History's Dumpster = GLORIOUS trash! Kitsch, music, fashion, food, history, ephemera, and other memorable and forgotten, famous and infamous pop culture junk and oddities of yesterday and today. Saved from the landfill of time...
This CD was from the Mount Vernon City Library (WA) and particularly strange because these recordings aren't even from Lionel Richie at all. The singer(s) don't even sound close to Lionel Richie. Or Diana Ross on "Endless Love".
It was released in 1993 not on Motown (Lionel Richie's home label during his '80s hit making streak), but on something called Starnice. That was the first warning sign, along with the crummy, non-descript packaging.
A Googling of Starnice reveals it to be a Hong Kong based label with other titles of presumably similar knock-off material of other acts. Regardless, the CD is a fake and not worth anyone's money unless you like really bad anonymous karaoke covers better than original hit recordings (which I'm presuming most of you don't.)
I'm also sure this wasn't intended for sale in the U.S. where recordings like this are illegal to sell unless they are marked as not the original performer on the packaging. This is how these recordings otherwise get sold in America, as worthless anonymous "tribute" albums. I can't believe there's an entire bastard subset of the music industry dedicated to this crap (I once broke off a budding relationship with someone over the fact that she bought a Glee CD - no joke.) But this disc is a flat out fraud. It promises Lionel Richie, but gives you not one, but two and possibly three, maybe even four schmucks with detectable Chinese accents.
This disc starts out with an anemic cover of "Say You Say Me", bungled up lyrics in "Hello" ("I've been alone with you inside my head".) It's just droning electronic keyboards and lame attempts at sounding like Lionel Richie.
And since it is a cheap, chintzy knockoff, I've included it for your masochistic pleasure. But most of you probably would rather have a tax audit instead of hearing this garbage.
Ahhh....Another peaceful Sunday morning. Time to put on some nice, relaxing easy going music. Right?
Well I'm having none of it. It's time to crank it up full blast and wake up the neighbours with some truly awesome music. The stuff you just won't hear on the radio. Anywhere.
Outsider musicians are those folks who simply make music
the only way they know how. With very little to no musical training
whatsoever. The conventional requisites of stardom are simply unheard of among
outsider musicians.
This is not American Idol. There is no competition. Or critiquing. Or even practicing and rehearsals. What you hear is what you get.
They simply don't care about commercial success. Or
any musical conventionality even amateur musicians adhere strictly to. They make their
music on their own whims and for the sheer sake of their own personal enjoyment. Even if the only one enjoying it
is themselves, they wouldn't care.
It also differs from vanity acts. Vanity acts actively look for a commercial breakthrough and exposure to the masses. Most outsider acts would never be heard at all were it not for certain friends and associates encouraging them to take a leap of faith and record their material.
Sometimes a major label finds them, but that's usually a by-product of local press buzz or through chance contacts. The labels never seek outsider musicians and outsider musicians never seek the labels. If planets align, they align. But that's very rare if they do. The major labels want something that delivers a massive return on whatever investment they make. And that's something no outsider act has ever really done.
Outsider music isn't even a conscientious rebellion against mainstream rock and pop's status quo, which usually drives most hardcore independent lo-fi punk bands. They truly believe in what they are doing in spite of what anyone thinks. They simply let their dim lights shine.
But what may sound like tone-deaf psychiatric patients (some, but not all outsider musicians suffer from some sort of severe mental illness) to
the rest of us is technically a sub-sub genre of Alternative rock. It's not even a "new" thing ("Wild Man" Fischer, whom Frank Zappa discovered in the late 1960s, is a pioneer. So is David Peel, whom John Lennon discovered and released a few albums of his on the Beatles' Apple label in the early '70s, The Shaggs and to some extent, even Charles Manson.)
Today, we're going head first into the most obscure of obscure music genres. But like most of my posts here, I don't disclose everything. I like to leave some of it out for you, the reader, to explore on your own. I just merely set up the launch pad for your own journey (it might be one-way.) So this is not a complete list. Not by far. But it's enough to give a basic
insight into this strange genre. Google "Outsider music", if you're
really curious.
Bingo Gazingo
Sweet dreams, ladies.....
Bingo Gazingo (Murray Wachs, 1924-2010) was an elderly New York City outsider musician and poet with perhaps more punk rock authenticity than any band that ever played at CBGB's. And I mean all of them. He was, perhaps literally, the grandfather of punk.
