Halloween Hits: Sounds Of Terror! - Pickwick Records (1974)

Front Cover

I have a copy of this 1974 Pickwick Records story album. And some of it is surprisingly shocking for what would be an ordinary kid's record. Even today, to say NOTHING of 1974.

Label Side One

Label SideTwo

Back Cover

The record starts off with a cheesy re-recording of "Monster Mash" (NOT the original hit. Hey, this is a Pickwick product. What did you expect?) But then it gets downright creepy on Side 2 with several stories, most involving torture of some kind. " Buried Alive", "Keel Hauled" "Burned At The Stake", etc. are super creepy for any little kid with the tortured screams and the effects are really twisted (especially the sizzling sound during "Burned At The Stake").

However the other recordings "Victims Of The Guillotine", "The Exorcism" "The Incredible Giant Crab" and "Curse Of The Zombies" sound hysterical with the fake accents and terrible script. But it should be noted that the writer of this album was soon to be famous screenwriter Frank Daniel, who had just emigrated to America and these sessions were produced by Wade Denning, a big band conductor who became a session producer at Pickwick and also made a few other classic Halloween kids albums, including his most famous, the much tamer Halloween with Kay Lande on Wonderland Records. 

  

                                                              "Buried Alive"

I wish there were more examples I could present, but I'm not sure of the copyright status of this album. So I just present what I can find on the web. I have already digitized this album fortunately if I get some good news.....

SIDE 1

1. THE MONSTER MASH

2. THE WEREWOLF ATTACKS

3. DR. JEKYLL & MR. HYDE

4. FRANKENSTEIN RETURNS

5. JACK THE RIPPER

6. KING KONG

7. COUNT DRACULA

8. THE HEADLESS HORSEMAN

9. THE MUMMY'S REVENGE

10. THE PHANTOM OF THE OPERA (MP3 Link, courtesy of WFMU Beware Of The Blog)

SIDE 2

1. BURIED ALIVE

2. BURNED AT THE STAKE

3. THE EXORCISM

4. THE INCREDIBLE GIANT CRAB

5. VICTIMS OF THE GUILLOTINE

6. CURSE OF THE ZOMBIES

7. KEEL HAULED

8. THE TORTURE CHAMBER

9. THE BLOB

10. THE NIGHTMARE OF LOST SOULS

"The Bluebird Of Happiness" Jan Peerce (1958 Version)

Folks in the Puget Sound and the Sacramento areas will remember this song as the sign off song of KCPQ-TV 13 Tacoma and KCRA-TV 3 Sacramento before the stations went 24 hours (and filled their overnight schedules with crappy, boring infomercials instead of those awesome old, black and white and made-for-tv movies Kelly Televison used to specialize in for KCPQ in the '80s before KCPQ affiliated with Fox.)

                            (Why am I suddenly craving Spaghetti-O's")

Jan Peerce was an awesome opera singer, ranking right up there with Mario Lanza, Luciano Pavarotti and Enrico Caruso. A really powerful voice - with style to spare. It was MADE for the theater.

And this song is PURE CLASS.

The version on the YouTube video seems to be the mono version. I'm thinking about buying a copy of the Living Stereo version. With the way RCA Victor mastered (and I do mean MASTERED) their old Living Stereo vinyl albums from the late '50s, I'll bet it sounds FANTASTIC!.......

Transylvania Cassette Tape

The choice of music vampires everywhere.........

All during the month of October, I'll be posting a Halloween themed post each day

Bob Marley & The Wailers: Early Music

Here's a nifty little compilation of some of Bob Marley & The Wailer's earliest recordings (with Peter Tosh.) Released in 1977 as Bob Marley was making his mark on American FM rock stations and people everywhere were discovering this strange new music called "reggae". Whereas back then, punk was loud, fast and snotty, reggae was the mellow, laid back stuff your stoner next door neighbour played loudly on his stereo every Sunday morning.

While on the surface, this might look like your typical major label budget compilation (Calla was the hard funk/Caribbean music imprint of CBS Records) to cash in on a big trend by reissuing a current superstar's early material, this album is surprisingly well mastered with some instantly catchy tunes ("Wings Of A Dove", "I'm Still Waiting") and excellent liner notes on the back cover.

On this one, you hear more of a '60s soul influence (these sessions were recorded in the late '60s, before Marley's more rock-influenced Island albums in the '70s that made him a superstar) and Bob Marley could have easily scored a few '60s US hits if CBS were actively looking in Jamaica for exciting new music. Which they weren't (NOBODY outside of Island and a few specialty labels were doing that.) These recordings are reissued material Bob Marley & The Wailers recorded for New World Disc Records. It's a necessary companion to Bob Marley's greatest hits album Legend.
And the perfect soundtrack for a Sunday morning.....

Lost '80s Pop Classic Week: "Rock Me Tonite" Billy Squier (1984)

Well, let me put it this way. Billy Squier was cool. SUPER COOL. At one time, he REALLY was the most popular solo rock artist in the early '80s in America, At one time eclipsing Bryan Adams, George Thorogood and Pat Benatar COMBINED. And if you don't believe it,  I'll remind you:

 But in 1984, something went wrong......Horribly wrong

He was at the peak of his career when he released Signs Of Life, and from all indicators, it was going to be ANOTHER blockbuster album. And it was. This baby shipped platinum straight from Capitol Records on pre-orders ALONE. And a catchy new song hit the airwaves, "Rock Me Tonite" and all was going according to plan.

And then MTV aired the World Premiere Video of "Rock Me Tonite".......

....and you could hear the sound of a million jaws collectively hitting the floor.

For one thing, EVERYTHING was wrong with the video. Famous heterosexual rock guitarists just weren't supposed to prance around in ripped tank tops and pajama bottoms. Or dry hump the floor. Or wear ANYTHING pink. Or stumble around with the band like a drunken drag queen (with a PINK guitar.) It was a TOTAL image clash from the Billy Squier of just a year ago then. Fans scratched their heads and said "What the fu.....?"

And it was proof positive a HUGELY successful music career can be destroyed almost overnight by just ONE bad music video.

And Billy Squier, who once HEADLINED stadiums was suddenly reduced to playing much smaller music venues. (His loyalest fans were still plentiful, but the mainstream fans had all but instantly deserted him.) Over ONE video......

The next few years were rough as he tried to live down the "Rock Me Tonite" video. He released an album in 1986 Enough Is Enough which was a far more serious effort in an attempt to recover from the video debacle and return to form. But rock radio and MTV had mostly ignored it. They were too focused on the hair metal bands who, ironically, pranced around in ripped tank tops and pajama bottoms. Dry humped the floors. Wore ANYTHING pink. And stumbled around like a drunken drag queens.

Some even had PINK guitars.

His comeback finally came in 1989 with the release of Hear And Now, which scored him his first #1 rock hit since "Rock Me Tonite" called "Don't Say You Love Me"and things looked good again....

But Seattle grunge came and soon wiped everyone off the map.

He left Capitol in the early '90s and the music business for the most part, doing nature conservancy work but he still makes occasional appearances at Classic Rock shows.......