"Killing Me Softly With His Song" Lori Lieberman (1972)

This song may be best known as Roberta Flack's signature song, but this was the original version of it, released a year before Roberta Flack's version became one of the biggest hits of 1973.


Now there's two utterly different stories on the origins of this song.  

Lori Lieberman claimed she was inspired to write the song after watching a Don McLean concert. When he sang "Empty Chairs", she was so moved by his performance that the next day, she told her songwriting partners Norman Gimbel and Charles Fox, who then composed the song.

Gimbel and Fox however contended that the song was inspired by an Argentinian novel. Hopscotch by Julio Cortázar. In Chapter 2, the principal character describes himself as sitting in a bar listening to an American pianist friend 'kill us softly with some 'blues'. Gimbel put it in his 'idea' book for use for later with a parenthesis around the word 'blues' and substituted the word 'song' instead.   

However, the dispute was settled when a New York Daily News interview article from 1973 was unearthed with Gimbel admitting that Lieberman's story had indeed inspired the song.

The song was revived in 1996 by the hip-hop group The Fugees, reaching #2 that year and the Plain White T's recorded a version in 2008.

Now That's What I Call Yacht Rock!

In the late 1970s and early '80s, the airwaves were filled with a certain vanilla latte type of music nobody really had a name for back then.

It was a super polished style of slick, studio perfect pop music that's mostly associated with acts like Kenny Loggins, Steely Dan and Michael McDonald era Doobie Brothers. But acts like Hall & Oates, Chicago, Pablo Cruise, James Ingram, Toto, Christopher Cross, Boz Scaggs, Nicolette Larson, George Benson, Dr. Hook and others were also making this type of music. Or converting briefly to it.

And it wasn't necessarily limited to any one subset of bands and artists. Although it always had a core of artists that tended to appear on each others albums - namely Michael McDonald, Steely Dan, Kenny Loggins and members of Toto. But many other major pop acts of that time period are guilty of contributing to it in some way. Including Elton John, The Bee Gees, The Eagles Fleetwood Mac, Barbara Streisand, Cliff Richard and Smokey Robinson.

But thanks to a later generation of lovable hipster music fans (they just get it. don't they?) This music finally has the proper name those of us who actually grew up in the era of this music never really had for it; Yacht Rock.

Yacht Rock was what was left when you removed the Anne Murray, Barry Manilow, Melissa Manchester, Neil Diamond and the rest of the torchier ballads and disco crossovers from the then-current Adult Contemporary radio playlists of that period.

Yacht Rock is also the name of a hilarious 2005 internet mockumentary series about this era of music. Originally made for internet video site Channel 101, the series is one of the most popular online video series ever and was the subject of a June 2015 article in Rolling Stone. And the source of the very name Yacht Rock.


Yacht Rock as a genre also connotes a recurring theme in the lyrics and album covers of these songs, usually about sailing. But also the fact that many yacht owners simply loved laid back, easy going pop music when out for a sail (and that's not a stereotype. Having some friends who are yacht owners on Puget Sound and sailed with them on day cruises, I can testify to this.)

And Yacht Rock today has made a comeback, mostly by way of the internet series and younger music fans rediscovering these old songs and the artists behind them (the resurgence in vinyl LP records in the last decade to today has also contributed.) But also in the fact that this was once the most familiar type of music on the radio for two decades. And the older fans really miss it.

And I confess, it's a guilty pleasure for me too sometimes....

LSD: The Album

"Here Come The Judge" Pigmeat Markham (1968)

Whether or not this is the very first ever true rap song, a jury of hip-hop scholars will probably forever be out. But this is widely considered to be the earliest known prototype of the genre.

Dewey "Pigmeat" Markham (1904-1981) was a vaudeville comedian in the 1920s and '30s, later moving into acting and singing. He got the name "Pigmeat" from an early act of his, where he declared himself as "Sweet Poppa Pigmeat".

For decades, Markham's career was severely limited to only nightclubs and theatres that accepted black entertainers called the "Chitlin' Circuit", as Jim Crow racism and segregation was still dominant in every aspect of American life in those days. He was little known among white audiences until the 1960s when Pigmeat Markham released several comedy albums that crossed over. 

Sammy Davis Jr. performed the "Here Come The Judge" act on Rowan & Martin's Laugh-In. The success of Sammy Davis Jr.'s rendition of Markham's act later got Markham himself a deal to appear on Laugh-In for one season. The success of which spawned this single, which made it to #19 on the Billboard Top 40 charts in 1968.

Dark Shadows Barnabas' Music Box