With song titles like "Oh Madonna, You Stole My Pants", "Up Your Jurassic Park" and "I Love You So Fucking Much, I Can't Shit", you pretty much get the idea this was no ordinary retired postal worker from Queens.
He released an album through WFMU Radio in 1996 and this song, "You're Out of The Computer" was a collaboration with techno artist My Robot Friend (Howard Rigberg) from My Robot Friend's 2004 CD Hot Action! It also appears on the Songs in The Key of Z compilation of outsider music.
Tragically, Bingo Gazingo was struck down by a cab on his way to a performance at the Bowery Poetry Club where he appeared weekly every Monday night in November of 2009. He died of his injuries on New Year's Day, 2010. He was 85.
Wesley Willis
Wesley Willis (1963-2003) could be the most famousof outsider musicians, even garnering some airplay on mainstream alternative rock radio in the 1990s.
His story began as one of ten children born in a dysfunctional family (having so many siblings can throw even the most stable family off - think the Duggars) in the housing projects of Chicago. He spent most of his life going from foster home to foster home with two older brothers as their parents had a violent relationship and split up when Wesley was a child.
In spite of this horrific background, Wesley seemed to be a bright and fairly normal young man. However on October 21, 1989 (there are people who remember this specific date), he began to hear voices in his head, which he called "demons" and was diagnosed with paranoid schizophrenia.
About this time, he also began making music. Mostly as an outlet to escape the turmoil inside his head. He also made artwork and was discovered by members of Chicago's alternative rock scene, who encouraged his musical pursuits. This led to a collaboration called The Wesley Willis Fiasco and he actually became a sensation in the Chicago alternative underground, gaining attention from major label American Recordings, which was distributed by Warner Bros.
His favourite greeting wasn't a handshake or a hug. It was a headbutt to the forehead. I am not making that up. This left a permanent bruise on his forehead.
His music was crude, rambling and often profane. One unique characteristic of Wesley Willis is no matter what song he's performing, they all sound identical to each other. They mostly are songs about things that he had personally identified with in his life. Such as his local McDonald's, bands and stars such as Pink Floyd, Foo Fighters, Kurt Cobain and whatever else figured.
Here's a sample of what that sounded like
He eventually recorded 50 albums from 1994 until his untimely death in 2003 from leukemia. He was 40.
Daniel Johnston
Daniel Johnston, like Wesley Willis, also suffers from schizophrenia and like Willis, also uses music as a way to cope with it. Johnston is also a visual artist as well. However Johnston is different in the sense that his music is more introspective and melodic than either Wesley Willis or Bingo Gazingo. He's been called a "fractured genius" and "the indie Brian Wilson". He quite possibly could have achieved mainstream stardom and in fact, he came quite close to it.
Daniel Johnston began recording music as a teenager on a boombox at home in the late '70s. By the early '80s, he was self releasing his own material. He moved to Austin and appeared on MTV in 1985, which gained him further exposure. He went on to make more recordings, including collaborations with Sonic Youth, Half Japanese and other indie acts, who became fans of his.
But his schizophrenia was also worsening. In 1990, on the way to West Virginia on a small, private two-seater plane piloted by his father Bill, Johnston had a manic psychotic episode believing he was Casper the Friendly Ghost
and removed the key from the plane's ignition and threw it out of the
plane. His father, a former Air Force pilot, managed to successfully
crash-land the plane, even though "there was nothing down there but
trees". Although the plane was destroyed, Johnston and his father
emerged with only minor injuries. As a result of this episode, Johnston
was involuntarily committed to a mental hospital.
In the early '90s, Kurt Cobain was often seen wearing a t-shirt with the cover image of Johnston's 1983 album Hi, How Are You? on it.
Which lead to even more interest in Daniel Johnston. Even while involuntarily committed at the mental hospital, Warner Music label Elektra Records was interested in signing him, but he refused the deal as Elektra then was also the label home of Metallica, whom Johnston thought worshipped Satan.
Eventually he signed with Warner co-owned Atlantic Records, which released his only major label LP Fun in 1995. The album flopped commercially and Atlantic ended his contract in 1996.
In 2005, a full length documentary DVD on Daniel Johnston's life The Devil and Daniel Johnston was released.
