....

Saturday, October 06, 2012

Halloween Hits: "Boris The Spider" The Who (1967)



From their 1967 album A Quick One, this song influenced countless death metal bands with Juhn Entwhisle's growl of the song's title in the chorus.

A Quick One was released in the US as Happy Jack.



Halloween Hits: "Return Of The Spiders" Alice Cooper (1970)


From his second album Easy Action, "Return Of The Spiders" is some pretty nice early speed metal......

Near mint copies of the rare original Straight label copies of this can fetch over $100

Near mint copies of the  SUPER rare original Bizarre/Reprise label copies of this can fetch over $1,000. 




Friday, October 05, 2012

Halloween Hits: "D.O.A" Bloodrock (1970)




This is another super creepy song and a heavy metal classic. Single handedly inspiring countless classics such as "Detroit Rock City" Kiss and "One" Metallica. With a lead singer whose voice and style of singing was an irrefutable template for Ronnie James Dio's '80s career.

"D.O.A." is a song written from the perspective of someone dying in a horrific plane crash, inspired by an actual event the band's guitarist witnessed when he was 17. "D.O.A." was Bloodrock's biggest hit (and the song was released as a heavily edited - and sucky - single version) So here it is in it's full 8:25 album length glory. This is from their album Bloodrock 2.

Bloodrock broke up in 1975. 

Tuesday, October 02, 2012

Halloween Hits: "Halloween" King Diamond (1986)


King Diamond was the Marilyn Manson of the '80s. A self proclaimed Satan worshipper and frontman of the occult-metal band Mercyful Fate who went solo with a new band in 1986. He plays with both bands today.

If not exactly the most ORIGINAL guy on earth......

Pete Wentz? OK, yeah, he came later.....But see what Satanic music does to you, kids?
King Diamond and Mercyful Fate were popular with hardcore metal fans, but had virtually no commercial rock radio airplay (that darned devil warshipping thang put most major rock radio station managers teeth on edge.) It also didn't help their label, Roadrunner Records (now home to Nickelback.) was still a struggling Dutch independent until the '90s.

This is off King Diamond's first full album, Fatal Portrait. 








Friday, September 28, 2012

Lost '80s Pop Classic Week: "All Is Forgiven" (Red) Siren (1989)


For today's BONUS lost classic, we feature a band that no one knew what to make of when they came out. Were they metal? Were they pop? The music was metal looks and guitars, but Madonna-like vocals, lyrics and hooks. Mercury Records thought they had a blockbuster.

The band is Siren. And I still remember the early promo hype Mercury Records made over this 1989 album. First, it was supposedly the very first major label studio album that wasn't mastered on tape, but totally to digital hard drive - something that would be eventually be standard in the recording industry.

As for Siren, things didn't go so good. First, they were forced to legally change their name to Red Siren (reportedly after another band named Siren threatened to sue.) The first pressings of their All Is Forgiven LP/CD (under the name Siren) quickly became collector's items.

After a second single "One Good Lover" stalled in the lower reaches of the rock charts, they disbanded. Red Siren's bassist Jon Brandt went on to play in Cheap Trick briefly, but not much is known of the other members of the band.

That's how it goes in rock n' roll sometimes. So enjoy this little chestnut.....

Lost '80s Pop Classic Week: "Hanging On A Heart Attack" Device (1986)

AWESOME lost one hit wonder....and some of the biggest '80s hair of any non-glam metal band you'll ever see!!

Device was a band formed by Holly Knight. She was the writer of some of the biggest hit songs of the '80s, including "Love Is A Battlefield" (Pat Benatar), "Better Be Good To Me" (Tina Turner) and "Obsession" (Animotion). Plus many others too numerous to count.....

This was Device's only hit.