Johnston is still active in music.
Jandek
To say Jandek is merely an outsider musician just doesn't quite cut it. In fact, he's been described as "The Rock N' Roll J.D. Salinger". Because he's perhaps the most reclusive of all the outsider musicians.
Yet he has released over 70 albums on the mail order Corwood Industries label. A label that while Jandek maintains a certain distance from professionally, has only issued Jandek material. And he has a surprisingly loyal and solid worldwide fan base. With almost no radio airplay or any promotion of any kind.
Most Jandek albums feature a young man on the covers in random photo shots and when you lay them out, you realize they are the same person - Jandek himself? Possibly.
But nothing has been directly confirmed by Jandek - he's only done a few interviews. But in rare recent pictures of Jandek, you do see a very strong, even uncanny resemblance.
Jandek's actual name has never been confirmed directly either, but he's believed to be Sterling Smith and he was born in 1945. Other than that, very little else is known about him. And that's how he likes it.
His music is a sort of psychedelic country-blues. But even that description isn't quite accurate. Jandek is a genre all to himself.
Jandek is an enigma even by outsider music standards. And that's saying something. In 2003, he released Jandek on Corwood, a documentary DVD that doesn't answer even the most basic questions of his life his fans always wanted to know. But then again, that mystique is still a part of his attraction.
He's still active, releasing an album or two a year and occasionally touring.
Video disc players of some kind have been around as far back as 1898.
The Spiral Motion Picture Camera (1898)
The Spirograph (1907) Similar to The Spiral (above)
The Phono-Vision (1964) used video recorded on vinyl LPs, a technology that would come into commercial use as the Selectavision CED player (below)
MCA DiscoVision - The unfortunately named, very first practical consumer video disc was invented by the Pioneer Corporation of Japan and first licensed and marketed by American record conglomerate MCA Records, the owners of Universal Studios (MCA Records is known today as Universal Music Group) beginning in 1978. It was the very first laser based consumer medium, predating the CD by four years. These discs were two sided and the video quality was not much better than the best video tapes of that time.
They were also ridiculously expensive. In spite of stereo sound (on some discs) and their cool look, there was no way it could compete with the video tape. Video tapes could be home recorded. Video discs could not.
And then there was that name.
You couldn't sell something with "disco" anything in it in America in the early '80s without creating PTSD flashbacks of mirrored balls, white three piece suits and Bee Gees music. We were a nation still in recovery then and sales began to seriously tank.
They tried renaming it the Video LP (VLP), even CD Video before MCA finally gave up on the format.
Pioneer renamed it the Laserdisc and enjoyed some modest success in the early 1990s. They were still outrageously expensive. But there were many technical improvements. But the VHS video tape still dominated. The final blow came with the introduction of the DVD in 1996. Which also successfully killed off the VHS tape format by 2004 with the introduction of the recordable DVD-R and later by, YouTube, Netflix and cloud sharing.
RCA Selectavision - Also known as the CED video disc. Introduced in 1982. what made these different was instead of a laser, they used a stylus, similar to a vinyl LP record. Which is why you inserted the CED disc into the player through it's case and it is removed with the case to play each side.
However, even with the sturdy plastic case, they were not immune to the same problems that plagued vinyl LPs. Including dust (from inside the machine) minor scratches and if you had a smart toddler, they can physically remove the disc from the case by pressing the tabs on the upper corners of the case. And out falls the actual disc. (I knew one guy who had his entire CED disc collection ruined by his girlfriend's mischievous four year old son one horrifying Saturday morning.) The stylus like any vinyl format also had to be changed. By a professional. Often. Or else, the discs would wear out and skip like any other record. And they were not pleasant to look at.
They were discontinued in 1986.
CD-ROM - Most CD's are pretty much CD-ROMs. Meaning they could only be read and not re-recorded. With the CD-RW, they could. However in the mid '90s, computer software and video games was only available on CD-ROMs including your operating system. So all computers of that time had them. And some low quality music videos began appearing on standard music CDs, meaning you could play this disc in your CD-ROM equipped home computer and watch the video on your monitor. There were also instructional videos on CD-ROM. Remember these commercials?
"Try my product?......"
DVD - The DVD format went on sale in Japan on November 1, 1996, in the United States
on March 1, 1997, in Europe on October 1, 1998 and in Australia on
February 1, 1999. The DVD became the dominant form of home video
distribution in Japan when it first went on sale in 1996, but did not
become the dominant form of home video distribution in the United States
until June 15, 2003, when weekly DVD rentals
began outnumbering weekly VHS cassette rentals. The very first movie ever released on DVD was Twister (1996) The DVD could store 4.7 GB of data per disc.
Blu-Ray - is a format designed to supersede the DVD format, in that it is capable of storing high-definition video resolution (1080p). The Blu-Ray disc could store 25 GB of data.
HD-DVD - HD-DVD was a format designed to compete with the Blu-Ray. But the format failed to get a foothold.
On August 13th, Disney announced it would be ending it's Radio Disney network on nearly all of it's mostly AM radio stations and selling the stations to concentrate on the network's digital platforms, such as online and satellite.
The stations affected are:
98.3 WRDZ-FM Plainfield/Indianapolis (their only FM station.)
590 WDWD Atlanta
620 KMKI Plano/Dallas
640 WWJZ Mount Holly
NJ/Philadelphia
910 WFDF Farmington Hills/Detroit
990 WMYM Miami
990
WDYZ Orlando
1250 KKDZ Seattle (See below for more info on KKDZ)
1250 WDDZ Pittsburgh
1260 WWMK
Cleveland
1260 WSDZ Belleville IL/St. Louis
1260 WMKI Boston
1300
WRDZ La Grange/Chicago
1310 KMKY San Francisco
1380 WWMI St.
Petersburg
1440 KDIZ Golden Valley/Minneapolis
1470 KIID Sacramento
1480 WGFY Charlotte
1560 WQEW New York
1580 KMIK Tempe/Phoenix
1590
KMIC Houston
1640 KDZR Lake Oswego/Portland
1690 KDDZ Arvada/Denver
The stations will leave the air until they are sold. It's currently unknown if there will be a single buyer of all or if stations will be sold one by one. But one thing is guaranteed; the formats will change.
Radio Disney however is keeping it's flagship station, 1110 KDIS Los Angeles, but the rest are to be sold.
This brings to an end to the longest running AM children's radio network chain. Radio Disney was one of many networks started in the 1980s, '90s and 2000s to rescue failing 2nd tier, mostly AM radio stations with unique programming unavailable on most FM radio stations (such as hard rock, LGBT programming, personal motivation, progressive talk, business talk and others.) In Disney's case, programming for pre-teens.
However, they weren't the first network to cater to children. There were earlier networks, such as Radio AAHS (pronounced "Radio Oz", founded in 1990 and based at 1280 WWTC Minneapolis - now a conservative talk station.) Radio AAHS also offered a monthly magazine with a CD or cassette tape.
Radio AAHS entered into a early deal with Disney which quickly turned
sour, as Disney was quietly preparing it's own radio network
(unbeknownst to Radio AAHS.) It's been said the only reason Disney entered into the deal was to learn all they could about Radio AAHS's successful children's radio programming model. And then use it to their advantage and shutting out it's benefactor.
Seattle based KidStar was an aspiring competitor to Radio AAHS. Founded in 1993 and based at 1250 KKDZ Seattle, KidStar offered similar programming to Radio AAHS, but KidStar was a bit edgier, offering more rock based music selections than the mostly kiddie-tune Radio AAHS. There were plans to expand into a full network, like Radio AAHS, but they were quickly dashed as Disney began flexing it's muscles with Radio AAHS.
Both the Radio AAHS network and KidStar relied on advertising from giants of kid marketing, such as Disney, Warner Bros., Mattel and General Mills. However as Disney became more powerful in the children's radio format at an alarming rate, these accounts quickly dried up by the time Radio Disney was launched in 1996 and there was no way tiny KidStar could compete with the Disney empire. KidStar had no other option than to sell it's one and only station, KKDZ Seattle to Radio Disney in 1997.
Radio Disney is scheduled to end programming on their affiliate stations around September 26th.
(UPDATE: Radio Disney will continue to operate on all it's current stations until each are sold. - L.W.)
98.3 WRDZ-FM Plainfield/Indianapolis
590 WDWD Atlanta
620 KMKI Plano/Dallas
640 WWJZ Mount Holly NJ/Philadelphia
910 WFDF Farmington Hills/Detroit
990 WMYM Miami
990 WDYZ Orlando
1250 KKDZ Seattle
1250 WDDZ Pittsburgh
1260 WWMK Cleveland
1260 WSDZ Belleville IL/St. Louis
1260 WMKI Boston
1300 WRDZ La Grange/Chicago
1310 KMKY San Francisco
1380 WWMI St. Petersburg
1440 KDIZ Golden Valley/Minneapolis
1470 KIID Sacramento
1480 WGFY Charlotte
1560 WQEW New York
1580 KMIK Tempe/Phoenix
1590 KMIC Houston
1640 KDZR Lake Oswego/Portland
1690 KDDZ Arvada/Denver
I heard a Holiday radio classic early this morning, "Same Old Lang Syne" by the late Dan Fogelberg and it got me thinking....
Very pretty song
for it's time, albeit a few of the lyrics are highly socially incorrect
today.
Met my old lover in the grocery store The snow was falling Christmas Eve I stole behind her in the frozen foods And I touched her on the sleeve....
First, that's a very dangerous way and place to approach women. Standing behind her in the frozen food aisle and touching her on her sleeve is just enough distance for her to turn around and upside you with a family size box of Banquet Salisbury Steak that'll leave a massive bruise on the side of your head well into the new year if she doesn't recognize your face at first.
She went to hug me and she spilled her purse And we laughed until we cried....
Pay attention to the store intercom. If you hear Jessica Simpson's rendition of Jingle Bells being cut off and a grouchy cashier grumbling "Brandon...Clean up on Aisle 4.....Brandon, clean up on Aisle 4....", it's a good idea for both of you to stop laughing and pick up all the stuff she dropped.
We went to have ourselves a drink or two But couldn't find an open bar We bought a six-pack at the liquor store And we drank it in her car....
Maybe this is the only place on Earth where the grocery and liquor stores stay open longer than the bars on Christmas Eve. Butin some states
(In Washington State namely - especially on Christmas and New Year's Eve), the state patrol is
out in full force with extra patrols looking for any mere sign of
impaired driving. With a .08 legal breathalizer limit, one 12oz. can of
Budweiser (if your old lover just drank it very recently) is enough to
do her in.
A six pack could get her up to a year in the slammer. Or at least two years of probation misery and a suspended license.
Any open container
found in her car - even if she's perfectly sober and it's been under
her seat and emptied long ago is enough to get her a healthy fine in WA.
Even if she's parked out of the way and a cop finds her and asks to do a vehicle search (like what's your old lover gonna say to them? No?), she will get her vehicle searched anyway, like it or not. And if they find an empty, she's still gonna get hit with a big fine. And a mandatory field sobriety test.
Which means the only car you
and your old lover will have to drink your beer in is a rusted
out old piece of vehicular homicide on blocks surrounded by weeds in her
backyard. And since the man she married was an architect. Who are not only wealthy, but very finicky about appearances. I don't think he'd be down with that kind of landscaping
anyway. To say nothing of his wife messing around with an old boyfriend like that on Christmas Eve.
How's that for romantic reunions?
So your cheap
choices on where to drink a six pack with your old lover when all the open
bars have been closed on Christmas Eve (usually by 6:00 PM) are limited. This can actually be a blessing in disguise.
Because most
cheap motels here are usually open 24/7. Some motel units offer kitchenettes with refrigerators for your old lover to keep the frozen food she just bought at a safe temperature. And last I checked, you and
your old lover can STILL drink beer in those. At least.
SUPER cheese points if the unit hasn't been redecorated since 1973 and includes a Magic Fingers king size bed.
I once actually plunked $5 in quarters into one of these.
If you don't mind very basic cable TV, the crackheads next door and the potential of a nasty bedbug infestation these days, cheap motels really aren't so bad.
Just pay cash or
make sure your old lover doesn't have a hitched credit card with the
architect husband who kept her warm and safe and dry.
But if she said she saw you at the
record store and that you must be doing well (probably meaning
you weren't trying to fop off your Clay Aiken CDs for the beer money),
that too shouldn't be a problem.
Dan really should
have written an updated Washington State version of this song. Yeah, it
probably would have had at least ten or more extra verses (depending on
the strength of the beer.)
You probably don't recognize the name Stanley Arnold. That's a shame. Because he was the mastermind behind the best selling yearly Christmas music compilation album series in history; The Great Songs Of Christmas
You know it was best selling because your parents, grandparents or great-grandparents probably owned a few copies, if not the entire set. And to this very day, you can't thumb through any vinyl LP bin of your local thrift shop without finding at least one of the 1961-1970 Vol.1-10 run.
"Simply put, Stanley Arnold was an idea man. He originally worked for
the ad agency Young & Rubicam, then struck out on his own. He
didn’t want to start an ad agency, he started an idea agency, coming up
with marketing ideas for companies but letting them (or their ad
agencies) handle the details themselves. One of those ideas was
getting Goodyear to put out an album of Christmas songs. His logic was
simple: “Santa Claus never used a tire, but it occurred to me that
Christmas had two deep connections with Goodyear. First, everyone is
interested in Christmas; second, Goodyear sells many, many tires during
the pre-Christmas season. That would be the million dollar idea for
Goodyear, I decided: an album of Christmas music.” He was adamant that
the album not be one of “cutie” songs like “I Saw Mommy Kissing Santa
Claus” or “Rudolph”, but rather of classic tunes done by quality artists
– a collection worthy to be called “The GREAT Songs of Christmas.”
Arnold
was savvy business-wise, not just in the idea department. He had
Goodyear act as the outlet for the album, but did not require them to
actually invest anything in it; that way, Goodyear couldn’t lose a penny
on the deal even if no one actually bought the record. But he did have
to convince Goodyear to think big: they initially thought 30,000 copies
nationwide would be sufficient for Columbia to make; Arnold was
thinking 3 million. They eventually compromised at 900,000. The
success was proven by a simple act: by December 1, Goodyear ordered its
advertising agency to stop all advertising for the record –because there
weren’t any left! The print order for the 1962 album was 1.5 million,
and almost 2 million for the 1963 album. History repeated itself, and
those albums sold out well before Christmas also." - The Great Songs of Christmas from Goodyear
Beginning in 1961 and well into the '70s, for one dollar and a trip to your Goodyear guy, you could pick up this record and one every year. No need to stick around and kick a tire or two (unless the smell of brand new vulcanized rubber is your thing.) Nothing else to buy.
It was a loss-leader gimmick that worked out so amazingly well, it spawned some imitators (Goodyear rival Firestone had it's own custom line of yearly holiday albums custom made by Columbia's rival RCA Records for "FTP Productions" beginning in 1962.)
The Firestone album series, while a worthy nod had one problem. They initially offered a couple stars across the records and that strategy backfired against Columbia/Goodyear's wider selection. (Firestone's 1966 album was ALL Julie Andrews!)
The Goodyear records also, like K-Tel & Ronco's a decade later, had smaller grooves and selections were edited to fit. (Coincidentally, Columbia would go on to press K-Tel's early '70s albums.)
Look familiar?
Some Goodyear albums also contained exclusive recordings that to this day cannot be found anywhere else.
The Goodyear Series
(1961)
(1962)
(1963)
(1964)
(1965)
(1966)
(1967)
(1968)
(1969)
(1970) Vol. 10 was a "Best of" compilation of the most popular tracks of the
previous nine albums, leading most collectors to believe Goodyear was
discontinuing the series (they weren't just yet.)
In 1971, the series did continue...but under different names.
(1972)
(1973)
(1974)
(1975) Distribution switched from Columbia to RCA and featuring mostly RCA artists. And Goodyear's rival Firestone affiliated with Columbia.
(1976) An all Henry Mancini LP
(1977) Perry Como and Eugene Ormandy
However, other retailers were also interested in releasing their own tie-in
packaged compilation albums. JCPenney, Sears, A&P Grocery, Safeway
and several others also offered holiday music compilations of their own
through the major labels and now Goodyear and Firestone were two of many and sales slumped.
The labels also offered non tie-in compilation albums (sometimes with the same track listing and order as the Goodyear/Firestone albums) available through any
retailer through their "Special Product" or "Special Market" divisions.
The Christmas album loss leader remained popular through the 1980s. By the '90s, production had switched exclusively to cassettes and CDs.
One of the last attempts at a Christmas loss leader series, these cassettes were produced by RCA in 1991 and marketed by Winston cigarettes. They were given away free with the purchase of specially marked 2 pack boxes.
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